ETIUDA 2021 REGULATION – 28TH INTERNATIONAL FILM FESTIVAL…

Regulations of the competition of student etudes - Etiuda 2021

 §1

ETIUDA festival competition allows the applicants to submit student etudes and graduate films (excluding animated films) made in film and artistic schools as parts of the didactic process between years 2019 - 2021. The films should not exceed 30 minutes in length and need to be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 9th March until 30th June, 2021. The Festival organizers recommend to submit films for the preview through Filmfreeway – www.filmfreeway.com. It is also possible to submit a film by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 20th September 2021.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 8th October 2021. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ETIUDA 2021 competition:
  1. Grand Prix – Golden Dinosaur and a cash prize
  2. Silver Dinosaur
  3. Bronze Dinosaur

The Jury have also the right to award three Honorary Diplomas and one Honorary Diploma for the best film school of ETIUDA competition 2021.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including Awards of FICC Jury – Fédération Internationale des Ciné Clubs, the Audience Award, the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 20th November 2021, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2021” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

Kraków, 9th March 2021

Directors of the 28th IFF Etiuda&Anima 2021

Katarzyna Surmacz Bogusław Zmudziński

 

Anima.PL competition – list of selected films –…

List of international films qualified for the Anima.PL 2020 competition:

  1. Agatka i liście/Aggie and Leaves, reż./dir. Andrzej Piotr Morawski, Polska/Poland 2019, 10’
  2. Ajtia o tym dlaczego diabeł kuleje/Story About Why Devil Limps, reż./dir. Kasia Zimnoch, Paweł Kleszczewski, Polska/Poland 2020, 5’21’’
  3. Antropocen/Anthropocene, reż./dir. Agata Zych, Polska/Poland 2020, 4’37’’
  4. backstage.episodes, reż./dir. Marcin Wojciechowski, Polska/Poland 2020, 11’
  5. Bajka o Starej Babci i Molu Zbyszku/A Tale of Old Granny and Cloth Moth Zbyszek, reż./dir. Mirosława Krymska, Polska/Poland 2020, 11’
  6. Ciałość/Lushfulness, reż./dir. Weronika Szyma, Polska/Poland 2020, 5’39’’
  7. Cykl/Cycle, reż./dir. Julia Benedyktowicz, Polska/Poland 2020, 5’29’’
  8. Drzemka/The Snooze, reż./dir. Katarzyna Kurop, Polska/Poland 2019, 6’16’’
  9. Dynasonic-D6, reż./dir. Karolina Głusiec, Polska/Poland 2020, 4’10’’
  10. Filmiki Ze Zwierzątkami [ZOBACZ TERAZ]/Best Animal Videos [WATCH NOW], reż./dir. Katarzyna Miechowicz, Polska/Poland 2019, 6’27’’
  11. I coś jeszcze/And Something Else, reż./dir. Olga Kłyszewicz, Polska/Poland 2020, 6’41’’
  12. Jestem tutaj/I'm Here, reż./dir. Julia Orlik, Polska/Poland 2020, 15’
  13. Kobieta z kamyczkiem w sercu/A Woman with a Pebble in Her Heart, reż./dir. Karyna Piwowarska, Jakub Wroński, Polska/Poland 2020, 14’
  14. Łowy/The Hunt, reż./dir. Mateusz Jarmulski, Polska/Poland 2019, 8’
  15. Marbles, reż./dir. Natalia Spychała, Polska/Poland 2019, 5’
  16. Metro, reż./dir. Natalia Krawczuk, Polska/Poland 2019, 10’44’’
  17. Millenium, reż./dir. Daria Godyń, Polska/Poland 2020, 8’17’’
  18. Oddychaj!/Breathe!, reż./dir. Kamila Jasińska, Polska/Poland 2019, 4’04’’
  19. Ostatnie Kino/The Last Cinema, reż./dir. Kajetan Pochylski, Polska/Poland 2019, 11’50’’
  20. Papierowy dom/Paper House, reż./dir. Martyna Holda, Polska/Poland 2020, 5’34’’
  21. Paradise Mall, reż./dir. Marta Wiktorowicz, Polska/Poland 2019, 3’
  22. Pierścionek prababci Elżbiety/Great-Grandma Elżbieta’s Ring, reż./dir. Daria Kopiec, Polska/Poland 2019, 2’57’’
  23. Plantarium, reż./dir. Tomek Ducki, Polska, Węgry/Poland, Hungary 2020, 7’
  24. Prawo i bezprawie/Law and Lawlessness, reż./dir. Maciej Wierzejski, Polska/Poland 2019, 7’44’’
  25. PrzywiązAnia/Bindings, reż./dir. Anna Jurga, Polska/Poland 2019, 5’50’’
  26. Psotnik w Szklanej Pułapce/Psotnik in the Glass Trap, reż./dir. Kamil Wójcik, Polska/Poland 2020, 2’44’’
  27. Punkt Obserwacyjny/Observation point, reż./dir. Aleksander Józefczyk, Polska/Poland 2019, 9’35’’
  28. Re-Cycle, reż./dir. Mateusz Lenart, Polska/Poland 2019, 6’
  29. Rodzina Treflików: Majster Klepka/The Treflik Family: DIY, reż./dir. Marek Skrobecki, Polska/Poland 2020, 8’30’’
  30. Roz-Poznanie/Co-Ognition, reż./dir. Przemysław Świda, Polska/Poland 2020, 6’
  31. Słuchaj/Now Listen, reż./dir. Kijek/Adamski, Polska/Poland 2020, 4’
  32. Srebro ryb/Under the Waterweeds, reż./dir. Anita Kwiatkowska-Naqvi, Polska/Poland 2020, 4’56’’
  33. Świetlikowy Gaj/The Firefly Grove, reż./dir. Tomasz Pilarski, Polska/Poland 2019, 5’24’’
  34. Takie piękne miasto/Such a Beautiful Town, reż./dir. Marta Koch, Polska/Poland 2019, 8’
  35. The Curse, reż./dir. Piotr Kabat, Polska/Poland 2020, 7’40’’
  36. We have one heart, reż./dir. Katarzyna Warzecha, Polska/Poland 2020, 11′
  37. Widzę Otchłań/I See the Abyss, reż./dir. Karolina Kajetanowicz, Polska/Poland 2020, 4’20’’
  38. Wielka Księga Uczuć – Tęsknota/The Great Book of Feelings – Longing, reż./dir. Wiola Sowa, Polska/Poland 2020, 7’
  39. Własne śmieci/Your Own Bullshit, reż/dir. Daria Kopiec, Polska/Poland 2020, 6’26’’
  40. Wyszła z brzegów/The Flood, reż./dir. Sofya Nabok, Polska/Poland 2020, 9’

Anima competition – list of selected films –…

Photo from movie Je sors acheter des cigarettes/ I’m Going Out for Cigarette, dir.: Osman Cerfon, France

List of international films qualified for the ANIMA 2020 competition:

  1. 4 North A, reż./dir. Jordan Canning, Howie Shia, Kanada/Canada 2020, 10’53’’
  2. 6|6, reż./dir. Yali Herbet, Izrael/Israel 2019, 2’02’’
  3. Alebrijes, reż./dir. Luis Salas, Kolumbia/Colombia 2020, 12’
  4. Altötting, reż./dir. Andreas Hykade, Niemcy, Kanada, Portugalia/Germany, Canada, Portugal 2020, 11’23’’
  5. Any Instant Whatever, reż./dir. Michelle Brand, Wielka Brytania/United Kingdom 2019, 5’13’’
  6. Armastusest/About Love, reż./dir. Girlin Bassovskaja, Estonia 2020, 10’
  7. Awkward, reż./dir. Nata Metlukh, United States 2020, 3’45’’
  8. Barcelona de Foc/Barcelona Burning, reż./dir. Theodore Ushev, Kanada, Hiszpania/Canada, Spain 2020, 4’33’’
  9. Bird, reż./dir. Wu-Ching Chang, Tajwan, Wielka Brytania/ Taiwan, United Kingdom 2019, 4’35’’
  10. Blüte, reż./dir. Raito Low Jing-Yi, Tajwan/Taiwan 2020, 4’23’’
  11. Çapraz ateş/Crossfire, reż./dir. Ekin Koca, Francja/France 2019, 7’08’’
  12. Chado, reż./dir. Dominica Harrison, Wielka Brytania/United Kingdom 2020, 7’24’’
  13. Conversations with a Whale, reż./dir. Anna Samo, Niemcy/Germany 2020, 8’20’’
  14. Después del eclipse/After the eclipse, reż./dir. Bear R. Blankenhorst, Argentyna/Argentina 2020, 12’’
  15. Divoké bytosti/Wild beasts, reż./dir. Marta Prokopová, Michal Blaško, Czechy, Słowacja/Czech Republic, Slovakia 2019, 8’40’’
  16. Dogs, reż./dir. Benjamin Berrebi, Jakub Bednarz, Diego Cristófano, Théo Lenoble, Mohammad Babakoohi, Karlo Pavicic-Ravlic, Marthinus Van Rooyen, Francja/France 2019, 7’14’’
  17. Florian, reż./dir. Keshav Abrol, Lucas Londońo-Clayton, Pavel Loparev, Hiszpania/Spain 2019, 3’47’’
  18. Freeze frame, reż./dir. Soetkin Verstegen, Niemcy, Belgia/Germany, Belgium 2019, 5’
  19. Grands Canons, reż./dir.Alain Biet, Francja/France 2018, 10’45’’
  20. Home, reż./dir. Anita Bruvere, Wielka Brytania/United Kingdom 2019, 7’51’’
  21. Je sors acheter des cigarettes/ I’m Going Out for Cigarette, reż./dir. Osman Cerfon, Francja/France 13’35’’
  22. Khoziayka Mednoy Gory/The Mistress of the Copper Mountain, reż./dir. Dmitry Geller, Rosja/Russia 2020, 13’33’’
  23. Killing Time, reż./dir. Camille Guillot, Fanny Hagdahl Sörebo, Aleksandra Krechman, Sarah Naciri, Morgane Ravelonary, Valentine Zhang, Francja/France 2019, 4’47’’
  24. Le mal du sičcle/The Great Malaise, reż./dir. Catherine Lepage, Kanada/Canada 2020, 5’19’’
  25. Lístek/Leaf, reż./dir. Aliona Baranova, Słowacja/Slovakia 2020, 5’40’’
  26. Maestro, reż./dir. Illogic, Francja/France 2019, 1’34’’
  27. Per tutta la vita,reż./dir. Roberto Catani, Francja, Włochy/France, Italy 2018, 5’20’’
  28. Pilar, reż./dir. Yngwie Boley, J.J. Epping, Diana van Houten, Holandia/Netherlands 2020, 10’
  29. Precieux/ Precious, reż./dir. Paul Mas, Francja/France 2019, 14’
  30. Rules of Play, reż/dir.Merlin Flügel, Francja/France 2018, 7’34’’
  31. Skříňostroj doktora Steina/The Incredible Wardrobegadget of Dr. Stein, reż./dir. Gabriela Plačková, Czechy/Czech Republic 2019, 14’56’’
  32. Sous la canopée/Under the canopy, reż./dir. Bastien Dupriez, Francja/France 2019, 6’38’’
  33. Sous la glace, reż./dir. Milan Baulard, Ismaďl Berrahma, Flore Dupont, Laurie Estampes, Quentin Nory, Hugo Potin, Francja/France 2019, 6’50’’
  34. Sving/Swing, reż./dir. Lyudmila Skotnikova, Rosja/Russia 2019, 5’15’’
  35. Symbiosis, reż./dir. Nadja Andrasev, Francja, Węgry/France, Hungary 2019, 12’51’’
  36. TCD - Glen Hansard, reż./dir. Lucija Mrzljak, Estonia 2019, 4’28’’
  37. The Winter, reż./dir. Xin Li, Australia 2020, 4’59’’
  38. Tiivad/The Wings, reż./dir. Riho Unt, Estonia 2020, 12’30’’
  39. Toomas Beneath the Valley of the Wild Wolves, reż./dir. Chintis Lundgren, Estonia, Chorwacja, Francja/Estonia, Croatia, France 2019, 18’
  40. Un Coeur d’Or/Heart of Gold, reż./dir. Simon Filliot, Francja/France 2020, 12’46’’
  41. Un lynx dans la ville/A Lynx in the Town, reż./dir. Nina Bisiarina, Francja, Szwajcaria/France Switzerland 2019, 6’48’’
  42. Uzi/Ties, reż./dir. Dina Velikovskaya, Niemcy, Rosja/Germany, Russia 2019, 7’37’’
  43. Warum Schnecken Keine Beine Haben/Why Slugs Have No Legs, reż./dir. Aline Höchli, Szwajcaria/Switzerland 2019, 10’44’’
  44. Yumeminoe/Dreams Into Drawing, reż./dir. Koji Yamamura, Japonia/Japan 2019, 10’10’’
  45. בובה מייסס/Bube maises, reż.dir. Or Levy, Izrael/Israel 2019, 6’20’’
  46. كيف تحولت جدتي الى كرسي/How My Grandmother Became a Chair, reż./dir. Nicolas Fattouh, Liban, Niemcy/Lebanon, Germany 2020, 9’55’’

List of Polish films qualified for the ANIMA 2020:

  1. Cykl/Cycle, reż./dir. Julia Benedyktowicz, Polska/Poland 2020, 5’29’’
  2. Jestem tutaj/I'm Here, reż./dir. Julia Orlik, Polska/Poland 2020, 15’
  3. Łowy/The Hunt, reż./dir. Mateusz Jarmulski, Polska/Poland 2019, 8’
  4. Metro, reż./dir. Natalia Krawczuk, Polska/Poland 2019, 10’44’’
  5. Plantarium, reż./dir. Tomek Ducki, Polska/Poland 2020, 7’
  6. We have one heart, reż./dir. Katarzyna Warzecha, Polska/Poland 2020, 11'
  7. Roz-Poznanie/Co-Ognition, reż./dir. Przemysław Świda, Polska/Poland 2020, 6’

Etiuda competition – list of selected films –…

Photo from the film Masel Tov Cocktail/Masel Tov Cocktail, dir. Arkadij Khaet, Germany

We present a list of 31 films qualified for the ETIUDA 2020 competition:

  1. 1 A.M. in Hongkong/夜港, reż./dir. Zhang Yiling, University of Hong Kong, Hong Kong/Hongkong, 16:37
  2. A Fire in the Sun/Las Llamas de Sol, reż./dir. Pepe Sapena, Escuela de Cinematografía y del Audiovisual de la Comunidad de Madrid, Spain/Hiszpania, 12:04
  3. A Long Story Short/A Long Story Short, reż./dir. Andrei Olănescu, Universitatea Națională de Artă Teatrală și Cinematografică “I.L. Caragiale”, Romania/Rumunia, 9:41
  4. All Cats are Grey in the Dark/Nachts sind alle Katzen grau, reż./dir. Lasse Linder, Hochschule Luzern, Switzerland/Szwajcaria, 18:16
  5. Amputated Asscheeks/Amputierte Arschbacken, reż./dir. Claudia Scheffel, Hochschule für Bildende Künste HFBK Hamburg, Germany/Niemcy, 28:40
  6. At Midnight Place a Dance–Tune/At Midnight Place a Dance–Tune, reż./dir. Roy Seerden, Nederlandse Filmacademie, Netherlands/Holandia, 30:00
  7. The Bonfire/La Hoguera, reż./dir. Carlos Saiz Espin, EFTI Centro Internacional de fotografía y cine, Spain/Hiszpania, 19:00
  8. Dogwatch/Der Wächter, reż./dir. Albin Wildner, Filmakademie Wien, Austria/Austria, 30:00
  9. Exit/Выход, reż./dir. Ivan Basov, Moscow Film School, Russia/Rosja, 20:51
  10. Fine/בסדר גמור , reż./dir. Maya Yadlin, Minshar School of Art, Israel/Izrael, 9:06
  11. Frontier/Hranice, reż./dir. Damián Vondrášek, Filmová a televizní fakulta Akademie múzických umění v Praze – FAMU, Czech Republic/Czechy, 28:33
  12. Good German Work/Kollegen, reż./dir. Jannis Alexander Kiefer, Filmuniversität Babelsberg Konrad Wolf, Germany/Niemcy, 14:00
  13. Good Night/Da Yie, reż./dir. Anthony Nti, Royal Institute for Theatre, Cinema and Sound, Belgium/Belgia, 20:33
  14. Halo Effect/Efekt halo, reż./dir. Patrycja Polkowska, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 14:25
  15. In Between Spaces/Sa Among Agwat, reż./dir. Don Senoc, Unibersidad ng Pilipinas, Philippines/Filipiny, 18:29
  16. Kosher/כשר , reż./dir. Gideon Imagor, Minshar School of Art, Israel/Izrael, 12:51
  17. Madrid–Stockholm/Madrid–Estocolmo, reż./dir. Antonio Ledesma Vila,Carmen Kaltchev Soto, Institute de Cine Madrid, Spain/Hiszpania, 19:44
  18. Masel Tov Cocktail/Masel Tov Cocktail, reż./dir. Arkadij Khaet, Mickey Paatzsch, Filmakademie Baden-Württemberg, Germany/Niemcy, 29:57
  19. Meander/Meander, reż./dir. Dayo Clinckspoor, LUCA - School of Arts, Belgium/Belgia, 19:34
  20. Midnight Jazz/Het appelhuis, reż./dir. Jules Mathôt, Koninklijke Academie voor Schone Kunsten van Gent, Belgium/Belgia, 21:15
  21. Nightfall/Nightfall, reż./dir. Josefine Scheffler, Deutsche Film- und Fernsehakademie Berlin, Germany/Niemcy, 30:00
  22. Night on Fire/Bobři v plamenech, reż./dir. Martin Kuba, Filmová a televizní fakulta Akademie múzických umění v Praze – FAMU, Czech Republic/Czechy, 14:56
  23. Noa/Noa, reż./dir. Dekel Nitzan, The Steve Tisch School for Film & TV Tel Aviv University, Israel/Izrael, 25:01
  24. Planet Gelnica/Planéta Gelnica, reż./dir. Paula Reiselová, Vysoká škola múzických umení v Bratislave – VŠMU, Slovakia/Słowacja, 16:01
  25. Remember When We Used to Talk the Train/Te acuerdas cuando tomábamos el tren, reż./dir. Patricio Alfaro, University College London, United Kingdom/Wielka Brytania, 27:28
  26. RIO/RIO, reż./dir. Zhenia Kazankina, Russian State University of Cinematography named after S.Gerasimov – VGIK, Russia/Rosja, 22:00
  27. The Scarecrows/The Scarecrows, reż./dir. Dan Hodgson, Arts University Bournemouth, United Kingdom/Wielka Brytania, 18:10
  28. Shalky/Shalky, reż./dir. Lance Tangestani, Nederlandse Filmacademie, Netherlands/Holandia, 24:57
  29. Terminal/Terminal, reż./dir. Kim Allamand, Zürcher Hochschule der Künste, Switzerland/Szwajcaria, 13:13
  30. Territories/Timoura, reż./dir. Azedine Kasri, La Femis – École Nationale Supérieure des Métiers de l'Image et du Son, Université de recherche Paris Sciences et Lettres, France/Francja, 25:56

Main photo from the film Good Night/Da Yie, dir. Anthony Nti, Belgium

Call for entries for 27th International Film Festival…

We are pleased to announce that entries are open for Etiuda&Anima 2020

  • ETIUDA COMPETITION - international film competition for student etudes made at film and fine art schools
  • ANIMA COMPETITION - international competition for professional, independent and student animation. 
Deadline is on 30th June 2020 Entry forms you will find here: Competition Regulations:    

ANIMA 2020 REGULATION – 27TH INTERNATIONAL FILM FESTIVAL…

 

 Regulations of the competition - Anima 2020

 §1

ANIMA festival competition allows the applicants to submit animated films (including professional and independent films as well as student etudes) which do not exceed 30 minutes in length and were made between years 2018-2020. The preview copies of the films should be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 2nd March until 30th June, 2020. The film can be submitted by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 14th September 2020.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 30th September 2020. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ANIMA 2020 competition:
  1. Grand Prix – Golden Jabberwocky and a cash prize
  2. Silver Jabberwocky
  3. Bronze Jabberwocky

Special Golden Jabberwocky for the best student animation of the Festival. The Jury have also the right to award three Honorary Diplomas.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including the Audience Award and the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 21st November 2020, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2020” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

  Kraków, 27th February 2020

Directors of the 27th IFF Etiuda&Anima 2020

Katarzyna Surmacz Bogusław Zmudziński

     

ETIUDA 2020 REGULATION – 27TH INTERNATIONAL FILM FESTIVAL…

 

 Regulations of the competition of student etudes - Etiuda 2020

 §1

ETIUDA festival competition allows the applicants to submit student etudes and graduate films (excluding animated films) made in film and artistic schools as parts of the didactic process between years 2018-2020. The films should not exceed 30 minutes in length and need to be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 2nd March until 30th June, 2020. The Festival organizers recommend to submit films for the preview through Filmfreeway – www.filmfreeway.com. It is also possible to submit a film by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 14th September 2020.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 30th September 2020. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ETIUDA 2020 competition:
  1. Grand Prix – Golden Dinosaur and a cash prize
  2. Silver Dinosaur
  3. Bronze Dinosaur

The Jury have also the right to award three Honorary Diplomas and one Honorary Diploma for the best film school of ETIUDA competition 2020.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including Awards of FICC Jury – Fédération Internationale des Ciné Clubs, the Audience Award, the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 21st November 2020, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2020” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

  Kraków, 27th February 2019

Directors of the 27th IFF Etiuda&Anima 2020

Katarzyna Surmacz Bogusław Zmudziński

 

Anima competition – list of selected films –…

Photo from the film Entre sombras / Between the shadows, dir. Mónica Santos, Alice Guimarães, Portugal, France   We present a list of nominated films for the Anima Competition of the 26th Etiuda & Anima International Film Festival:

  1. 創造的進化 / Creative Evolution, reż./dir. Song Yungsung, Japonia/Japan 2019, 5'
  2. 妹妹 / Sister, reż./dir. Siqi Song, Chiny/China 2018, 8'12''
  3. 300 g/m2, reż./dir. Kamila Kučíková, Estonia, Słowacja/Estonia, Slovakia 2018, 5'33''
  4. A Bus, reż./dir. Wenyu Li, Chiny/China 2018, 6'36''
  5. Almost there, reż./dir. Nelly Michenaud, UK 2019, 8'44''
  6. Amelia & Saturnin, reż./dir. Daniel Zagórski, Polska/Poland 2019, 15'
  7. Black hole, reż./dir. Rutger van de Wiel, Holandia/Netherlands 2019, 1'25''
  8. Castle, reż./dir. Ryotaro Miyajima, Japonia/Japan 2019, 5'
  9. Coyote, reż./dir. Lorenz Wunderle, Szwajcaria/Switzerland 2018, 9'55''
  10. Desyat Etyuov v chernom / Ten sketches in black, reż./dir. Tatiana Kuznetsova, Masha Serebryakova, Nikolai Sh, Rosja/Russia 2018, 5'42''
  11. Deszcz / Rain, reż./dir. Piotr Milczarek, Polska/Poland 2019, 5'
  12. Devstvenniy veter / Virgin Wind, reż./dir. Sasha Svirsky, Rosja/Russia 2018, 2'57''
  13. Dont know what, reż./dir. Thomas Renoldner, Austria 2019, 8'07''
  14. Elu24 / Life24, reż./dir. Kristjan Holm, Estonia 2019, 9'
  15. Entre sombras / Between the shadows, reż./dir. Mónica Santos, Alice Guimarães, Portugalia, Francja/Portugal, France 2018, 13'25''
  16. Fight Club but with Tennis, reż./dir. Sylvie Le Couteur, Australia 2018, 3'04''
  17. Fisso, reż./dir. Raito Low Jing Yi, Tajwan/Taiwan 2018, 8'45''
  18. Fuenf / Five, reż./dir. Peter Kaboth, Niemcy/Germany 2019, 6'55''
  19. Good Intentions, reż./dir. Anna Mantzaris, UK 2018, 8'35''
  20. Gorgam-o-Gale Mibaram / Am I a Wolf?, reż./dir. Amir Houshang Moein, Iran 2018, 8'15''
  21. Hänen päänsä / Her Head, reż./dir. Emma Louhivuori, Finlandia/Finland 2019, 7'
  22. I have a problems, reż./dir. Zsuzsanna Debreczeni, Węgry/Hunagry 2018, 6'36''
  23. Inglitrompet / Angel's Trumpet, reż./dir. Martinus Klemet, Estonia 2019, 2'26''
  24. Intermission Expedition, reż./dir. Wiep Teeuwisse, Holandia/Netherlands 2019, 8'21''
  25. Jedan od mnogih / One of Many, reż./dir. Petra Zlonoga, Chorwacja/Croatia 2018, 5'32''
  26. Jim Zipper, reż./dir. Alexandre Roy, Kanada/Canada 2018, 2'
  27. JM, reż./dir. Stanisław Buczkowski, Polska/Poland 2019, 6'
  28. Kohannia / Deep Love, reż./dir. Mykyta Lyskov, Ukraina/Ukraine 2019, 14'
  29. Kõhkleja / The Hesitator, reż./dir. Katariin Mudist, Estonia 2019, 3'42''
  30. La Plongeuse / The Diver, reż./dir. Iulia Voitova, Francja/France 2018, 4'09''
  31. Lachfalten / Laugh Lines, reż./dir. Patricia Wenger, Szwajcaria/Switzerland 2018, 5'52''
  32. Le cortège / The Procession, reż./dir. Pascal Blanchet, Rodolphe Saint-Gelais, Kanada/Canada 2019, 11'23''
  33. Lola zhivaya kartoshka / Lola the living potato, reż./dir. Leonid Shmelkov, Rosja, Francja/Russia, France 2018, 17'18''
  34. Machine Gun Mama, reż./dir. Justine Klaiber, Marwan Eissa, Szwajcaria/Switzerland 2018, 1'20''
  35. Matches, reż./dir. Géza M. Tóth, Węgry/Hungary 2019, 11'25''
  36. Medium rare, reż./dir. Luca Cioci, USA, Włochy/USA, Italy 2018, 4'35''
  37. Memorie di Alba / Alba's Memories, reż./dir. Maria Steinmetz, Andrea Martignoni, Włochy, Niemcy/Italy, Germany 2019, 6'20''
  38. Miam Miam / Yum Yum, reż./dir. Mathilde Pepinster, Belgia/Belgium 2018, 2'24''
  39. Movements, reż./dir. Dahee Jeong, Korea Płd./South Korea 2019, 10'15''
  40. Mr Feaar / Mr fear, reż./dir. Pablo Rafael Roldán, Ezequiel Torres, Argentyna/Argentina 2019, 4'33''
  41. Muedra, reż./dir. Cesar Diaz Melendez, Hiszpania/Spain 2019, 8'50''
  42. Not Today, reż./dir. Marine Jacob, Belgia/Belgium 2018, 5'20''
  43. Ostatnia wieczerza / Last supper, reż./dir. Piotr Dumała, Polska/Poland 2019, 13'
  44. Passage, reż./dir. Anja Sidler, Szwajcaria/Switzerland 2019, 7'
  45. Portret Suzanne / Portrait of Suzanne, reż./dir. Izabela Plucińska, Polska, Niemcy, Francja/Poland, Germany, France 2019, 15'
  46. Prelazak / Passage, reż./dir. Igor Coric, Serbia 2019, 6'50''
  47. Pupa, reż./dir. Namiko Ishidate, Japonia/Japan 2019, 3'
  48. Roughhouse, reż./dir. Jonathan Hodgson, Francja, UK/France, UK 2018, 15'35''
  49. Saigon sur Marne, reż./dir. Aude Ha Leplège, Belgia/Belgium 2019, 14'12''
  50. Schovka / Hide N Seek, reż./dir. Barbora Halířová, Czechy/Czech Republic 2019, 6'55''
  51. Silence, reż./dir. Isis Leterrier, Francja/France 2019, 9'50''
  52. Still Alive, reż./dir. Dennis Tupicoff, Australia 2018, 5'52''
  53. Story, reż./dir. Jola Bańkowska, Polska/Poland 2018, 5'
  54. Suggestion of least resistance, reż./dir. Michelle Kranot, Uri Kranot, Dania, Austria/Denmark, Austria 2019, 5'25''
  55. Sweet Sweat, reż./dir. Jung Hyun Kim, Estonia 2018, 6'13''
  56. The Levers, reż./dir. Boyoung Kim, Korea Płd./South Korea 2018, 9'25''
  57. The Lonely Orbit, reż./dir. Frederic Siegel, Benjamin Morard, Szwajcaria/Switzerland 2019, 9'20''
  58. The Physics of Sorrow, reż./dir. Theodore Ushev, Kanada/Canada 2019, 27'06''
  59. The piece of tail in the mouth of the snake that bites its own tail, reż./dir. Pablo Martínez Ballarín, Estonia, Hiszpania/Estonia, Spain 2019, 11'50''
  60. Toiduahel / Food Chain, reż./dir. Liis Kokk, Mari Kivi, Estonia 2018, 8'30''
  61. Udahnut zivot / Imbued Life, reż./dir. Ivana Bosnjak, Thomas Johnson, Chorwacja/Croatia 2019, 12'15''
  62. Une famille dysfonctionnelle / A Dysfunctional Family, reż./dir. Alexandre Fatta, Kanada/Canada 2018, 5'20''
  63. Untravel, reż./dir. Ana Nedeljkovic, Nikola Majdak Jr., Serbia, Słowacja/Serbia, Slovakia 2018, 9'25''
  64. Vitae Azilia, reż./dir. Joanna Wapniewska, Polska/Poland 2019, 7'14''
  65. West Question East Answer, reż./dir. Dal Park, UK 2018, 6'26''
  66. Who are you?, reż./dir. Julio Pot, Chile 2018, 13'28''
  67. Wieczór / Sunset, reż./dir. Marcin Giżycki, Polska/Poland 2019, 3'15''

Etiuda competition – list of selected films –…

Photo from the film Bitten, dir. Helena Oborska, Poland   We present a list of 29 films from 15 countries qualified for the ETIUDA 2019 competition:

  1. A Life from Death/Elämä kuolemasta, reż./dir. Tuuli Teelahti, ELO Film School Helsinki, Finland/Finlandia, 20''07''
  2. A Siege/Ostrom, reż./dir. István Kovács, University of Theatre and Film Arts of Budapest, Hungary/Węgry, 23'21''
  3. A Waking/离思, reż./dir. Clare Chong, Lasalle College of the Arts, Singapore/Singapur, 16'36''
  4. Bitten/Ukąszenie, reż./dir. Helena Oborska, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 24'13''
  5. Blowing in the Wind/紙飛機, reż/dir. Zhuang Shitu, NTUA Deapratment of Motion Picture, Taiwan/Tajwan, 24'59''
  6. Bubble Gummed Girl/Kaugummiblase, reż./dir. Anja Gurres, Filmakademie Baden-Württemberg, Germany/Niemcy, 25'12''
  7. Cows Can’t Swim/Kühe können nicht schwimmen, reż./dir. Jonas Möllmann, Fachhochschule Dortmund University of Applied Sciences and Arts, Germany/Niemcy, 22'47''
  8. The Crossword/Krzyżówka, reż./dir. Jan Bujnowski, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 14'52''
  9. Dante vs Muhammed Ali, reż./dir. Marc Wagenaar, Nederlandse Filmacademie, Netherlands/Holandia, 28'11''
  10. Departures/Partenze, reż./dir. Nicolas Morganti Patrignani, Roma Film Academy, Italy/Włochy, 10'00''
  11. Fascinatrix, reż./dir. Justyna Mytnik, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 18'26''
  12. Heaven’s Meadow/Am Himmal, reż./dir. Magdalena Chmielewska, Filmacademie Wien, Austria/Austria, 29'56''
  13. JR, reż./dir. Nicolasa Ruiz, Universidad Autónoma de Baja California, Mexico/Meksyk, 20'28''
  14. Last Call, reż./dir. Hajni Kis, University of Theatre and Film Arts of Budapest, Hungary/Węgry, 27'18''
  15. Lily’s Pain Store/莉莉的疼痛商店, reż./dir. Chen Li, New York University Tish School of Arts Asia, China/Chiny, 24'45''
  16. Living it Up/Красиво жить, reż./dir. Yaroslav Lebedev, Moscow Film School, Russia/Rosja, 17'58''
  17. Lolo, reż./dir. Michał Piotrowski, Wydział Radia i Telewizji im. Krzysztofa Kieślowskiego Uniwersytetu Śląskiego, Poland/Polska, 12'08''
  18. The Mammalian Reflex/El reflejo del mamífero, reż./dir. Flavia Martínez, Centro de Capacitación Cinematográfica, Mexico/Meksyk, 27'25''
  19. My Mother’s Words/La Chatouilleuse d’Oreilles, reż./dir. Nanni, Institut national supérieur des arts du spectacle et des techniques de diffusion, LUCA - School of Arts, Beijing Film Academy, Belgium/Belgia, 24'25''
  20. Pinky Promises/Das Mensch, reż./dir. Sophie Linnenbaum, Filmuniversität Babelsberg Konrad Wolf, Germany/Niemcy, 16'55''
  21. Refuge, reż./dir. Federico Spiazzi, Columbia University, United States/Stany Zjednoczone, 9'54''
  22. Seeds of Deceit /Het Zaad van Karbaat, reż./dir. Miriam Guttmann, Nederlandse Filmacademie, Netherlands/Holandia, 21'22''
  23. Strawberry Boys, reż./dir. Michał Toczek, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 20'38''
  24. Till the End of the World/Tot het einde van de wereld, reż./dir. Florence Bouvy, Nederlandse Filmacademie, Netherlands/Holandia, 26'33''
  25. The Turtle Cave/Jaskinia żółwi, reż./dir. Klaudia Folga, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 20'33''
  26. The Weeping Woman/La Llorona, reż./dir. Rosana Cuellar, Hochschule für bildende Künste Hamburg, Germany/Niemcy, 28'28''
  27. Who Sank Your Ships?/מה קרה ילדה? טבעו לך הספינות, reż./dir. Ella Kohn, Tel Aviv University, Israel/Izrael, 24'34 ''
  28. The Vibrant Village, reż./dir. Weronika Jurkiewicz, Universidade Lusófona, University of Theatre and Film Arts of Budapest, LUCA - School of Arts, Hungary/Węgry, 6'55''
  29. Xiao Xian/小贤, reż./dir. Jiajie Yu Yan, Centro Internacional de Fotografía y Cine, Spain/Hiszpania, 17'06''
 

26TH INTERNATIONAL FILM FESTIVAL ETIUDA&ANIMA 2019, 19TH–24TH NOVEMBER…

 

 Regulations of the competition of student etudes - Etiuda

 §1

ETIUDA festival competition allows the applicants to submit student etudes and graduate films (excluding animated films) made in film and artistic schools as parts of the didactic process between years 2017-2019. The films should not exceed 30 minutes in length and need to be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 4th March until 30th June, 2019. The Festival organizers recommend to submit films for the preview through Filmfreeway – www.filmfreeway.com. It is also possible to submit a film by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 13th September 2019.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 30th September 2019. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ETIUDA 2019 competition:
  1. Grand Prix – Golden Dinosaur and a cash prize
  2. Silver Dinosaur
  3. Bronze Dinosaur

The Jury have also the right to award three Honorary Diplomas and one Honorary Diploma for the best film school of ETIUDA competition 2019.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including the Audience Award and the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 23rd November 2019, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2019” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

  Kraków, 4th March 2019

Directors of the 26th IFF Etiuda&Anima 2019

Katarzyna Surmacz Bogusław Zmudziński

 

26TH INTERNATIONAL FILM FESTIVAL ETIUDA&ANIMA 2019, 19TH–24TH NOVEMBER…

 

 Regulations of the competition - Anima

 §1

ANIMA festival competition allows the applicants to submit animated films (including professional and independent films as well as student etudes) which do not exceed 30 minutes in length and were made between years 2017-2019. The preview copies of the films should be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 4th March until 30th June, 2019. The film can be submitted by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 13th September 2019.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 30th September 2019. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ANIMA 2019 competition:
  1. Grand Prix – Golden Jabberwocky and a cash prize
  2. Silver Jabberwocky
  3. Bronze Jabberwocky

Special Golden Jabberwocky for the best student animation of the Festival. The Jury have also the right to award the Honorary Diplomas.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including the Audience Award and the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 23rd November 2019, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2019” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

  Kraków, 4th March 2019

Directors of the 26th IFF Etiuda&Anima 2019

Katarzyna Surmacz Bogusław Zmudziński

     

Call for entries for 26th International Film Festival…

We are pleased to announce that entries are open for Etiuda&Anima 2019

  • ETIUDA COMPETITION - international film competition for student etudes made at film and fine art schools
  • ANIMA COMPETITION - international competition for professional, independent and student animation. 
Deadline is on 30th June 2019 Entry forms you will find here: Competition Regulations:    

Call for entries for 25th International Film Festival…

We are pleased to announce that entries are open for Etiuda&Anima 2018

 
  • ETIUDA COMPETITION - international film competition for student etudes made at film and fine art schools
  • ANIMA COMPETITION - international competition for professional, independent and student animation. 
Deadline is on 30th June 2018 Entry forms you will find here: Competition Regulations:    

25TH INTERNATIONAL FILM FESTIVAL ETIUDA&ANIMA 2018, 20TH–25TH NOVEMBER…

 Regulations of the competition of student etudes - Etiuda

 §1

ETIUDA festival competition allows the applicants to submit student etudes and graduate films (excluding animated films) made in film and artistic schools as parts of the didactic process between years 2016-2018. The films should not exceed 30 minutes in length and need to be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 1st March until 30th June, 2018. The Festival organizers recommend to submit films for the preview through Filmfreeway – www.filmfreeway.com. It is also possible to submit a film by completing a registration form at www.etiudaandanima.com and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.com until 15th September 2018.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 30th September 2018. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ETIUDA 2018 competition:
  1. Grand Prix – Golden Dinosaur and a cash prize
  2. Silver Dinosaur
  3. Bronze Dinosaur

Special Golden Dinosaur for the best set of films (minimum 3 film in competition) submitted by one of the film schools. The Jury have also the right to award the Honorary Diplomas.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including the Audience Award and the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 24th November 2018, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2018” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

Submitting the film to the competition is also equivalent to the agreement for placing the etude on a secured digital platform, made available to on-site and online festival participants during the ETIUDA competition, in order to hold an online voting for the best, in the audience`s opinion, competition film. Online voting shall be the only form of viewers` participation in the ETIUDA 2018 competition for the Audience Award.

§12

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§13

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

  Kraków, 28th February 2018

Directors of the 25th IFF Etiuda&Anima 2018

Katarzyna Surmacz Bogusław Zmudziński

 

25TH INTERNATIONAL FILM FESTIVAL ETIUDA&ANIMA 2018, 20TH–25TH NOVEMBER…

 Regulations of the competition - Anima

 §1

ANIMA festival competition allows the applicants to submit animated films (including professional and independent films as well as student etudes) which do not exceed 30 minutes in length and were made between years 2016-2018. The preview copies of the films should be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 1st March until 30th June, 2018. The Festival organizers recommend to submit films for the preview through Filmfreeway – www.filmfreeway.com. It is also possible to submit a film by completing a registration form at www.etiudaandanima.com and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.com until 15th September 2018.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 30th September 2018. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ANIMA 2018 competition:
  1. Grand Prix – Golden Jabberwocky and a cash prize
  2. Silver Jabberwocky
  3. Bronze Jabberwocky

Special Golden Jabberwocky for the best student animation of the Festival. The Jury have also the right to award the Honorary Diplomas.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including the Audience Award and the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 24th November 2018, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2018” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

  Kraków, 28th February 2018

Directors of the 25th IFF Etiuda&Anima 2018

Katarzyna Surmacz Bogusław Zmudziński

     

ANIMA contest – What’s new in animation? The…

This year’s edition of ANIMA contest means another matched record, but also exoticism and youth’s attack.

The number of movies applied to the ANIMA contest grows by the year: this year we have received 1126 applications, from which the contest commission appointed 68 positions from 30 different countries. Only six percent were selected to be the lucky laureates – this means that 16 authors were applying for each place. Many colleges would be envious of this score.

blind-vaysha1

Photo from the film Blind Vaysha

We were very happy to discover, that nearly half of them are student’s movies. This implies that the young generation becomes a worthy opponent of professional animators. Beside the well-known artists, we are going to meet plenty of young talents and find out, if their innovative ways aren’t already more interesting than the ones created by old masters. Among the greatest we’ll see: Koji Yamamura (“Parade” de Satie), Bill Plympton (The Loneliest Stoplight), riding high on the international festivals Igor Kovalyov (Before Love) and Theodore Ushev (Blind Vaysha), and also Paul Bush (The Five Minute Museum), Ülo Pikkov (Tik Tak) and Vladimir Leschiov (Waiting for the New Year).

Let’s be honest – November is a hard time of year and the ANIMA contest makes it possible to survive. Our own places are kind of gloomy and untidy (Penelope), whether you live on a camp (A Long Holiday) or in aerial tram (9 Chemin des Gauchoirs). There is no point in wandering around the city like the Scapegoat, especially since strolling can be really dangerous (Hallux, Le Promeneur). Traffic jams are everywhere (Cachorro Loko) and you can’t trust the lights (The Loneliest Stoplight). Even a transparent trains are minacious (Locus), and by boat you can reach an unhandy nook (Perched) or catch something fishy (Castillo e il Armado). Rapid moves require a good coordination (Vivir), and dancing can get you really tangled (Music Dances). Danger everywhere.

the-loneliest-stoplight1

Photo from the film The Loneliest Stoplight

That is why sitting among the viewers and diving into the colorful world of contest’s animation would be the safest option. And then… we’ll bring back the magic of old radio (Distances are overcome, Radio Wave), we’ll see the sound (Composition), take a peek of freaky fortunes of fairytale characters (Merlot) or a passionate relations between men and women (XOXO – Hugs and Kisses, Amélia & Duarte). We can glance into the future and past at the same time (Blind Vaysha). Anyone we need: a watchmaker (Tik Tak), a firefighter lady (Wildfire), an ethnographer (Colector), a fly trainer (Three Fitted Flies), and even a scarecrow (Scarecrow, Au revoir Balthazar). We’ll manage even unwanted guests (Batfish soup).

Here we have some exotism: we can offer you an expedition to Singapore, Taiwan, Brazil, Colombia. Wild West maybe? China, Japan and South Korea are also available. We can also offer space flights, but it is not actually the most optimistic picture of future (Black).

Let’s fight this horrible November weather with vibrant colours of the ANIMA contest.

I ANIMA SCREENING: 23rd November (Wednesday), 5:15 PM, Małopolski Ogród Sztuki (Large Hall) II ANIMA SCREENING: 23rd November (Wednesday), 9:00 PM, Małopolski Ogród Sztuki (Large Hall) III ANIMA SCREENING: 24th November (Thursday), 3:00 PM, Małopolski Ogród Sztuki (Large Hall) IV ANIMA SCREENING: 24th November (Thursday), 7:15 PM, Małopolski Ogród Sztuki (Large Hall) V ANIMA SCREENING: 25th November (Friday), 3:00 PM, Małopolski Ogród Sztuki (Large Hall) VI ANIMA SCREENING: 25th November (Friday), 9:00 PM, Małopolski Ogród Sztuki (Large Hall)

ETIUDA Competition – Sink into cinema!

Films that are taking part in this year's Etiuda Competition present a panorama of themes which are of particular interest to the young filmmakers. They tell stories about universal human experience and reflect on contemporary global issues, showing not only great hearts of their creators, but also revealing their sensitivity and empathy.

etiuda_11 Photo from the film „Piter Patter Goes My Heart”

From Wednesday (November 23) till Saturday (November 26), viewers will be able to experience a whole range of cinematic emotions at the screenings of the competition entries in Małopolska Garden of Arts. 40 student films from all over the world will compete for the main prize – the Golden Dinosaur and 2500 euro. Film school that submitted at least three films for the competition will also be awarded.

On the screen, we will see the characters embracing Eros and Thanatos (“Opposite of Orange”),  experiencing a sensual love regardless of age (“Eva”, “Riphsime and Shota”) or putting their feelings to the test (“Die Stille”). We will find out if it is possible to find the way to our loved one's heart through the... varicose veins (“Piter Patter Goes My Heart”). We will also confront some eschatological issues (“De Profundis”), ardent faith (“Promised Daughter”) and a secret (“Clara’s Rage”). Finally, we will embark on an Antonioni-style film journey, together with the characers of the intriguing “Cross-Country Ride”.

The young adepts of film art eagerly turn their cameras at their peers. They show their struggle in a tough job market (“Freelance”), frequent housing problems (“Tenants”) and even – in a playful way – their attemps to cut the cord (“Nabelshnur”) and create a serious relationship (“Clean Sex”). They also look into the process of growing up, like in a lyrical documentary “Urban Cowboys” or in a teenager's tale “Dummy”.

With an equal zeal, filmmakers engage in the political situation in the world and comment on the current reality through their films. They shed light on the immigration problem in Europe (“Boat People”, “Samira”) and the ups and downs of emmigration (“Maman and the Ocean”, “Travelling On One Leg”, “Sightseeing”). They show war-affected areas (“Shujayya”) as well as ethnical and ideological conflicts (“Star David”). Thanks to them, we will be able to watch the documentaries featuring, among others, members of Indian opposition Kabir Kala Manch (“Forbidden Notes”) and Czesław Kiszczak (“Say It Again, Grandad”).

etiuda_2 Photo from the film „Say It Again, Grandad”

Screenings of the competing student short films give us the chance to explore the new film trends, innovative ideas and fresh cinematic techniques. It is a unique opportunity to see the first works of the most talented young filmmakers from all over the world, whose great adventure with a “big cinema” is just about to start.

The students etudes will compete for the Golden, Silver and Bronze Dinosaur. The verdict will be announced on Saturday, November 26. Schools competing for the title of the Best Film School of the Festival are: Centro de Capacitación Cinematográfica from Mexici, Deutsche Film und Fernsehakademie from Berlin, Hamburg Media School, The Film School in Łodz and The Shota Rustaveli Theatre and Film Georgia State University.

  I SCREENING ETIUDA: 23 November (Wednesday), 15:00,  Małopolska Garden of Arts (MOS), Main Room II SCREENING ETIUDA: 24 November (Thursday), 17:00, Małopolska Garden of Arts (MOS), Main Room III SCREENING ETIUDA: 24 November (Thursday), 21:00, Małopolska Garden of Arts (MOS), Main Room IV SCREENING ETIUDA: 25 November (Friday), 17:15, Małopolska Garden of Arts (MOS), Main Room V SCREENING ETIUDA: 25 November (Friday), 19:00, Małopolska Garden of Arts (MOS), Main Room VI SCREENING ETIUDA: 26 November (Saturday), 14:00, Małopolska Garden of Arts (MOS), Main Room VII SCREENING ETIUDA: 26 November (Saturday), 16:00, Małopolska Garden of Arts (MOS), Main Room

We already know the results of the selection…

Gaidot Jauno gadu/Waiting For the New Year, reż./dir. Vladimir Leschiov List of films accepted to the competition in  Anima contest 2016  competing for awards of Golden Jabberwocky (15,000 PLN), Silver Jabberwocky, Bronze Jabberwocky and Special Golden Jabberwocky:

  • 9, chemin des Gauchoirs, reż./dir. Lyonel Charmette, Vanilla Seed, Francja/France, 13’
  • Aftermath, reż./dir. Layla Atkinson, Trunk Animation, Wielka Brytania/UK, 2’30’’
  • Afternoon Class, reż./dir. Oh Seoro, Korea, 3’50’’
  • Albert, reż./dir. Felix Weisz, Austria, 7’10’’
  • Amélia & Duarte, reż./dir. Alice Guimarães, Mónica Santos, Portugalia, Niemcy/Portugal, Germany, 8’30’’
  • Au revoir Balthazar, reż./dir. Rafael Sommerhalder, freihändler Filmproduktion GmbH, Switzerland, 9’30’’
  • Batfish Soup, reż./dir. Amanda Bonaiuto, California Institute of the Arts, USA, 4’30’’
  • Before Love, reż./dir. Igor Kovalyov,  Rosja/Russia, 19’15’’
  • Books on books, reż./dir. Lei Lei, Chiny/China, 7’14’’
  • Borderlines, reż./dir. Hanka Nováková, FAMU, Czechy/Czech Republic, 4’53’’
  • Cachorro Loko, reż./dir. Igor Shin Moromisato, Niemcy/Germany, 5’30’’
  • Café froid/Cold Coffee, reż./dir. Stephanie Lansaque and Francois Leroy, Francja/France, 14’44’’
  • Castillo y el Armado, reż./dir. Pedro Harres, Brazylia/Brazil, 13’46’’
  • Chez moi/My Home, reż./dir. Mai Nguyen, Francja/France, 11’54’’
  • Ciało obce/Foregin body, reż./dir. Marta Magnuska, PWSFTviT, Polska/Poland,  7’
  • Czerń/Black, reż./dir. Tomasz Popakul, Polska, Japonia/Poland, Japan, 14’
  • Daljine su savladane/Distances are overcome, reż./dir. Jelena Milunović, Serbia, 3’                                                                                        
  • De longues vacances/A Long Holiday, reż./dir.: Caroline Nugues-Bourchat, Belgia/Belgium, 15’54’’
  • Fears, reż./dir. Nata Metlukh, Vancouver Film School (VFS), Kanada/Canada, 2’08’’
  • Feed, reż./dir.: Eri Okazaki, Tama Art University, Japonia/Japan, 6’53’’
  • Fenwick Island, reż./dir. Shane Beam, DePaul University, USA, 3’41’’
  • Figury niemożliwe i inne historie II/Impossible figures and other stories II,  reż./dir.  Marta Pajek, Animoon, Polska/Poland, 14’40’’
  • Flowers and Feathers, reż./dir. Jennifer Haugan, Royal College of Art, Wielka Brytania/UK, 3’32’’
  • Gaidot Jauno gadu/Waiting For the New Year, reż./dir. Vladimir Leschiov, Lunohod, Łotwa/Latvia, 8’11’’
  • Hallux, reż./dir. Henning Thomas, University of Fine Arts, Hamburg, Niemcy/Germany, 10’25’’
  • How Long, Not Long, reż./dir. Michelle Kranot and Uri Kranot, Dania/Denmark, 5’30’’
  • Illusions, reż./dir. Dominca Harrison, Edinburgh College of Art, Wielka Brytania/UK, 5’22’’
  • In the Distance, reż./dir. Florian Grolig, Niemcy/Germany, 7’
  • Kolekcjoner/Colector, reż./dir. Kamila i Mirek Sosnowscy, Polska/Poland, 7’09’’
  • Kompozicija/Composition, reż./dir. Mitja Manček, Słowenia/Slovenia, 3’34’’
  • Kovbojsko/Cowboyland, reż./dir. David Stumpf, Academy of Performing Arts in Bratislava, Słowacja/Slovakia, 4’46’’
  • Kut/Corner, reż./dir. Lucija Mrzljak, Estonian Academy of Arts, Estonia, 2’06’’
  • Lak Boh Ki/Drop Nowhere, reż./dir. Qing Sheng Ang, Singapur/Singapore, 7’38’’
  • Living, reż./dir. Cesar Diaz Melendez, Hiszpania/Spain, 1’
  • Locus, reż./dir. Anita Kwiatkowska-Naqvi, WJTeam, Polska/Poland, 10’08’’
  • Löss, reż./dir. Yi Zhao, Andre Bos, Holandia/Nederland, 28’
  • Me Kafka Bogota, reż./dir. Camilo Cogua & Ricardo Arce, Kolumbia/Colombia, 7’
  • Merlot, reż./dir. Giulia Martinelli and Marta Gennari, Włochy/Italy, 5’40’’
  • Minotaurs, reż./dir. Karlis Vitols, Łotwa/Latvia, 8’30’’
  • Mr Sand, reż./dir. Soetkin Verstegen, Dania/Denmark, 8’15’’
  • Music Dances, reż./dir. Kirill Fessenko, Kanada/Canada, 1’54’’
  • Nighthawk, reż./dir. Špela Čadež, Słowenia/Slovenia, 8’50’’
  • Novembre/November, reż./dir. Marjolaine Perreten, La Poudrière, Francja/France, 4’
  • Parade de Satie, reż./dir. Koji Yamamura, Japonia/Japan, 14’12’’
  • Penelope, reż./dir. Heta Jäälinoja, Estonian Academy of Arts, Estonia, 4’23’’
  • Perched, reż./dir. Liam Harris, The National film and Television School, Wielka Brytania/UK, 10’30’’
  • Projection, reż./dir. Beryl Allee, Pacific Northwest College of Art, USA, 5’41’’
  • Radio Wave, reż./dir. Ryotaro Miyajima, Tokyo University of the Arts, Japonia/Japan, 3’09’’
  • Scapegoat, reż./dir. Gal Haklay, Izrael/Israel, 8’30’’
  • Ślady ulotne/Traces of Ephemeral, reż./dir. Agnieszka Waszczeniuk, Uniwersytet Artystyczny w Poznaniu, Polska/Poland, 7’49’’
  • Slinky, reż./dir. Rianne Stremmelaar, Artez Hogeschool voor de Kunsten Zwolle, Holandia/Netherlands, 5’
  • Šuma/Shuma, reż./dir. Lucija Mrzljak, Estonian Academy of Arts, Estonia, 6’12’’
  • The Five Minute Museum, reż./dir. Paul Bush, Ancient Mariner and Schattenkabinett, Wielka Brytania/UK, 6’30’’
  • The Loneliest Stoplight, reż./dir. Bill Plympton, USA, 6’18’’
  • The Scarecrow, reż./dir. Victoria Budgett, The Arts University Bournemouth, Wielka Brytania/UK, 3’50’’
  • Le Promeneur/The Walker, reż./dir. Thibault Chollet, Francja/France, 5’53’’
  • Tik Tak, reż./dir. Ülo Pikkov, Nukufilm, Estonia, 10’
  • Tres moscas a medida/Three Fitted Flies, reż./dir. María Álvarez and Elisa Morais, Wielka Brytania/UK, 7’47’’
  • Tu Tamo/Here There, reż./dir. Alexander Stewart, Bonobostudio, Chorwacja/Croatia, 4’40’’
  • Un plan d’enfer/One Hell of a Plan, reż./dir. Alain Gagnol, Jean-Loup Felicioli, Francja/France, 5’50’’
  • Vaysha l'aveugle/Blind Vaysha, reż./dir. Theodore Ushev, Kanada/Canada, 8’13’’
  • Vučje igre/Wolf Games, reż./dir. Jelena Oroz, Chorwacja/Croatia, 4’44’’
  • Wildfire, reż./dir. Hugues Opter, Pierre Pinon, Nicole Stafford, Valentin Stoll, Arnaud Tribout, Shang Zhang, Francja/France, 3’58’’
  • Without Tears, reż./dir. Amy Wang, Taipei National University of the Arts, Taiwan, 5’24‘’
  • Wonder, reż./dir. Mirai Mizue, Carte Blanche, Francja/France, 8’08’’
  • XOXO - pocałunki i uściski/XOXO – Hugs and Kisses, reż./dir. Wiola Sowa, SowaFilm, Poland, 14’
  • Zaczyn/Leaven, reż./dir. Artur Hanaj, PWSFTviT, Polska/Poland, 5’
  • 동물농장/Animal farm, reż./dir. Choi Nara, Korea, 6’15’’