{"id":28512,"date":"2025-08-25T07:42:13","date_gmt":"2025-08-25T05:42:13","guid":{"rendered":"https:\/\/etiudaandanima.pl\/?p=28512"},"modified":"2025-08-25T07:50:07","modified_gmt":"2025-08-25T05:50:07","slug":"anima-competition-list-of-selected-films-32-international-film-festival-etiudaandanima-2025","status":"publish","type":"post","link":"https:\/\/etiudaandanima.pl\/en\/anima-competition-list-of-selected-films-32-international-film-festival-etiudaandanima-2025\/","title":{"rendered":"Anima competition - list of selected films - 32. International Film Festival Etiuda&Anima 2025"},"content":{"rendered":"\n


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Anima competition - list of selected films - 32. International Film Festival Etiuda&Anima 2025<\/h3>\n\n\n\n


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Still from animation Humanity<\/strong>, re\u017c.\/dir.: Tereza Kovandov\u00e1, Czechy\/Czech Republic 2024<\/strong><\/figcaption><\/figure><\/div>\n\n\n


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List of 55 animations qualified for the ANIMA 2025 competition: <\/p>\n\n\n\n

    \n
  • A pior dor que h\u00e1<\/strong>\/The worst kind of pain<\/strong>, re\u017c.\/dir.: Ana Clara Miranda Lucena, Brazylia\/Brasil 2024, 9\u201912\u2019\u2019<\/li>\n\n\n\n
  • A Trag\u00e9dia da Lobo-guar\u00e1<\/strong>\/The Tragedy of the Maned Wolf<\/strong>, re\u017c.\/dir.: Kimberly Palermo, Brazylia\/Brasil 2025, 18\u201946\u2019\u2019<\/li>\n\n\n\n
  • Amygdala<\/strong>, re\u017c.\/dir.: Andrea Russo, USA 2025, 6\u201900\u2019\u2019<\/li>\n\n\n\n
  • Augenblicke<\/strong>\/Moments<\/strong>, re\u017c.\/dir.: Katja Friedrich, Niemcy\/Germany 2024, 1\u201920\u2019\u2019<\/li>\n\n\n\n
  • Autokar<\/strong>, re\u017c.\/dir.: Sylwia Szki\u0142\u0105d\u017a, Belgia, Francja\/Belgium, France 2025, 17\u201927\u2019\u2019<\/li>\n\n\n\n
  • Basen albo \u015bmier\u0107 z\u0142otej rybki<\/strong>\/The Pool or Death of a Goldfish<\/strong>, re\u017c.\/dir.: Daria Kopiec Polska\/Poland 2025, 13\u201948\u2019\u2019<\/li>\n\n\n\n
  • Box<\/strong>, re\u017c.\/dir.: Aline Schoch, Szwajcaria\/Switzerland 2024, 8\u201910\u2019\u2019<\/li>\n\n\n\n
  • Cannot sleep!<\/strong>, re\u017c.\/dir.: Yingjie Zhou, Japan 2024, 2\u201927\u2019\u2019<\/li>\n\n\n\n
  • Charbon de terre<\/strong>\/Earth coal<\/strong>, re\u017c.\/dir.: Bastien Dupriez, Francja\/France 2024, 12\u201951\u2019\u2019<\/li>\n\n\n\n
  • Crumpled<\/strong>, re\u017c.\/dir.: Mohammad Yaghoubi, Iran\/Islamic Republic of Iran, 2025, 2\u201941\u2019\u2019<\/li>\n\n\n\n
  • Desi Oon<\/strong>, re\u017c.\/dir.: Suresh Eriyat, Indie\/India 2025, 8\u201902\u2019\u2019<\/li>\n\n\n\n
  • Detlev<\/strong>, re\u017c.\/dir.: Ferdinand Ehrhardt, Niemcy\/Germany 2024, 12\u201950\u2019\u2019<\/li>\n\n\n\n
  • Dollhouse Elephant<\/strong>, re\u017c.\/dir.: Jenny Jokela, Finlandia\/Finland 2025, 11\u201914\u2019\u2019<\/li>\n\n\n\n
  • Een Olifant in de Porseleinkast<\/strong>\/An Elephant in the Porcelain Cabinet<\/strong>, re\u017c.\/dir.: Bonne Steinz, Holandia\/Netherlands 2024, 4\u201950\u2019\u2019<\/li>\n\n\n\n
  • Eureka!<\/strong>, re\u017c.\/dir.: Kris Borghs, Belgia\/Belgium 2024, 9\u201954\u2019\u2019<\/li>\n\n\n\n
  • First Light<\/strong>, re\u017c.\/dir.: Shunsuke Koyama, Japonia\/Japan 2025, 11\u201923\u2019\u2019<\/li>\n\n\n\n
  • Floating<\/strong>, re\u017c.\/dir.: Jelena Milunovi\u0107, Serbia 2025, 7\u201901\u2019\u2019<\/li>\n\n\n\n
  • Freak of Nature<\/strong>, re\u017c.\/dir.: Alexandra Lermer, Niemcy\/Germany 2024, 8\u201916\u2019\u2019<\/li>\n\n\n\n
  • Gauze<\/strong>, re\u017c.\/dir.: Noran Fikri Alezabi, Nicholas Arujah, Xinyue Ma, Yulin Yue, Xiaonan Zhou, Francja\/France 2025, 7\u201945\u2019\u2019<\/li>\n\n\n\n
  • Goodbye Waves<\/strong>, re\u017c.\/dir.: Ruihan Yang, Chiny, Japonia\/China, Japan 2025, 8\u201930\u2019\u2019<\/li>\n\n\n\n
  • House on the sea<\/strong>, re\u017c.\/dir.: T\u00fcnde Nagy, W\u0119gry\/Hungary 2025, 14\u201904\u2019\u2019<\/li>\n\n\n\n
  • Humanity<\/strong>, re\u017c.\/dir.: Tereza Kovandov\u00e1, Czechy\/Czech Republic 2024, 7\u201944\u2019\u2019<\/li>\n\n\n\n
  • Hurik\u00e1n<\/strong>, re\u017c.\/dir.: Jan Saska, Czechy, Francja, S\u0142owacja, Bo\u015bnia i Hercegowina\/Czech Republic, France, Slovakia, Bosnia and Herzegovina 2024, 13\u201907\u2019\u2019<\/li>\n\n\n\n
  • I died in Irpin<\/strong>, re\u017c.\/dir.: Anastasia Falileieva, Czechy, S\u0142owacja, Ukraina\/Czech Republic, Slovak Republic, Ukraine 2024, 11\u201922\u2019\u2019<\/li>\n\n\n\n
  • I Promise You Violence<\/strong>, re\u017c.\/dir.: Juan Maria Leon, Meksyk\/Mexico 2025, 9\u201907\u2019\u2019<\/li>\n\n\n\n
  • Il burattino e la balena<\/strong>, re\u017c.\/dir.: Roberto Catani, Francja, W\u0142ochy\/France, Italy 2024, 8\u201911\u2019\u2019<\/li>\n\n\n\n
  • Impromptu<\/strong>, re\u017c.\/dir.: Steven Subotnick, USA 2025, 6\u201909\u2019\u2019<\/li>\n\n\n\n
  • Karies<\/strong>\/Caries<\/strong>, re\u017c.\/dir.: Aline H\u00f6chli, Szwajcaria\/Switzerland 2025, 9\u201941\u2019\u2019<\/li>\n\n\n\n
  • Kutyaf\u00fcl<\/strong>\/Dog Ear<\/strong>, re\u017c.\/dir.: P\u00e9ter V\u00e1cz, W\u0119gry\/Hungary 2025, 20\u201944\u2019\u2019<\/li>\n\n\n\n
  • L'aveugle<\/strong>, re\u017c.\/dir.: R\u00e9my Xu, Francja\/France 2024, 3\u201901\u2019\u2019<\/li>\n\n\n\n
  • Lep\u0161\u00ed \u010dlov\u011bk<\/strong>\/Better Man<\/strong>, re\u017c.\/dir.: Eli\u0161ka Jir\u00e1skov\u00e1, Czechy\/Czech Republic 2025, 6\u201911\u2019\u2019<\/li>\n\n\n\n
  • Maaim\u00e4<\/strong>, re\u017c.\/dir.: Lucija Mrzljak, Estonia 2024, 5\u201900\u2019\u2019<\/li>\n\n\n\n
  • Mama Micra<\/strong>, re\u017c.\/dir.: Rebecca Bl\u00f6cher, Niemcy\/Germany 2024, 24\u201900\u2019\u2019<\/li>\n\n\n\n
  • Marie<\/strong>, re\u017c.\/dir.: Jan B. Piska\u010d, Czechy\/Czech Republic 2024, 3\u201932\u2019\u2019<\/li>\n\n\n\n
  • Nagy<\/strong>, re\u017c.\/dir.: Janka D\u00f3sa, W\u0119gry\/Hungary 2024, 1\u201912\u2019\u2019<\/li>\n\n\n\n
  • Nie wszystkie go\u0142\u0119bie id\u0105 do nieba<\/strong>\/Not All Pigeons Go to Heaven<\/strong>, re\u017c.\/dir.: Anna Wolta\u0144ska, Polska\/Poland 2025, 1\u201950\u2019\u2019<\/li>\n\n\n\n
  • Nie!<\/strong>, re\u017c.\/dir.: Janka Ko\u010d\u00ed\u0161ek, Austria 2025, 2\u201924\u2019\u2019<\/li>\n\n\n\n
  • On Hold<\/strong>, re\u017c.\/dir.: Delia Hess, Szwajcaria\/Switzerland 2024, 7\u201911\u2019\u2019<\/li>\n\n\n\n
  • Physarum Polycephalum<\/strong>, re\u017c.\/dir.: Kamila Tomczyk, Polska\/Poland 2024, 4\u201944\u2019\u2019<\/li>\n\n\n\n
  • Plevel<\/strong>\/Weeds<\/strong>, re\u017c.\/dir.: Pola Kazak, Czechy\/Czech Republic 2024, 13\u201947\u2019\u2019<\/li>\n\n\n\n
  • Plimovanje<\/strong>, re\u017c.\/dir.: \u017diva Divjak, Czechy\/Czech Republic 2025, 3\u201916\u2019\u2019<\/li>\n\n\n\n
  • Polio<\/strong>, re\u017c.\/dir.: Kl\u00e1ra Kubenkov\u00e1, Czechy\/Czech Republic 2025, 5\u201910\u2019\u2019<\/li>\n\n\n\n
  • Pomegranate<\/strong>, re\u017c.\/dir.: Livvy Seabrook-Wilkins, Wielka Brytania\/United Kingdom 2024, 2\u201931\u2019\u2019<\/li>\n\n\n\n
  • Przedstawienie<\/strong>\/The show<\/strong>, re\u017c.\/dir.: Agnieszka Popi\u0144ska, Polska\/Poland 2025, 11\u201947\u2019\u2019<\/li>\n\n\n\n
  • Q<\/strong>, re\u017c.\/dir.: Masataka Kihara, Japonia\/Japan 2025, 7\u201933\u2019\u2019<\/li>\n\n\n\n
  • Radix<\/strong>, re\u017c.\/dir.: Anne Breymann, Niemcy\/Germany 2025, 4\u201914\u2019\u2019<\/li>\n\n\n\n
  • Sucker<\/strong>, re\u017c.\/dir.: Angelina Damm, Niemcy\/Germany 2024, 6\u201925\u2019\u2019<\/li>\n\n\n\n
  • Tapir Memories<\/strong>, re\u017c.\/dir.: Pedro Nel Cabrera Vanegas, Kolumbia\/Columbia 2023, 9\u201919\u2019\u2019<\/li>\n\n\n\n
  • Tethered<\/strong>, re\u017c.\/dir.: Alessandro Cino Zolfaneli, Wielka Brytania\/UK 2025, 9\u201948\u2019\u2019<\/li>\n\n\n\n
  • The Lumber's Here<\/strong>, re\u017c.\/dir.: Zanna Abasova, Turcja\/Turkey 2025, 3\u201924\u2019\u2019<\/li>\n\n\n\n
  • The Refusers<\/strong>, re\u017c.\/dir.: Wiep Teeuwisse, Holandia\/Netherlands 2024, 2\u201900\u2019\u2019<\/li>\n\n\n\n
  • TV oder Die Ruhest\u00f6rung an der Waldbergstrasse<\/strong>\/TV or The Disturbance on Forest Hill Road<\/strong>, re\u017c.\/dir.: Frederic Siegel, Szwajcaria\/Switzerland 2025, 14\u201909\u2019\u2019<\/li>\n\n\n\n
  • Where To<\/strong>, re\u017c.\/dir.: Omar Hossam Eldin, Egipt\/Egypt 2024, 1\u201947\u2019\u2019<\/li>\n\n\n\n
  • Wszystkie rybki \u015bpi\u0105 w jeziorze<\/strong>\/There is plenty of fish in the sea<\/strong>, re\u017c.\/dir.: Joanna Szlembarska, Polska\/Poland 2025, 10\u201910\u2019\u2019<\/li>\n\n\n\n
  • Yummy<\/strong>, re\u017c.\/dir.: Martinus Klemet, Estonia 2024, 8\u201945\u2019\u2019<\/li>\n<\/ul>\n\n\n\n


    <\/p>\n\n\n\n

    Main picture: still from animation Humanity<\/strong>, re\u017c.\/dir.: Tereza Kovandov\u00e1, Czechy\/Czech Republic 2024, 7\u201944\u2019\u2019<\/strong><\/p>\n\n\n\n


    <\/p>\n\n\n\n

    <\/p>\n","protected":false},"excerpt":{"rendered":"

    Anima competition - list of selected films - 32. International Film Festival Etiuda&Anima 2025 List of 55 animations qualified for the ANIMA 2025 competition: Main picture: still from animation Humanity, re\u017c.\/dir.: Tereza Kovandov\u00e1, Czechy\/Czech Republic 2024, 7\u201944\u2019\u2019<\/p>\n","protected":false},"author":14,"featured_media":28510,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[199,100,15],"tags":[2020,2018,1943,2019],"class_list":["post-28512","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anima-competition","category-competitions","category-news","tag-anima-2025-en","tag-anima-2025-competition","tag-iff-etiudaanima-2025","tag-list-of-selected-films-anima-2025"],"acf":[],"_links":{"self":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/28512","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/comments?post=28512"}],"version-history":[{"count":2,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/28512\/revisions"}],"predecessor-version":[{"id":28514,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/28512\/revisions\/28514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media\/28510"}],"wp:attachment":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media?parent=28512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/categories?post=28512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/tags?post=28512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}