{"id":29125,"date":"2025-09-28T06:57:45","date_gmt":"2025-09-28T04:57:45","guid":{"rendered":"https:\/\/etiudaandanima.pl\/?p=29125"},"modified":"2025-09-28T07:14:23","modified_gmt":"2025-09-28T05:14:23","slug":"workshops-sound-in-film","status":"publish","type":"post","link":"https:\/\/etiudaandanima.pl\/en\/workshops-sound-in-film\/","title":{"rendered":"Sign up for the workshops: Sound in Film - Creative Lab E&#038;A during the 32nd IFF Etiuda&amp;Anima"},"content":{"rendered":"\n<p>We cordially invite you to the workshops: \"Sound in Film\" during the 32nd edition of the Etiuda&amp;Anima International Film Festival. The workshop is held in cooperation with the Krakow Technology Park \u2013 Multilab. Below is the workshops program.<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<h3 class=\"wp-block-heading has-vivid-green-cyan-color has-text-color\"><strong>WORKSHOPS: SOUND IN FILM<\/strong><\/h3>\n\n\n\n<p><strong><span style=\"text-decoration: underline;\">WHERE:<\/span> <strong><strong>Multilab, Krakow Technology Park<\/strong><\/strong><\/strong>, <strong>ul. Podole 60, 30-394 Krak\u00f3w<\/strong><br><strong><span style=\"text-decoration: underline;\">WHEN:<\/span><\/strong> <strong>19th October 2025 (Sunday)  10AM - 5PM<\/strong><br><strong><span style=\"text-decoration: underline;\">LED BY:<\/span><\/strong> <strong><strong>Micha\u0142 Korzeniowski<\/strong><\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-48b7bd8f9e98a6f952be6a32c1dffae3\"><br><strong>FREE ADMISSION<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-230be0e7460ecd162759ed1f9c28fac3\"><strong>The number of participants is limited<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-174789731ddd1c51d2655d8ebfdb1963\"><strong>Registration for workshops: <\/strong><a href=\"mailto:olga.jozefiak@etiudaandanima.pl\"><strong><span style=\"text-decoration: underline;\">olga.jozefiak@etiudaandanima.pl<\/span><\/strong><\/a><\/p>\n\n\n\n<p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1400\" height=\"788\" src=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2025\/09\/Michal-Korzeniowski-1400x788.jpg\" alt=\"\" class=\"wp-image-29120\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2025\/09\/Michal-Korzeniowski-1400x788.jpg 1400w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2025\/09\/Michal-Korzeniowski-600x338.jpg 600w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2025\/09\/Michal-Korzeniowski-450x253.jpg 450w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2025\/09\/Michal-Korzeniowski-768x432.jpg 768w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2025\/09\/Michal-Korzeniowski-1536x864.jpg 1536w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2025\/09\/Michal-Korzeniowski.jpg 1920w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><figcaption class=\"wp-element-caption\"><strong><strong>Micha\u0142 Korzeniowski<\/strong><\/strong><\/figcaption><\/figure><\/div>\n\n\n<p><br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Workshops<\/strong> p<strong>rogram:<\/strong><\/h3>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>Introduction<\/strong><\/li>\n<\/ol>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The role of sound in film narration<\/li>\n\n\n\n<li>How sound impacts viewer`s emotions and film reception<\/li>\n\n\n\n<li>A short overview of the stages of work with sound in film<\/li>\n<\/ul>\n\n\n\n<ol start=\"2\" class=\"wp-block-list\">\n<li><strong>\u00a0Recording on the film set<\/strong><\/li>\n<\/ol>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Basics of sound engineering on the film set<\/li>\n\n\n\n<li>Equipment Review: microphones (boom, lavalier, shotgun), sound recorders, accessories<\/li>\n\n\n\n<li>Microphone positioning in relation to the actor and camera<\/li>\n\n\n\n<li>Dealing with difficult acoustic conditions (wind, echo, background noise)<\/li>\n\n\n\n<li>Communication with film crew<\/li>\n\n\n\n<li>Recording background sound and synchronous effects (wild tracks, ambience)<\/li>\n<\/ul>\n\n\n\n<ol start=\"3\" class=\"wp-block-list\">\n<li><strong>Sound Post-Production<\/strong><\/li>\n<\/ol>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Organizing and preparing audio material for editing<\/li>\n\n\n\n<li>Audio Cleanup: noise reduction, noise removal<\/li>\n\n\n\n<li>Image and sound synchronization<\/li>\n\n\n\n<li>Additional Recording (ADR \u2013 Automated Dialogue Replacement) and foley<\/li>\n\n\n\n<li>Sound Design<\/li>\n\n\n\n<li>Developing space and climate with sound (background, ambience, effects, dialogues, music)<\/li>\n\n\n\n<li>Basics of film mixing \u2013 dialogue, effects and music proportions<\/li>\n\n\n\n<li>Film Sound Format: stereo, 5.1, Dolby Atmos \u2013 basic differences and importance<\/li>\n<\/ul>\n\n\n\n<ol start=\"4\" class=\"wp-block-list\">\n<li><strong>\u00a0Practical Training (workshops)<\/strong><\/li>\n<\/ol>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Short recording of a dialogue scene with participants<\/li>\n\n\n\n<li>\u00a0Analysis of the recorded material \u2013 problems and solutions<\/li>\n\n\n\n<li>Attempt at basic editing and mixing for the recorded fragment<\/li>\n\n\n\n<li>Overview of sound sessions of completed projects<\/li>\n<\/ul>\n\n\n\n<ol start=\"5\" class=\"wp-block-list\">\n<li><strong>Summary and discussion<\/strong><\/li>\n<\/ol>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Most common mistakes in film sound<\/li>\n\n\n\n<li>Tools and programs (from simple to professional)<\/li>\n\n\n\n<li>Q&amp;A, guidelines for further independent development<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading has-vivid-green-cyan-color has-text-color has-link-color wp-elements-b6b6f3ba065abd5d81cf65e379c57061\"><br><br><\/h3>\n\n\n\n<h3 class=\"wp-block-heading has-vivid-green-cyan-color has-text-color has-link-color wp-elements-cb235a1f9e7366d9d59108b14b421840\">Micha\u0142 Korzeniowski<\/h3>\n\n\n\n<p class=\"has-text-align-left\">Acoustician by education, he holds an MSc in Acoustic Engineering from AGH University of Science and Technology. In 2012 he completed a Pro SI Complete training course in the field of sound in film organized by the Pro Sound Institute in collaboration with Hollywood studios.<\/p>\n\n\n\n<p>Currently he owns the Nonagram recording studio and the sound postproduction studio Nonagram Media.<\/p>\n\n\n\n<p class=\"has-text-align-left\">He has won international Audio Engineering Society awards. One of the latest films that he worked on as a sound engineer \u2013 \u201cMama\u201d directed by Or Sinai \u2013 had its premiere at the Film Festival in Cannes in 2025. <\/p>\n\n\n\n<p class=\"has-text-align-left\">His passion for many years has been recording, mixing and producing music. Currently, he is mainly focusing on sound post-production in documentary films, shorts and animations as well as on sound design combined with composing music to commercial multimedia projects and commercials.<\/p>\n\n\n\n<p><br><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We cordially invite you to the workshops: \"Sound in Film\" during the 32nd edition of the Etiuda&amp;Anima International Film Festival. The workshop is held in cooperation with the Krakow Technology Park \u2013 Multilab. Below is the workshops program. WORKSHOPS: SOUND IN FILM WHERE: Multilab, Krakow Technology Park, ul. Podole 60, 30-394 Krak\u00f3wWHEN: 19th October 2025 [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":29121,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2091,15,206],"tags":[1940,1825,1634],"class_list":["post-29125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-creative-lab-ea-en","category-news","category-workshops","tag-32-iff-etiudaanima","tag-creative-lab-ea","tag-workshops"],"acf":[],"_links":{"self":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/29125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/comments?post=29125"}],"version-history":[{"count":2,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/29125\/revisions"}],"predecessor-version":[{"id":29127,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/29125\/revisions\/29127"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media\/29121"}],"wp:attachment":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media?parent=29125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/categories?post=29125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/tags?post=29125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}