Etiuda competition – list of selected films –…

Photo from the film Any Place/En cualquier lugar, dir. Minerva Rivera Bolaños, Centro de Capacitación Cinematográfica, Mexico

We present a list of 25 films qualified for the ETIUDA 2022 competition:

  1. Any Place/En cualquier lugar, reż./dir. Minerva Rivera Bolaños, Centro de Capacitación Cinematográfica, Mexico/Meksyk, 13:00
  2. Aralkum/Aralkum, reż./dir. Mila Zhluktenko, Daniel Asadi Faezi, Hochschule für Fernsehen und Film München, Germany/Niemcy, 13:40
  3. Awohali/Awohali, reż./dir. Dominika Kováčová, Vysoká škola múzických umení v Bratislave, Slovakia/Słowacja, 29:34
  4. Broken/Broken, reż./dir. Nan Khin San Win, Yangon Film School, Myanmar/Mjanma, 12:15
  5. Call Me Messiah/Mów Mi Mesjasz, reż./dir. Andrzej Brzózka, Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. L.Schillera w Łodzi, Poland/Polska, 17:40
  6. Geamăna/Geamăna, reż./dir. Matthäus Wörle,  Hochschule für Fernsehen und Film München, Germany/Niemcy, 30:00
  7. Graveyard of Horses/马冢, reż./dir. Xiaoxuan Jiang, New York University, United States/Stany Zjednoczone, 16:56
  8. I Only Appear Dead/Ich bin nur scheintot, reż./dir. Mira-Belle Rose Bryld, Hochschule für Fernsehen und Film München, Germany/Niemcy, 13:14
  9. Maverick (Of Hen and Men)/Samorast (O sliepkach a ľuďoch), reż./dir. Peter Hoferica, Vysoká škola múzických umení v Bratislave, Slovakia/Słowacja, 25:33
  10. Magdalena/Magdalena, reż./dir. Michael Lazovsky, American Film Institute Conservatory, United States/Stany Zjednoczone, 24:51
  11. Mona & Parviz/Mona & Parviz, reż./dir. Kevin Biele, IFS Internationale Filmschule Köln, Germany/Niemcy, 17:00
  12. Night Visit/Habikur, reż./dir. Mya Kaplan, Steve Tisch School of Fim & Television, Tel Aviv University, Israel/Izrael, 25:14
  13. Ob Scene/Ob Scena, reż./dir. Paloma Orlandini Castro, Universidad Nacional de General San Martín, Argentina/Argentyna, 17:39
  14. Our Highest Priority/Our Highest Priority, reż./dir. Emma Macklin, Daniel Karan, Toronto Metropolitan (Ryerson) University, Canada/Kanada, 10:00
  15. Rondo/Rondo, reż./dir. Katharina Rivilis, Deutsche Film- und Fernsehakademie Berlin, Germany/Niemcy, 29:09
  16. Slave/Niewolnik, reż./dir. Grzegorz Piekarski, Szkoła Filmowa im. Krzysztofa Kieślowskiego, Uniwersytet Śląski w Katowicach, Poland/Polska, 29:31
  17. Survive/Überleben, reż./dir. Lara Milena Brose, Kilian Armando Friedrich, Hochschule für Fernsehen und Film München, Germany/Niemcy, 30:00
  18. Taap - About Mercury Rolling Down The Bodies/Taap - About Mercury Rolling Down The Bodies, reż./dir. Soumyajit Ghosh Dastidar, Film and Television Institute of India, India/Indie, 10:03
  19. Tail of Rat/Cola de rata, reż./dir. José Armando Salomo Rosas, Centro de Capacitación Cinematográfica, Mexico/Meksyk, 18:17
  20. The Devil/Diabeł, reż./dir. Jan Bujnowski, Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. L.Schillera w Łodzi, Poland/Polska, 19:09
  21. The Elusive Joy of Labor/Linsaisissable Joie Du Travail, reż./dir. Miao Yu, La Fémis, France/Francja, 8:36
  22. The Fourth Door/La Cuarta Puerta, reż./dir. Hugo Magaña, Centro de Capacitación Cinematográfica, Mexico/Meksyk, 27:05
  23. There is No Peace of Mind/Nie ma spokoju, reż./dir. Karol Ulman, Szkoła Filmowa im. Krzysztofa Kieślowskiego, Uniwersytet Śląski w Katowicach, Poland/Polska, 13:24
  24. Three Ants/三只蚂蚁, reż./dir. Yuan-HaiTao, National Taiwan University of Arts, China/Chiny, 28:55
  25. Vagabond/Vagabond, reż./dir. Dominik C. Brauweiler, Filmacademie Wien, Austria/Austria, 27:20

Main photo from the film Any Place/En cualquier lugar, dir. Minerva Rivera Bolaños, Centro de Capacitación Cinematográfica, Mexico

Call for entries for 29th International Film Festival…

We are pleased to announce that entries are open for Etiuda&Anima 2022

  • ETIUDA COMPETITION - international film competition for student etudes made at film and fine art schools
  • ANIMA COMPETITION - international competition for professional, independent and student animation. 

Deadline is on 30th June 2022

Entry forms you will find here:

Competition Regulations:

We invite you!!!

ANIMA 2022 REGULATION – 29TH INTERNATIONAL FILM FESTIVAL…

Regulations of the competition - Anima 2022

 §1

ANIMA festival competition allows the applicants to submit animated films (including professional and independent films as well as student etudes) which do not exceed 30 minutes in length and were made between years 2021 - 2022. The preview copies of the films should be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 1st February until 30th June, 2022. The films are submitted by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 12th September 2022.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP or a link to a digital file (DCP, mov, mp4) until 7th October 2022. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition. Authors whose films are accepted into the competition are also obliged to deliver a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph until the same date.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ANIMA 2022 competition:
  1. Grand Prix – Golden Jabberwocky and a cash prize
  2. Silver Jabberwocky
  3. Bronze Jabberwocky

Special Golden Jabberwocky for the best student animation of the Festival. The Jury have also the right to award three Honorary Diplomas.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including the Audience Award based on the audience’s voting and the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 27th November 2022, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2022” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP copies shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

Kraków, 24th March 2022

Directors of the 29th IFF Etiuda&Anima 2022

Katarzyna Surmacz Bogusław Zmudziński

ETIUDA 2022 REGULATION – 29TH INTERNATIONAL FILM FESTIVAL…

Regulations of the competition of student etudes - Etiuda 2022

 §1

ETIUDA festival competition allows the applicants to submit student etudes and graduate films (excluding animated films) made in film and artistic schools as parts of the didactic process between years 2021 - 2022. The films should not exceed 30 minutes in length and need to be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 1st February until 30th June, 2022. Films should be submitted for the preview through Filmfreeway – www.filmfreeway.com. It is also possible to submit a film by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 12th September 2022.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP or a link to a digital file (DCP, mov, mp4) until 7th October 2022. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition. Authors whose films are accepted into the competition are also obliged to deliver a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph until the same date.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ETIUDA 2022 competition:
  1. Grand Prix – Golden Dinosaur and a cash prize
  2. Silver Dinosaur
  3. Bronze Dinosaur

The Jury have also the right to award three Honorary Diplomas and a Special Mention for the best film school of ETIUDA competition 2022.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including the FICC – Fédération Internationale des Ciné Clubs Jury Award, the Audience Award based on the audience’s voting, and the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 27th November 2022, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2022” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP copies shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

Kraków, 24th January 2022

Directors of the 29th IFF Etiuda&Anima 2022

Katarzyna Surmacz Bogusław Zmudziński

 

Anima competition – list of selected films –…

Photo from animation Affairs of the Art, dir. Joanna Quinn, Canada 2021

List of animations qualified for the ANIMA 2021 competition:

  1. Affairs of the Art, reż./dir. Joanna Quinn, Kanada/Canada 2021, 16’
  2. Agape, reż./dir. Gabrielle Siraudin, Maxime Delsart, Adèle Fugier, Julie Griot, Thibault Magrit, Raina Patel, Francja/France 2020, 7’02’’
  3. Alleswasichberühre / C, reż./dir. Marion Täschler, Szwajcaria/Switzerland 2020, 5’04’’
  4. Autoportret odczuwany / Self-Portrait as Felt, reż./dir. Julia Benedyktowicz, Polska/Poland 2021, 7’27’’
  5. Benztown, reż./dir. Gottfried Mentor, Niemcy/Germany 2021, 4’45’’
  6. Bis zum letzten Tropfen / To the last drop, reż./dir. Simon Schnellmann, Niemcy/Germany 2021, 5’46’’
  7. Blink in the Desert, reż./dir. Shinobu Soejima, Japonia/Japan 2021, 10’34’’
  8. BusLine35A, reż./dir. Elena Felici, Dania/Denmark 2021, 5’50’’
  9. Ce qui résonne dans le silence / What resonates in silence, reż./dir. Marine Blin, Francja/France 2020, 8’04’’
  10. Coffin, reż./dir. Yuanqing Cai, Nathan Crabot, Houzhi Huang, Mikolaj Janiw, Mandimby Lebon, Théo Tran Ngoc, Francja/France 2020, 5’23’’
  11. Comeback, reż./dir. Vladimir Leschiov, Łotwa, Litwa/Latvia, Lithuania 2021, 7’55’’
  12. Dom / Home, reż./dir. Marcjanna Urbańska, Polska/Poland 2019, 5’05’’
  13. Drawn Undrew Draw, reż./dir. Angel Wu, Tajwan/Taiwan 2020, 3’30’’
  14. Guard of Honour, reż./dir. Edmunds Jansons, Łotwa/Latvia 2021, 5’31’’
  15. Hokkyoku-Guma Suggoku Hima / Polar Bear Bears Boredom, reż./dir. Koji Yamamura, Japonia/Japan 2021, 7’
  16. Honekami / A Bite of Bone, reż./dir. Honami Yano, Japonia/Japan 2021, 9’45’’
  17. Jean, reż./dir. Marion Auvin, Francja/France 2020, 13’20’’
  18. Książę w cukierni / Prince in a Pastry Shop, reż./dir. Katarzyna Agopsowicz, Polska/Poland 2020, 16’
  19. L’absent / The absent, reż./dir. Lola Degove, Francja/France 2020, 7’10’’
  20. Latitude du printemps / A Tiny Tale, reż./dir. Sylvain Cuvillier, Chloé Bourdic, Théophile Coursi, Francja/France 2020, 7’33’’
  21. Le Journal de Darwin / Darwin’s Notebook, reż./dir. Georges Schwizgebel, Szwajcaria/Switzerland 2020, 9’20’’
  22. Mauvaises herbes / Bad Seeds, reż./dir. Claude Cloutier, Kanada/Canada 2020, 6’22’’
  23. Meblościanka / Wall unit, reż./dir. Joanna Polak, Polska/Poland 2021, 9’47’’
  24. Miłość w czasach gospodarki opartej na węglu / Love in the times of coal-based economy, reż./dir. Tomasz Siwiński, Polska, Chorwacja/Poland, Croatia 2021, 11’55’’
  25. Mokryie Nosochki Berty Reis / The Wet Socks of Berta Reyes, reż./dir. Alexandra Shadrina, Rosja/Russia 2020, 11’02’’
  26. MOM, reż./dir. Kajika Aki Ferrazzini, Francja/France 2020, 9’10’’
  27. Nachalo sveta / Beginning of the light, reż./dir. Anastasia Melikhova, Rosja/Russia 2020, 6’20’’
  28. Naelapea Pihta / Hit the Nail on the Head, reż./dir. Cristo Madissoo, Maria Rakitina, Lyza Jarvis, Kaimar Lomp, Estonia 2021, 6’10’’
  29. Noir-Soleil, reż./dir. Marie Larrivé, Francja/France 2021, 20’
  30. On Time, reż./dir. Zbigniew Czapla, Polska/Poland 2021, 5’32’’
  31. One Last Wish. Based on "What, Of this Goldfish, Would You Wish?" by Etgar Keret, reż./dir. Galia Osmo, Izrael/Israel 2021, 10’20’’
  32. Only a child, reż./dir. Simone Giampaolo, Szwajcaria/Switzerland 2020, 6’
  33. Orgiastic Hyper-Plastic, reż./dir. Paul Bush, Dania, UK/Denmark, UK 2020, 7’
  34. Pá kis Panelom! / Bye Little Block!, reż./dir. Éva Darabos, Hungary/Węgry 2020, 8’42’’
  35. Papa Zaza, reż./dir. Géraldine Charpentier, Belgia/Belgium 2020, 8’28’’
  36. Popioły / Ashes, reż./dir. Joanna Dudek, Polska/Poland 2020, 7’49’’
  37. Seeker, reż./dir. Shenglong Zhang, USA 2021, 3’42’’
  38. Silvering, reż./dir. Eilidh Nicoll, UK 2021, 5’57’’
  39. Siłaczka / 98 kg, reż./dir. Izabela Plucińska, Polska, Niemcy/Poland, Germany 2021, 5’
  40. Sobaki Pakhnut Morem / Dogs Smell Like the Sea, reż./dir. Anastasiya Lisovets, Rosja/Russia 2020, 4’14’’
  41. Świątynia Ukwiału / Anemone Temple, reż./dir. Justyna Pazdan, Polska/Poland 2020, 4’52’’
  42. Ta presneta ocetova kamera! / My Father's Damn Camera!, reż./dir. Milos Tomic, Słowenia/Slovenia 2021, 6’40’’
  43. Tender Parts, reż./dir. Steven Subotnick, USA 2021, 5’50’’
  44. The Edge, reż./dir. Zaide Kutay, Géraldine Cammisar, Szwajcaria/Switzerland 2020, 7’23’’
  45. The Fog, reż./dir. Ziyoo Hwang, UK 2021, 6’16’’
  46. Thorns and Fishbones, reż./dir. Natália Azevedo Andrade, Węgry/Hungary 2020, 9’47’’
  47. Toonekurg / The Stork, reż./dir. Lucija Mrzljak, Morten Tšinakov, Estonia 2020, 15’51’’
  48. Transfer, reż./dir. Krzysztof Kiwerski, Polska/Poland 2021, 7’26’’
  49. Tunable Mimoid, reż./dir. Vladimir Todorovic, Australia 2020, 7’13’’
  50. Vadim na progulke / Vadim on a walk, reż./dir. Sasha Svirsky, Rosja/Russia 2021, 7’57’’
  51. Volver / Return, reż./dir. Jonathan Delgado Herrera, Argentyna/Argentina 2020, 11’28’’
  52. Zapomniany / Forgotten, reż./dir. Mawrgan Shaw, Kanada/Canada 2021, 4’23’’
  53. Zhizn-paskuda / Life’s a Bitch, reż./dir. Varya Yakovleva, Rosja/Russia 2021, 6’21’’
  54. هَبوب / Haboob, reż./dir. Mahsa Samani, Iran 2020, 9’

Etiuda competition – list of selected films –…

Photo from the film I Know Someone There / Ich kenn da jemanden, dir. Tim Oppermann, Hochschule für bildende Künste Hamburg, Germany

We present a list of 30 films qualified for the ETIUDA 2021 competition:

  1. A Firecracker Story / Pao Zhang De Gu Shi, reż. / dir. Zhizi Hao, London Film School, Great Britain / Wielka Brytania, 20:27
  2. A Special Day / Ein besonderer Tag, reż. / dir. Muschirf Shekh Zeyn, Hochschule für Fernsehen und Film München, Germany / Niemcy, 18:00
  3. Camel Bells / 苍天般的, reż. / dir. Yushi Zhang, Beijing Film Academy, China / Chiny, 19:01
  4. Coo-Coo / Coo-Coo, reż. / dir. Svetlana Belorussova, St. Petersburg School of New Cinema, Russia / Rosja, 19:10
  5. Greetings from Nigeria / Pozdrav z Nigérie , reż. / dir. Peter Hoferica, Vysoká Škola Muzických Umení, Slovakia / Słowacja, 17:01
  6. Group Theory / Teoria grup, reż. / dir. Zuzanna Karpińska, Szkoła Filmowa im. Krzysztofa Kieślowskiego Uniwersytetu Śląskiego,  Poland / Polska, 20:50
  7. Haeberli / Haeberli, reż. / dir. Moritz Mueller-Preisser, Hochschule für Fernsehen und Film München, Germany / Niemcy, 29:26
  8. Headfish / Samogłów, reż. / dir. Jakub Prysak, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland / Polska, 24:00
  9. I Know Someone There / Ich kenn da jemanden, reż. / dir. Tim Oppermann, Hochschule für bildende Künste Hamburg, Germany / Niemcy, 9:30
  10. I Want to Return Return Return / I Want to Return Return Return, reż. / dir. Elsa Rosengren, Deutsche Film- und Fernsehakademie Berlin, Germany / Niemcy, 29:51
  11. Ju-bin / Ju-bin, reż. / dir. An sun-young, Daejin University, Republic of Korea / Korea Południowa, 19:35
  12. Land of Glory / Pannónia dicsérete, reż. / dir. Borbála Nagy, Deutsche Film- und Fernsehakademie Berlin, Germany / Niemcy, 27:03
  13. The Opposite of Eternity / Das Gegenteil von Ewigkeit, reż. / dir. Joshua Jádi, Filmakademie Wien, Austria / Austria, 15:00
  14. Reina / Reina, reż. / dir. Ozan Mermer, Hochschule für Fernsehen und Film München, Germany / Niemcy, 18:55
  15. Rothschild’s Violin / Скрипка Ротшильда, reż. / dir. Maxim Sevrinovsky, Academy of Cinematographic and Theatre Arts n.a. Nikita Mikhalkov, Russia / Rosja, 26:55
  16. Royal Estate / Finca Regia , reż. / dir. Rubén Seca, Escola de Cinema de Barcelona, Spain / Hiszpania, 18:04
  17. Sarira / 舍利, reż. / dir. Mingyang Li, Shanghai Vancouver Film School, China / Chiny, 28:08
  18. Shelled / Сухопутный брюхоногий моллюск, reż. / dir. Boris Vedensky, Moscow Film School, Russia / Rosja, 24:09
  19. Silence / Hiljaisuus, reż. / dir. Saara Hakkarainen, Aalto University, Finland  Finlandia, 14:39
  20. Spaceboy / Spaceboy, reż. / dir. Veerle De Wilde, Koninklijke Academie voor Schone Kunsten van Gent, Belgium / Belgia, 22:00
  21. Spirits and Rocks: an Azorean Myth / Espiritos e Rochas: um Mito Açoriano, reż. / dir. Aylin Gökmen, Universidade Lusófona / Színház- és Filmművészeti Egyetem / LUCA School of Arts, Switzerland / Szwajcaria, 13:37
  22. The Ballet of Service / The Ballet of Service, reż. / dir. Marlies Smeenge, Nederlandse Filmacademie, Netherlands / Holandia, 14:55
  23. The Clench / Szereg syczący, reż. / dir. Marcin Kluczykowski, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland / Polska, 25:58
  24. The Dress / Sukienka, reż. / dir. Tadeusz Łysiak, Warszawska Szkoła Filmowa, Poland / Polska, 30:00
  25. The Hen / Kura, reż. / dir. Andrzej Brzózka, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland / Polska, 13:48
  26. The Sentence / A Sentença, reż. / dir. Laura Coggiola, FAAP Faculdade de Comunicação Departamento de Cinema, Brazil / Brazylia, 16:40
  27. Touch Me / Berühr' mich, reż. / dir. Hendrik Ströhle, Filmakademie Baden-Württemberg, Germany / Niemcy, 27:44
  28. Trumpet / Trumpet, reż. / dir. Kevin Haefelin, Columbia University, United States / Stany Zjednoczone, 17:07
  29. Varya / Варя, reż. / dir. Nika Gorbushina, Industry School of Film and Television, Russia / Rosja, 23:37

Main photo from the film I Know Someone There / Ich kenn da jemanden, dir. Tim Oppermann, Hochschule für bildende Künste Hamburg, Germany

Call for entries for 28th International Film Festival…

We are pleased to announce that entries are open for Etiuda&Anima 2021

  • ETIUDA COMPETITION - international film competition for student etudes made at film and fine art schools
  • ANIMA COMPETITION - international competition for professional, independent and student animation. 
Deadline is on 30th June 2021 Entry forms you will find here: Competition Regulations:

ANIMA 2021 REGULATION – 28TH INTERNATIONAL FILM FESTIVAL…

Regulations of the competition - Anima 2021

 §1

ANIMA festival competition allows the applicants to submit animated films (including professional and independent films as well as student etudes) which do not exceed 30 minutes in length and were made between years 2019 - 2021. The preview copies of the films should be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 9th March until 30th June, 2021. The film can be submitted by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 20th September 2021.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 8th October 2021. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ANIMA 2021 competition:
  1. Grand Prix – Golden Jabberwocky and a cash prize
  2. Silver Jabberwocky
  3. Bronze Jabberwocky

Special Golden Jabberwocky for the best student animation of the Festival. The Jury have also the right to award three Honorary Diplomas.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including the Audience Award and the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 20th November 2021, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2021” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

Kraków, 9th March 2021

Directors of the 28th IFF Etiuda&Anima 2021

Katarzyna Surmacz Bogusław Zmudziński

ETIUDA 2021 REGULATION – 28TH INTERNATIONAL FILM FESTIVAL…

Regulations of the competition of student etudes - Etiuda 2021

 §1

ETIUDA festival competition allows the applicants to submit student etudes and graduate films (excluding animated films) made in film and artistic schools as parts of the didactic process between years 2019 - 2021. The films should not exceed 30 minutes in length and need to be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 9th March until 30th June, 2021. The Festival organizers recommend to submit films for the preview through Filmfreeway – www.filmfreeway.com. It is also possible to submit a film by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 20th September 2021.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 8th October 2021. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ETIUDA 2021 competition:
  1. Grand Prix – Golden Dinosaur and a cash prize
  2. Silver Dinosaur
  3. Bronze Dinosaur

The Jury have also the right to award three Honorary Diplomas and one Honorary Diploma for the best film school of ETIUDA competition 2021.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including Awards of FICC Jury – Fédération Internationale des Ciné Clubs, the Audience Award, the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 20th November 2021, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2021” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

Kraków, 9th March 2021

Directors of the 28th IFF Etiuda&Anima 2021

Katarzyna Surmacz Bogusław Zmudziński

 

VOD Service Regulations

§ 1 Definitions

  1. Website - a website in the www.etiudaandanima.pl domain belonging to the Service Provider, through which the Service Provider provides the VOD Service;
  2. Service Provider - Etiuda & Anima Foundation for the Promotion of Artistic, Film and Audiovisual Culture, ul. Morawskiego 5/220C, 30-102 Kraków, entered in the register of associations, other social and professional organizations, foundations and independent public health care facilities and in the register of entrepreneurs kept by the District Court for the Royal Capital City of Kraków-Śródmieście, 9th Commercial Division of the National Court Register under the KRS number: 0000642775, NIP: 9452198761
  3. Service User - a natural person with full legal capacity, a legal person or an organizational unit without legal personality, having legal capacity, having a Service User Account;
  4. Website Regulations - regulations specifying the rules for the provision of electronic services on the Website
  5. Regulations - these regulations;
  6. VOD Service - a media service called the Etiuda & Anima Video International Film Festival, provided electronically by the Service Provider via the Website's functionality, consisting in the provision of paid or free Digital Content from the available catalog;
  7. Agreement - an agreement concluded remotely and supplied electronically between the Service Provider and the Service User, the subject of which is the Service Provider's provision of access to selected Digital Content as part of the VOD service;
  8. Audiovisual Material - a film or other audiovisual form, e.g. trailer, film fragment, interview with actors, report from a film festival, made available as part of the VOD Service;
  9. Price - the fee paid by the Service User for access to paid Digital Content, indicated and made each time available to the Service User in the information along the Digital Content provided in the VOD Service, denominated in Polish zlotys, including tax on goods and services.

§ 2 General provisions

  1. These Regulations define the rules, scope and conditions for the Service Provider's provision of the VOD Service on the Website.
  2. The Service Provider provides the VOD Service by electronic means within the meaning of the Act of 18 July 2002 on the provision of electronic services (Journal of Laws of 2002, No. 144, item 1204, as amended).
  3. The Service User is obliged to read the Regulations before using the VOD Service. 4. By starting to use the VOD Service, the Customer confirms that he has read the provisions of the Regulations, accepts its provisions and undertakes to comply with them.
  4. Digital content available as part of the VOD Service may be freely added, removed and changed by the Service Provider, while maintaining the rights acquired by the Service User.
  5. The Service Provider is entitled to all rights to the VOD Service and its content. The Service Provider declares that it has the copyright or the appropriate license to the Digital Content available as part of the VOD Service.

§ 3 Technical conditions for using the VOD Service

  1. In order for the Service Users to properly use the VOD Service, it is necessary to have a device that allows them to use the resources of the Internet, such as a desktop or notebook computer that meets the following minimum requirements:
    • connection to the Internet with real bandwidth of:
      • 1.5 Mb / s for video in 480p quality,
      • 3.5 Mb / s for video in 720p quality,
      • 6.5 Mb / s for video in 1080p quality;
    • operating system installed:
      • Microsoft Windows 10,
      • Android 8.0 or newer;
    • an installed web browser that enables the playing of audiovisual content on the Internet via the web service:
      • Firefox 52 or newer,
      • Chrome 55 or newer,
      • Microsoft Edge version 18 or newer,
      • Opera version 43 or newer,
  2. The Service Provider will exercise due diligence to ensure that the use of VOD Services in accordance with the Regulations is correct. However, the Service Provider does not guarantee that there will be no problems with access to the VOD Service for reasons beyond the Service Provider's control. Such cases, together with their detailed description, should be reported to the Service Provider and they will be considered individually.
  3. There may be discontinuities in the activity of the VOD Service, during which the Service Users will not be able to use it temporarily, due to, inter alia, maintenance works, changes or improvements to its functioning. The Service Provider will inform the Service Users about technical breaks and their duration through means available to them, in particular by posting messages on the Website or dedicated subpages. Access to Digital Content is extended accordingly by the time during which the VOD Service was not available for the reasons indicated in this paragraph. In the event that the extension of the access referred to above was not possible, the Service User may obtain a refund of the full or part of the Price paid.

§ 4 Rules for using the VOD Service

  1. Access to the VOD Service is open to anyone who has an active ticket on the terms set out in the Regulations.
  2. The Service User may use the VOD Service only for personal purposes. To the extent permitted by generally applicable law, the Service User may use the VOD Service for didactic purposes or for scientific activity. The Service User is obliged to use the VOD Service in accordance with these Regulations. The Service User undertakes in particular to:
    • not to use the VOD Service for business, commercial or public purposes, unless it is permissible on the basis of generally applicable laws;
    • not to use the VOD Service in an unlawful manner;
    • not to copy or distribute in any way, whether in whole or in part, the Digital Content to which it has obtained access;
    • not to circumvent, modify, remove, change or otherwise manipulate with any security, encoding or other technology or software that is part of the VOD Service;
    • not to use the VOD Service in violation of the provisions on copyright, other legal provisions or the provisions of these Regulations;
    • not to provide illegal content.
  3. The VOD Service may only be used on the territory of Poland.

§ 5 Access to Digital Content

  1. Access to digital content consists in data streaming (without the possibility of downloading or saving it on a data storage device) and may be paid or free of charge.
  2. In case of each Digital Content, the Service Provider provides information about its type, price, quality, and the date and period in which the Service Recipient will have access to it.
  3. In order to gain access to paid Digital Content, the Customer must purchase a ticket / subscription via the bilety24 service
  4. Access to paid Digital Content will take place on the basis of an access code made available to the Service User, enabling authorized access to it on the terms specified by the Service Provider.
  5. During the period of granted access to the Digital Content, it is possible to play it multiple times, and the Service Provider is entitled to verify the number of times it was played as well as the IP address of the Service User.
  6. Playing the Digital Content by the User is possible only on one device at a time.
  7. Access to paid Digital Content ends with the expiry of the period during which the Service User had access to it in accordance with the information referred to in paragraph 2 above.
  8. Access to free Digital Content is obtained by the Service User from the moment it starts to be played and ends when the Service User ceases to play it definitively.
  9. In the event of suspicion that the Service User violates these Regulations or generally applicable provisions of law, the Service Provider shall notify the Service User of any detected irregularities. If the violations persist, the Service Provider may block the Service User's access to the Digital Content.

§ 6 Payment rules

  1. The Service User pays the Price for access to the selected Digital Content once.
  2. Payments are made through the bilety24 operator.

§7 Processing of personal data

  1. The Service Provider does not collect personal data
  2. The Service User provides personal data only when purchasing tickets in the bitety24 service and this service is responsible for the protection and processing of personal data (Regulations available on the bilety24 website)

§ 7 Complaints

  1. In the event of a malfunction of the VOD Service or any of its elements, the Service User has the right to file a complaint.
  2. The complaint should include:
    • name and surname of the Service User,
    • e-mail address,
    • description of observed irregularities.
  3. The complaint should be sent by e-mail to the Service Provider's e-mail address: biuro@etiudaandanima.pl
  4. The deadline for considering the complaint and responding to it is a maximum of 30 days from its receipt by the Service Provider.  Failure to reply within this period means that the complaint is accepted.
  5. The Service Provider sends the reply to the complaint to the Service User by e-mail.

§ 8 Final provisions

  1. The Regulations are made available to Service Users free of charge via the Website in a form that allows them to be downloaded, saved and printed.
  2. The provisions of the Regulations in the version in force on the date of its conclusion shall apply to the Agreement.
  3. The National Council of Radio Broadcasting and Television is the competent authority in matters of on-demand audiovisual media services.
  4. The Regulations shall enter into force on September 1, 2020.

Anima.PL competition – list of selected films –…

List of international films qualified for the Anima.PL 2020 competition:

  1. Agatka i liście/Aggie and Leaves, reż./dir. Andrzej Piotr Morawski, Polska/Poland 2019, 10’
  2. Ajtia o tym dlaczego diabeł kuleje/Story About Why Devil Limps, reż./dir. Kasia Zimnoch, Paweł Kleszczewski, Polska/Poland 2020, 5’21’’
  3. Antropocen/Anthropocene, reż./dir. Agata Zych, Polska/Poland 2020, 4’37’’
  4. backstage.episodes, reż./dir. Marcin Wojciechowski, Polska/Poland 2020, 11’
  5. Bajka o Starej Babci i Molu Zbyszku/A Tale of Old Granny and Cloth Moth Zbyszek, reż./dir. Mirosława Krymska, Polska/Poland 2020, 11’
  6. Ciałość/Lushfulness, reż./dir. Weronika Szyma, Polska/Poland 2020, 5’39’’
  7. Cykl/Cycle, reż./dir. Julia Benedyktowicz, Polska/Poland 2020, 5’29’’
  8. Drzemka/The Snooze, reż./dir. Katarzyna Kurop, Polska/Poland 2019, 6’16’’
  9. Dynasonic-D6, reż./dir. Karolina Głusiec, Polska/Poland 2020, 4’10’’
  10. Filmiki Ze Zwierzątkami [ZOBACZ TERAZ]/Best Animal Videos [WATCH NOW], reż./dir. Katarzyna Miechowicz, Polska/Poland 2019, 6’27’’
  11. I coś jeszcze/And Something Else, reż./dir. Olga Kłyszewicz, Polska/Poland 2020, 6’41’’
  12. Jestem tutaj/I'm Here, reż./dir. Julia Orlik, Polska/Poland 2020, 15’
  13. Kobieta z kamyczkiem w sercu/A Woman with a Pebble in Her Heart, reż./dir. Karyna Piwowarska, Jakub Wroński, Polska/Poland 2020, 14’
  14. Łowy/The Hunt, reż./dir. Mateusz Jarmulski, Polska/Poland 2019, 8’
  15. Marbles, reż./dir. Natalia Spychała, Polska/Poland 2019, 5’
  16. Metro, reż./dir. Natalia Krawczuk, Polska/Poland 2019, 10’44’’
  17. Millenium, reż./dir. Daria Godyń, Polska/Poland 2020, 8’17’’
  18. Oddychaj!/Breathe!, reż./dir. Kamila Jasińska, Polska/Poland 2019, 4’04’’
  19. Ostatnie Kino/The Last Cinema, reż./dir. Kajetan Pochylski, Polska/Poland 2019, 11’50’’
  20. Papierowy dom/Paper House, reż./dir. Martyna Holda, Polska/Poland 2020, 5’34’’
  21. Paradise Mall, reż./dir. Marta Wiktorowicz, Polska/Poland 2019, 3’
  22. Pierścionek prababci Elżbiety/Great-Grandma Elżbieta’s Ring, reż./dir. Daria Kopiec, Polska/Poland 2019, 2’57’’
  23. Plantarium, reż./dir. Tomek Ducki, Polska, Węgry/Poland, Hungary 2020, 7’
  24. Prawo i bezprawie/Law and Lawlessness, reż./dir. Maciej Wierzejski, Polska/Poland 2019, 7’44’’
  25. PrzywiązAnia/Bindings, reż./dir. Anna Jurga, Polska/Poland 2019, 5’50’’
  26. Psotnik w Szklanej Pułapce/Psotnik in the Glass Trap, reż./dir. Kamil Wójcik, Polska/Poland 2020, 2’44’’
  27. Punkt Obserwacyjny/Observation point, reż./dir. Aleksander Józefczyk, Polska/Poland 2019, 9’35’’
  28. Re-Cycle, reż./dir. Mateusz Lenart, Polska/Poland 2019, 6’
  29. Rodzina Treflików: Majster Klepka/The Treflik Family: DIY, reż./dir. Marek Skrobecki, Polska/Poland 2020, 8’30’’
  30. Roz-Poznanie/Co-Ognition, reż./dir. Przemysław Świda, Polska/Poland 2020, 6’
  31. Słuchaj/Now Listen, reż./dir. Kijek/Adamski, Polska/Poland 2020, 4’
  32. Srebro ryb/Under the Waterweeds, reż./dir. Anita Kwiatkowska-Naqvi, Polska/Poland 2020, 4’56’’
  33. Świetlikowy Gaj/The Firefly Grove, reż./dir. Tomasz Pilarski, Polska/Poland 2019, 5’24’’
  34. Takie piękne miasto/Such a Beautiful Town, reż./dir. Marta Koch, Polska/Poland 2019, 8’
  35. The Curse, reż./dir. Piotr Kabat, Polska/Poland 2020, 7’40’’
  36. We have one heart, reż./dir. Katarzyna Warzecha, Polska/Poland 2020, 11′
  37. Widzę Otchłań/I See the Abyss, reż./dir. Karolina Kajetanowicz, Polska/Poland 2020, 4’20’’
  38. Wielka Księga Uczuć – Tęsknota/The Great Book of Feelings – Longing, reż./dir. Wiola Sowa, Polska/Poland 2020, 7’
  39. Własne śmieci/Your Own Bullshit, reż/dir. Daria Kopiec, Polska/Poland 2020, 6’26’’
  40. Wyszła z brzegów/The Flood, reż./dir. Sofya Nabok, Polska/Poland 2020, 9’

Anima competition – list of selected films –…

Photo from movie Je sors acheter des cigarettes/ I’m Going Out for Cigarette, dir.: Osman Cerfon, France

List of international films qualified for the ANIMA 2020 competition:

  1. 4 North A, reż./dir. Jordan Canning, Howie Shia, Kanada/Canada 2020, 10’53’’
  2. 6|6, reż./dir. Yali Herbet, Izrael/Israel 2019, 2’02’’
  3. Alebrijes, reż./dir. Luis Salas, Kolumbia/Colombia 2020, 12’
  4. Altötting, reż./dir. Andreas Hykade, Niemcy, Kanada, Portugalia/Germany, Canada, Portugal 2020, 11’23’’
  5. Any Instant Whatever, reż./dir. Michelle Brand, Wielka Brytania/United Kingdom 2019, 5’13’’
  6. Armastusest/About Love, reż./dir. Girlin Bassovskaja, Estonia 2020, 10’
  7. Awkward, reż./dir. Nata Metlukh, United States 2020, 3’45’’
  8. Barcelona de Foc/Barcelona Burning, reż./dir. Theodore Ushev, Kanada, Hiszpania/Canada, Spain 2020, 4’33’’
  9. Bird, reż./dir. Wu-Ching Chang, Tajwan, Wielka Brytania/ Taiwan, United Kingdom 2019, 4’35’’
  10. Blüte, reż./dir. Raito Low Jing-Yi, Tajwan/Taiwan 2020, 4’23’’
  11. Çapraz ateş/Crossfire, reż./dir. Ekin Koca, Francja/France 2019, 7’08’’
  12. Chado, reż./dir. Dominica Harrison, Wielka Brytania/United Kingdom 2020, 7’24’’
  13. Conversations with a Whale, reż./dir. Anna Samo, Niemcy/Germany 2020, 8’20’’
  14. Después del eclipse/After the eclipse, reż./dir. Bear R. Blankenhorst, Argentyna/Argentina 2020, 12’’
  15. Divoké bytosti/Wild beasts, reż./dir. Marta Prokopová, Michal Blaško, Czechy, Słowacja/Czech Republic, Slovakia 2019, 8’40’’
  16. Dogs, reż./dir. Benjamin Berrebi, Jakub Bednarz, Diego Cristófano, Théo Lenoble, Mohammad Babakoohi, Karlo Pavicic-Ravlic, Marthinus Van Rooyen, Francja/France 2019, 7’14’’
  17. Florian, reż./dir. Keshav Abrol, Lucas Londońo-Clayton, Pavel Loparev, Hiszpania/Spain 2019, 3’47’’
  18. Freeze frame, reż./dir. Soetkin Verstegen, Niemcy, Belgia/Germany, Belgium 2019, 5’
  19. Grands Canons, reż./dir.Alain Biet, Francja/France 2018, 10’45’’
  20. Home, reż./dir. Anita Bruvere, Wielka Brytania/United Kingdom 2019, 7’51’’
  21. Je sors acheter des cigarettes/ I’m Going Out for Cigarette, reż./dir. Osman Cerfon, Francja/France 13’35’’
  22. Khoziayka Mednoy Gory/The Mistress of the Copper Mountain, reż./dir. Dmitry Geller, Rosja/Russia 2020, 13’33’’
  23. Killing Time, reż./dir. Camille Guillot, Fanny Hagdahl Sörebo, Aleksandra Krechman, Sarah Naciri, Morgane Ravelonary, Valentine Zhang, Francja/France 2019, 4’47’’
  24. Le mal du sičcle/The Great Malaise, reż./dir. Catherine Lepage, Kanada/Canada 2020, 5’19’’
  25. Lístek/Leaf, reż./dir. Aliona Baranova, Słowacja/Slovakia 2020, 5’40’’
  26. Maestro, reż./dir. Illogic, Francja/France 2019, 1’34’’
  27. Per tutta la vita,reż./dir. Roberto Catani, Francja, Włochy/France, Italy 2018, 5’20’’
  28. Pilar, reż./dir. Yngwie Boley, J.J. Epping, Diana van Houten, Holandia/Netherlands 2020, 10’
  29. Precieux/ Precious, reż./dir. Paul Mas, Francja/France 2019, 14’
  30. Rules of Play, reż/dir.Merlin Flügel, Francja/France 2018, 7’34’’
  31. Skříňostroj doktora Steina/The Incredible Wardrobegadget of Dr. Stein, reż./dir. Gabriela Plačková, Czechy/Czech Republic 2019, 14’56’’
  32. Sous la canopée/Under the canopy, reż./dir. Bastien Dupriez, Francja/France 2019, 6’38’’
  33. Sous la glace, reż./dir. Milan Baulard, Ismaďl Berrahma, Flore Dupont, Laurie Estampes, Quentin Nory, Hugo Potin, Francja/France 2019, 6’50’’
  34. Sving/Swing, reż./dir. Lyudmila Skotnikova, Rosja/Russia 2019, 5’15’’
  35. Symbiosis, reż./dir. Nadja Andrasev, Francja, Węgry/France, Hungary 2019, 12’51’’
  36. TCD - Glen Hansard, reż./dir. Lucija Mrzljak, Estonia 2019, 4’28’’
  37. The Winter, reż./dir. Xin Li, Australia 2020, 4’59’’
  38. Tiivad/The Wings, reż./dir. Riho Unt, Estonia 2020, 12’30’’
  39. Toomas Beneath the Valley of the Wild Wolves, reż./dir. Chintis Lundgren, Estonia, Chorwacja, Francja/Estonia, Croatia, France 2019, 18’
  40. Un Coeur d’Or/Heart of Gold, reż./dir. Simon Filliot, Francja/France 2020, 12’46’’
  41. Un lynx dans la ville/A Lynx in the Town, reż./dir. Nina Bisiarina, Francja, Szwajcaria/France Switzerland 2019, 6’48’’
  42. Uzi/Ties, reż./dir. Dina Velikovskaya, Niemcy, Rosja/Germany, Russia 2019, 7’37’’
  43. Warum Schnecken Keine Beine Haben/Why Slugs Have No Legs, reż./dir. Aline Höchli, Szwajcaria/Switzerland 2019, 10’44’’
  44. Yumeminoe/Dreams Into Drawing, reż./dir. Koji Yamamura, Japonia/Japan 2019, 10’10’’
  45. בובה מייסס/Bube maises, reż.dir. Or Levy, Izrael/Israel 2019, 6’20’’
  46. كيف تحولت جدتي الى كرسي/How My Grandmother Became a Chair, reż./dir. Nicolas Fattouh, Liban, Niemcy/Lebanon, Germany 2020, 9’55’’

List of Polish films qualified for the ANIMA 2020:

  1. Cykl/Cycle, reż./dir. Julia Benedyktowicz, Polska/Poland 2020, 5’29’’
  2. Jestem tutaj/I'm Here, reż./dir. Julia Orlik, Polska/Poland 2020, 15’
  3. Łowy/The Hunt, reż./dir. Mateusz Jarmulski, Polska/Poland 2019, 8’
  4. Metro, reż./dir. Natalia Krawczuk, Polska/Poland 2019, 10’44’’
  5. Plantarium, reż./dir. Tomek Ducki, Polska/Poland 2020, 7’
  6. We have one heart, reż./dir. Katarzyna Warzecha, Polska/Poland 2020, 11'
  7. Roz-Poznanie/Co-Ognition, reż./dir. Przemysław Świda, Polska/Poland 2020, 6’

Etiuda competition – list of selected films –…

Photo from the film Masel Tov Cocktail/Masel Tov Cocktail, dir. Arkadij Khaet, Germany

We present a list of 31 films qualified for the ETIUDA 2020 competition:

  1. 1 A.M. in Hongkong/夜港, reż./dir. Zhang Yiling, University of Hong Kong, Hong Kong/Hongkong, 16:37
  2. A Fire in the Sun/Las Llamas de Sol, reż./dir. Pepe Sapena, Escuela de Cinematografía y del Audiovisual de la Comunidad de Madrid, Spain/Hiszpania, 12:04
  3. A Long Story Short/A Long Story Short, reż./dir. Andrei Olănescu, Universitatea Națională de Artă Teatrală și Cinematografică “I.L. Caragiale”, Romania/Rumunia, 9:41
  4. All Cats are Grey in the Dark/Nachts sind alle Katzen grau, reż./dir. Lasse Linder, Hochschule Luzern, Switzerland/Szwajcaria, 18:16
  5. Amputated Asscheeks/Amputierte Arschbacken, reż./dir. Claudia Scheffel, Hochschule für Bildende Künste HFBK Hamburg, Germany/Niemcy, 28:40
  6. At Midnight Place a Dance–Tune/At Midnight Place a Dance–Tune, reż./dir. Roy Seerden, Nederlandse Filmacademie, Netherlands/Holandia, 30:00
  7. The Bonfire/La Hoguera, reż./dir. Carlos Saiz Espin, EFTI Centro Internacional de fotografía y cine, Spain/Hiszpania, 19:00
  8. Dogwatch/Der Wächter, reż./dir. Albin Wildner, Filmakademie Wien, Austria/Austria, 30:00
  9. Exit/Выход, reż./dir. Ivan Basov, Moscow Film School, Russia/Rosja, 20:51
  10. Fine/בסדר גמור , reż./dir. Maya Yadlin, Minshar School of Art, Israel/Izrael, 9:06
  11. Frontier/Hranice, reż./dir. Damián Vondrášek, Filmová a televizní fakulta Akademie múzických umění v Praze – FAMU, Czech Republic/Czechy, 28:33
  12. Good German Work/Kollegen, reż./dir. Jannis Alexander Kiefer, Filmuniversität Babelsberg Konrad Wolf, Germany/Niemcy, 14:00
  13. Good Night/Da Yie, reż./dir. Anthony Nti, Royal Institute for Theatre, Cinema and Sound, Belgium/Belgia, 20:33
  14. Halo Effect/Efekt halo, reż./dir. Patrycja Polkowska, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 14:25
  15. In Between Spaces/Sa Among Agwat, reż./dir. Don Senoc, Unibersidad ng Pilipinas, Philippines/Filipiny, 18:29
  16. Kosher/כשר , reż./dir. Gideon Imagor, Minshar School of Art, Israel/Izrael, 12:51
  17. Madrid–Stockholm/Madrid–Estocolmo, reż./dir. Antonio Ledesma Vila,Carmen Kaltchev Soto, Institute de Cine Madrid, Spain/Hiszpania, 19:44
  18. Masel Tov Cocktail/Masel Tov Cocktail, reż./dir. Arkadij Khaet, Mickey Paatzsch, Filmakademie Baden-Württemberg, Germany/Niemcy, 29:57
  19. Meander/Meander, reż./dir. Dayo Clinckspoor, LUCA - School of Arts, Belgium/Belgia, 19:34
  20. Midnight Jazz/Het appelhuis, reż./dir. Jules Mathôt, Koninklijke Academie voor Schone Kunsten van Gent, Belgium/Belgia, 21:15
  21. Nightfall/Nightfall, reż./dir. Josefine Scheffler, Deutsche Film- und Fernsehakademie Berlin, Germany/Niemcy, 30:00
  22. Night on Fire/Bobři v plamenech, reż./dir. Martin Kuba, Filmová a televizní fakulta Akademie múzických umění v Praze – FAMU, Czech Republic/Czechy, 14:56
  23. Noa/Noa, reż./dir. Dekel Nitzan, The Steve Tisch School for Film & TV Tel Aviv University, Israel/Izrael, 25:01
  24. Planet Gelnica/Planéta Gelnica, reż./dir. Paula Reiselová, Vysoká škola múzických umení v Bratislave – VŠMU, Slovakia/Słowacja, 16:01
  25. Remember When We Used to Talk the Train/Te acuerdas cuando tomábamos el tren, reż./dir. Patricio Alfaro, University College London, United Kingdom/Wielka Brytania, 27:28
  26. RIO/RIO, reż./dir. Zhenia Kazankina, Russian State University of Cinematography named after S.Gerasimov – VGIK, Russia/Rosja, 22:00
  27. The Scarecrows/The Scarecrows, reż./dir. Dan Hodgson, Arts University Bournemouth, United Kingdom/Wielka Brytania, 18:10
  28. Shalky/Shalky, reż./dir. Lance Tangestani, Nederlandse Filmacademie, Netherlands/Holandia, 24:57
  29. Terminal/Terminal, reż./dir. Kim Allamand, Zürcher Hochschule der Künste, Switzerland/Szwajcaria, 13:13
  30. Territories/Timoura, reż./dir. Azedine Kasri, La Femis – École Nationale Supérieure des Métiers de l'Image et du Son, Université de recherche Paris Sciences et Lettres, France/Francja, 25:56

Main photo from the film Good Night/Da Yie, dir. Anthony Nti, Belgium

Call for entries for 27th International Film Festival…

We are pleased to announce that entries are open for Etiuda&Anima 2020

  • ETIUDA COMPETITION - international film competition for student etudes made at film and fine art schools
  • ANIMA COMPETITION - international competition for professional, independent and student animation. 
Deadline is on 30th June 2020 Entry forms you will find here: Competition Regulations:    

ANIMA 2020 REGULATION – 27TH INTERNATIONAL FILM FESTIVAL…

 

 Regulations of the competition - Anima 2020

 §1

ANIMA festival competition allows the applicants to submit animated films (including professional and independent films as well as student etudes) which do not exceed 30 minutes in length and were made between years 2018-2020. The preview copies of the films should be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 2nd March until 30th June, 2020. The film can be submitted by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 14th September 2020.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 30th September 2020. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ANIMA 2020 competition:
  1. Grand Prix – Golden Jabberwocky and a cash prize
  2. Silver Jabberwocky
  3. Bronze Jabberwocky

Special Golden Jabberwocky for the best student animation of the Festival. The Jury have also the right to award three Honorary Diplomas.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including the Audience Award and the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 21st November 2020, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2020” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

  Kraków, 27th February 2020

Directors of the 27th IFF Etiuda&Anima 2020

Katarzyna Surmacz Bogusław Zmudziński

     

ETIUDA 2020 REGULATION – 27TH INTERNATIONAL FILM FESTIVAL…

 

 Regulations of the competition of student etudes - Etiuda 2020

 §1

ETIUDA festival competition allows the applicants to submit student etudes and graduate films (excluding animated films) made in film and artistic schools as parts of the didactic process between years 2018-2020. The films should not exceed 30 minutes in length and need to be submitted to the Festival Organization Office in the form of a digital file (mp4, mov or a link to the film available on an open-access video platform).

§2

The Festival Office shall collect the incoming competition registrations from 2nd March until 30th June, 2020. The Festival organizers recommend to submit films for the preview through Filmfreeway – www.filmfreeway.com. It is also possible to submit a film by completing a registration form at www.etiudaandanima.pl and sending a public or private link (with or without password) to the film (e.g. Vimeo, Youtube, etc.) with no expiration date and no territorial limits, accompanied by a film summary and a dialogue list in English, promotional materials including screenshots, and the director’s bio and photograph. Films without filled-in online entry form will not be accepted. Festival does not charge any fee for the submitting of the film.

§3

The decision whether the film shall be accepted into the competition will be made by the Artistic Director of the Festival when the Selection Committee finish their work. The applicants will be informed about their films being accepted into the competition via email and on www.etiudaandanima.pl until 14th September 2020.

§4

Authors whose films are accepted into the competition are obliged to deliver to the Festival Organizers, at their own expense, the screening copies of their films in the following formats: DCP, Blu-ray or a link to a digital file (DCP, mov, mp4) until 30th September 2020. Failure to deliver a screening copy of a film before the deadline will result in withdrawing it from the competition.

§5

The competition films are evaluated – foremostly on the basis of the artistic criteria – by the international Jury, headed by the Chairman of the Jury, selected by Festival Directors from among the members of the Jury. The Jury work and make decisions in accordance with the Jury Proceedings Regulations formulated by the Chairman of the Jury with the consent of the other members of the Jury and the Festival Directors. The Secretary of the Jury, who is appointed by the Directors of the Festival, facilitates the proceedings of the Jury.

§6

The following Prizes will be awarded at the ETIUDA 2020 competition:
  1. Grand Prix – Golden Dinosaur and a cash prize
  2. Silver Dinosaur
  3. Bronze Dinosaur

The Jury have also the right to award three Honorary Diplomas and one Honorary Diploma for the best film school of ETIUDA competition 2020.

§7

The Directors of the Festival shall decide on the right and mode of awarding the Special Awards, including Awards of FICC Jury – Fédération Internationale des Ciné Clubs, the Audience Award, the Student Jury Award. Under certain artistically justified circumstances, the Artistic Director of the Festival also reserves the right to award a “The Great Underestimated” Prize to the most undervalued film of the competition.

§8

The official verdict of the Jury will be announced on 21st November 2020, at the official closing ceremony of the festival during which all prizes will be awarded. Should the winners be absent from the ceremony, the awards will be sent by post or handed over to them in a different manner within a month after the end of the Festival.

§9

The Festival Office deems itself responsible to conform to all the rules concerning the exploitation of the films accepted into the competition.

§10

The submission of the film for the Festival competition is equivalent to the agreement for three screenings of the film during the Festival and – if the given film is awarded a prize – screenings at the “Travelling Etiuda&Anima 2020” event, which is organized throughout Poland and abroad and presents the prizewinning films of the Festival. What is more, the Festival organizers have the right to use, free of charge, promotional materials and parts of the film (a trailer or 2-minute part of the film) in any promotional activities connected with the organization of the Festival.

§11

All transportation costs as well as any other shipment costs of the film copies submitted to competition shall be covered by the applicants, who are also responsible for paying all customs costs outside Poland. Applicants are obliged to observe customs regulations related to film transport. A pro forma invoice amounting to max. EUR 15 should be attached to all non-EU film shipments. Packages should be provided with the following sentence “For cultural purposes only – no commercial value”.

§12

DCP and Blu-Ray discs shall be returned at the Organizer’s expense within 4 weeks from the closing date of the Festival to the address specified by the applicant. A notice should be given to the Festival Organizers about any changes in the return address not later than one week before the commencement. The Organizer is not responsible for damages resulting from giving a wrong address. The Festival is obliged to return the film copy in a condition not worse than due to a standard use. The Organizer of the Festival shall assume financial liability for the submitted film copies, for the duration of the event in question, up to the amount specified in the entry form.

  Kraków, 27th February 2019

Directors of the 27th IFF Etiuda&Anima 2020

Katarzyna Surmacz Bogusław Zmudziński

 

Anima competition – list of selected films –…

Photo from the film Entre sombras / Between the shadows, dir. Mónica Santos, Alice Guimarães, Portugal, France   We present a list of nominated films for the Anima Competition of the 26th Etiuda & Anima International Film Festival:

  1. 創造的進化 / Creative Evolution, reż./dir. Song Yungsung, Japonia/Japan 2019, 5'
  2. 妹妹 / Sister, reż./dir. Siqi Song, Chiny/China 2018, 8'12''
  3. 300 g/m2, reż./dir. Kamila Kučíková, Estonia, Słowacja/Estonia, Slovakia 2018, 5'33''
  4. A Bus, reż./dir. Wenyu Li, Chiny/China 2018, 6'36''
  5. Almost there, reż./dir. Nelly Michenaud, UK 2019, 8'44''
  6. Amelia & Saturnin, reż./dir. Daniel Zagórski, Polska/Poland 2019, 15'
  7. Black hole, reż./dir. Rutger van de Wiel, Holandia/Netherlands 2019, 1'25''
  8. Castle, reż./dir. Ryotaro Miyajima, Japonia/Japan 2019, 5'
  9. Coyote, reż./dir. Lorenz Wunderle, Szwajcaria/Switzerland 2018, 9'55''
  10. Desyat Etyuov v chernom / Ten sketches in black, reż./dir. Tatiana Kuznetsova, Masha Serebryakova, Nikolai Sh, Rosja/Russia 2018, 5'42''
  11. Deszcz / Rain, reż./dir. Piotr Milczarek, Polska/Poland 2019, 5'
  12. Devstvenniy veter / Virgin Wind, reż./dir. Sasha Svirsky, Rosja/Russia 2018, 2'57''
  13. Dont know what, reż./dir. Thomas Renoldner, Austria 2019, 8'07''
  14. Elu24 / Life24, reż./dir. Kristjan Holm, Estonia 2019, 9'
  15. Entre sombras / Between the shadows, reż./dir. Mónica Santos, Alice Guimarães, Portugalia, Francja/Portugal, France 2018, 13'25''
  16. Fight Club but with Tennis, reż./dir. Sylvie Le Couteur, Australia 2018, 3'04''
  17. Fisso, reż./dir. Raito Low Jing Yi, Tajwan/Taiwan 2018, 8'45''
  18. Fuenf / Five, reż./dir. Peter Kaboth, Niemcy/Germany 2019, 6'55''
  19. Good Intentions, reż./dir. Anna Mantzaris, UK 2018, 8'35''
  20. Gorgam-o-Gale Mibaram / Am I a Wolf?, reż./dir. Amir Houshang Moein, Iran 2018, 8'15''
  21. Hänen päänsä / Her Head, reż./dir. Emma Louhivuori, Finlandia/Finland 2019, 7'
  22. I have a problems, reż./dir. Zsuzsanna Debreczeni, Węgry/Hunagry 2018, 6'36''
  23. Inglitrompet / Angel's Trumpet, reż./dir. Martinus Klemet, Estonia 2019, 2'26''
  24. Intermission Expedition, reż./dir. Wiep Teeuwisse, Holandia/Netherlands 2019, 8'21''
  25. Jedan od mnogih / One of Many, reż./dir. Petra Zlonoga, Chorwacja/Croatia 2018, 5'32''
  26. Jim Zipper, reż./dir. Alexandre Roy, Kanada/Canada 2018, 2'
  27. JM, reż./dir. Stanisław Buczkowski, Polska/Poland 2019, 6'
  28. Kohannia / Deep Love, reż./dir. Mykyta Lyskov, Ukraina/Ukraine 2019, 14'
  29. Kõhkleja / The Hesitator, reż./dir. Katariin Mudist, Estonia 2019, 3'42''
  30. La Plongeuse / The Diver, reż./dir. Iulia Voitova, Francja/France 2018, 4'09''
  31. Lachfalten / Laugh Lines, reż./dir. Patricia Wenger, Szwajcaria/Switzerland 2018, 5'52''
  32. Le cortège / The Procession, reż./dir. Pascal Blanchet, Rodolphe Saint-Gelais, Kanada/Canada 2019, 11'23''
  33. Lola zhivaya kartoshka / Lola the living potato, reż./dir. Leonid Shmelkov, Rosja, Francja/Russia, France 2018, 17'18''
  34. Machine Gun Mama, reż./dir. Justine Klaiber, Marwan Eissa, Szwajcaria/Switzerland 2018, 1'20''
  35. Matches, reż./dir. Géza M. Tóth, Węgry/Hungary 2019, 11'25''
  36. Medium rare, reż./dir. Luca Cioci, USA, Włochy/USA, Italy 2018, 4'35''
  37. Memorie di Alba / Alba's Memories, reż./dir. Maria Steinmetz, Andrea Martignoni, Włochy, Niemcy/Italy, Germany 2019, 6'20''
  38. Miam Miam / Yum Yum, reż./dir. Mathilde Pepinster, Belgia/Belgium 2018, 2'24''
  39. Movements, reż./dir. Dahee Jeong, Korea Płd./South Korea 2019, 10'15''
  40. Mr Feaar / Mr fear, reż./dir. Pablo Rafael Roldán, Ezequiel Torres, Argentyna/Argentina 2019, 4'33''
  41. Muedra, reż./dir. Cesar Diaz Melendez, Hiszpania/Spain 2019, 8'50''
  42. Not Today, reż./dir. Marine Jacob, Belgia/Belgium 2018, 5'20''
  43. Ostatnia wieczerza / Last supper, reż./dir. Piotr Dumała, Polska/Poland 2019, 13'
  44. Passage, reż./dir. Anja Sidler, Szwajcaria/Switzerland 2019, 7'
  45. Portret Suzanne / Portrait of Suzanne, reż./dir. Izabela Plucińska, Polska, Niemcy, Francja/Poland, Germany, France 2019, 15'
  46. Prelazak / Passage, reż./dir. Igor Coric, Serbia 2019, 6'50''
  47. Pupa, reż./dir. Namiko Ishidate, Japonia/Japan 2019, 3'
  48. Roughhouse, reż./dir. Jonathan Hodgson, Francja, UK/France, UK 2018, 15'35''
  49. Saigon sur Marne, reż./dir. Aude Ha Leplège, Belgia/Belgium 2019, 14'12''
  50. Schovka / Hide N Seek, reż./dir. Barbora Halířová, Czechy/Czech Republic 2019, 6'55''
  51. Silence, reż./dir. Isis Leterrier, Francja/France 2019, 9'50''
  52. Still Alive, reż./dir. Dennis Tupicoff, Australia 2018, 5'52''
  53. Story, reż./dir. Jola Bańkowska, Polska/Poland 2018, 5'
  54. Suggestion of least resistance, reż./dir. Michelle Kranot, Uri Kranot, Dania, Austria/Denmark, Austria 2019, 5'25''
  55. Sweet Sweat, reż./dir. Jung Hyun Kim, Estonia 2018, 6'13''
  56. The Levers, reż./dir. Boyoung Kim, Korea Płd./South Korea 2018, 9'25''
  57. The Lonely Orbit, reż./dir. Frederic Siegel, Benjamin Morard, Szwajcaria/Switzerland 2019, 9'20''
  58. The Physics of Sorrow, reż./dir. Theodore Ushev, Kanada/Canada 2019, 27'06''
  59. The piece of tail in the mouth of the snake that bites its own tail, reż./dir. Pablo Martínez Ballarín, Estonia, Hiszpania/Estonia, Spain 2019, 11'50''
  60. Toiduahel / Food Chain, reż./dir. Liis Kokk, Mari Kivi, Estonia 2018, 8'30''
  61. Udahnut zivot / Imbued Life, reż./dir. Ivana Bosnjak, Thomas Johnson, Chorwacja/Croatia 2019, 12'15''
  62. Une famille dysfonctionnelle / A Dysfunctional Family, reż./dir. Alexandre Fatta, Kanada/Canada 2018, 5'20''
  63. Untravel, reż./dir. Ana Nedeljkovic, Nikola Majdak Jr., Serbia, Słowacja/Serbia, Slovakia 2018, 9'25''
  64. Vitae Azilia, reż./dir. Joanna Wapniewska, Polska/Poland 2019, 7'14''
  65. West Question East Answer, reż./dir. Dal Park, UK 2018, 6'26''
  66. Who are you?, reż./dir. Julio Pot, Chile 2018, 13'28''
  67. Wieczór / Sunset, reż./dir. Marcin Giżycki, Polska/Poland 2019, 3'15''

Etiuda competition – list of selected films –…

Photo from the film Bitten, dir. Helena Oborska, Poland   We present a list of 29 films from 15 countries qualified for the ETIUDA 2019 competition:

  1. A Life from Death/Elämä kuolemasta, reż./dir. Tuuli Teelahti, ELO Film School Helsinki, Finland/Finlandia, 20''07''
  2. A Siege/Ostrom, reż./dir. István Kovács, University of Theatre and Film Arts of Budapest, Hungary/Węgry, 23'21''
  3. A Waking/离思, reż./dir. Clare Chong, Lasalle College of the Arts, Singapore/Singapur, 16'36''
  4. Bitten/Ukąszenie, reż./dir. Helena Oborska, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 24'13''
  5. Blowing in the Wind/紙飛機, reż/dir. Zhuang Shitu, NTUA Deapratment of Motion Picture, Taiwan/Tajwan, 24'59''
  6. Bubble Gummed Girl/Kaugummiblase, reż./dir. Anja Gurres, Filmakademie Baden-Württemberg, Germany/Niemcy, 25'12''
  7. Cows Can’t Swim/Kühe können nicht schwimmen, reż./dir. Jonas Möllmann, Fachhochschule Dortmund University of Applied Sciences and Arts, Germany/Niemcy, 22'47''
  8. The Crossword/Krzyżówka, reż./dir. Jan Bujnowski, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 14'52''
  9. Dante vs Muhammed Ali, reż./dir. Marc Wagenaar, Nederlandse Filmacademie, Netherlands/Holandia, 28'11''
  10. Departures/Partenze, reż./dir. Nicolas Morganti Patrignani, Roma Film Academy, Italy/Włochy, 10'00''
  11. Fascinatrix, reż./dir. Justyna Mytnik, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 18'26''
  12. Heaven’s Meadow/Am Himmal, reż./dir. Magdalena Chmielewska, Filmacademie Wien, Austria/Austria, 29'56''
  13. JR, reż./dir. Nicolasa Ruiz, Universidad Autónoma de Baja California, Mexico/Meksyk, 20'28''
  14. Last Call, reż./dir. Hajni Kis, University of Theatre and Film Arts of Budapest, Hungary/Węgry, 27'18''
  15. Lily’s Pain Store/莉莉的疼痛商店, reż./dir. Chen Li, New York University Tish School of Arts Asia, China/Chiny, 24'45''
  16. Living it Up/Красиво жить, reż./dir. Yaroslav Lebedev, Moscow Film School, Russia/Rosja, 17'58''
  17. Lolo, reż./dir. Michał Piotrowski, Wydział Radia i Telewizji im. Krzysztofa Kieślowskiego Uniwersytetu Śląskiego, Poland/Polska, 12'08''
  18. The Mammalian Reflex/El reflejo del mamífero, reż./dir. Flavia Martínez, Centro de Capacitación Cinematográfica, Mexico/Meksyk, 27'25''
  19. My Mother’s Words/La Chatouilleuse d’Oreilles, reż./dir. Nanni, Institut national supérieur des arts du spectacle et des techniques de diffusion, LUCA - School of Arts, Beijing Film Academy, Belgium/Belgia, 24'25''
  20. Pinky Promises/Das Mensch, reż./dir. Sophie Linnenbaum, Filmuniversität Babelsberg Konrad Wolf, Germany/Niemcy, 16'55''
  21. Refuge, reż./dir. Federico Spiazzi, Columbia University, United States/Stany Zjednoczone, 9'54''
  22. Seeds of Deceit /Het Zaad van Karbaat, reż./dir. Miriam Guttmann, Nederlandse Filmacademie, Netherlands/Holandia, 21'22''
  23. Strawberry Boys, reż./dir. Michał Toczek, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 20'38''
  24. Till the End of the World/Tot het einde van de wereld, reż./dir. Florence Bouvy, Nederlandse Filmacademie, Netherlands/Holandia, 26'33''
  25. The Turtle Cave/Jaskinia żółwi, reż./dir. Klaudia Folga, Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, Poland/Polska, 20'33''
  26. The Weeping Woman/La Llorona, reż./dir. Rosana Cuellar, Hochschule für bildende Künste Hamburg, Germany/Niemcy, 28'28''
  27. Who Sank Your Ships?/מה קרה ילדה? טבעו לך הספינות, reż./dir. Ella Kohn, Tel Aviv University, Israel/Izrael, 24'34 ''
  28. The Vibrant Village, reż./dir. Weronika Jurkiewicz, Universidade Lusófona, University of Theatre and Film Arts of Budapest, LUCA - School of Arts, Hungary/Węgry, 6'55''
  29. Xiao Xian/小贤, reż./dir. Jiajie Yu Yan, Centro Internacional de Fotografía y Cine, Spain/Hiszpania, 17'06''