Adam is a 15-year-old teenager who has the strange peculiarity of having a body that changes based on the mockery and negative comments he receives from those around him. The accumulation of its physical changes only adds a layer of complexity to those already present in his life. The summer whenhis grandmother Ange dies, he has to work to develop his autonomy. Adam must learn to combine summer jobs with his friendship with Timothée, the desire that he feels towards Jeanne, the intimidation he suffers from Glazer's gang, his natural clumsiness, the family complications with his sister Karine, self-discovery and several other facets of teenage life that can be difficult and beautiful at the same time.

In 1990s Hungary traveling is finally possible, but very expensive. By forging international train tickets by dissolving Pelikan Blue’s carbon ink, three young men provide the opportunity for a whole generation to experience the outside world.

A portrayal of a German artist named Anselm Kiefer presented in Cannes. After the memorable Pina, Wim Wenders offers yet another immersive film experience, thanks to which we can enter the world of the artist and his works. Fictionalized scenes, archive footage and 3D shots from a gigantic workshop near Paris constitute a portrayal of a man struggling with the imprint of time and post-war collective amnesia.

Born in 1945, a student of Joseph Beuys, Anselm Kiefer in his works calls for remembering Germany`s difficult past, much like Heinrich Böll did in literature. Wenders wanders with his camera across a huge space in the French Barjac – an art studio and an exhibition subject to entropy. Construction and deconstruction, myth and fact, testimony and obscurity – these ambivalent fascinations are apparent in multi-storey towers or underground tunnels Kiefer creates. At the same time the director allows himself to make a tender film gesture – the meeting of a young Anselm (portrayed by Wenders` cousin) with the renowned artist.

As the climate crisis becomes increasingly urgent approaching the point of no return and artificial intelligence advances rapidly, FREM presents a striking and sometimes harrowing response to the current wave of posthumanist and anthropocentric thinking.Viera Čákanyová’s unique and experimental documentary is a terrifying and futuristic portrait of one of the most beautiful but at the same extreme landscapes in the world: King George Island off the coast of Antarctica.

The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as its home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.

Hayao Miyazaki returns after a decade with another visionary animation. His new, Oscar-winning film is a moving and timeless story about growing up, loss and love.

After his mother's death, Mahito leaves Tokyo with his father and moves to the countryside. Distanced from the new reality surrounding him, he begins to discover the unexplored area and his new home. One day, he accidentally meets a mysterious gray heron speaking with a human voice, which unexpectedly becomes his guide. The bird gradually helps the boy unravel the mystery of life, taking him to a magical world where the past mixes with the present. The film from Studio Ghibli is also an interesting story about family problems and finding one's role within it.

Hayao Miyazaki is a rare example of an animator who stubbornly decides to use a pencil and crayon instead of a cursor. His latest film shimmers with beautiful, even calligraphic detail, reminiscent of fairy tale illustrations, making it worth watching just for the sake of the fantastic world created in it.