{"id":19810,"date":"2022-11-05T06:43:05","date_gmt":"2022-11-05T04:43:05","guid":{"rendered":"https:\/\/etiudaandanima.pl\/?p=19810"},"modified":"2022-11-10T19:27:11","modified_gmt":"2022-11-10T17:27:11","slug":"book-promotion-michal-bobrowski-radoslaw-bomba-beyond-cinema-screen-post-media-animation-contexts","status":"publish","type":"post","link":"https:\/\/etiudaandanima.pl\/en\/book-promotion-michal-bobrowski-radoslaw-bomba-beyond-cinema-screen-post-media-animation-contexts\/","title":{"rendered":"Book Promotion Micha\u0142 Bobrowski, Rados\u0142aw Bomba \"Beyond Cinema Screen. Post-media Animation Contexts\""},"content":{"rendered":"\n


Micha\u0142 Bobrowski, Rados\u0142aw Bomba
Poza ekranem kinowym. Postmedialne konteksty animacji<\/em><\/strong>
UMCS, Lublin 2021
978-83-227-9534-7, 148 pages<\/p>\n\n\n\n

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Cover of the book \"Poza ekranem kinowym. Postmedialne konteksty animacji<\/em><\/strong>\"
Graphic on the cover by Sasha Svirsky <\/figcaption><\/figure><\/div>\n\n\n\n

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In this\nmonograph authors set for themselves an uneasy, yet without doubt, intriguing\ngoal \u2013 mapping animation against the background of post-media landscape, in which\nmedia function as Geertz`s \u201cclouded genres\u201d.  In two parts of this volume, this framework\nallows us to take a closer look at various historical lines \u2013 videos, especially\nanimation, which since its onset constituted an entity separate from film, in\nthe spirit of media archeology possible to be fitted in connections other than\nthe cinematographic ones, yet, also connected with other \u201cpost-cinema\u201d animations,\nfrom GIFs to immersive installations, to data visualizations. In order to\ntackle the analysis of such a scope of topics, which additionally combine\nvarious registers, from amateur works, to commercial productions to\navant-garde, Micha\u0142 Bobrowski and Rados\u0142aw Bomba make use of a vast palette of\ntheoretical references. It is indispensable and at the same time of informative\nvalue because this whole area clearly escapes traditional categorizations. [\u2026]<\/p>\n\n\n\n

Beyond\nthe cinema screen it seems to form a catalogue, a theoretical and historical\nguidebook through selected media of the epoch, in which the semantic scope of the\nterm \u201cmedium\u201d becomes non-obvious. Even more: it is a return visit into the\npast, which reminds us that the stability of older forms was an illusion waiting\nto be exposed, like the glitch esthetics referred to in the text. Authors also open\nfield for further exploration because reading whets appetite and leads to further\nquestions, for example, about the social circulation of the discussed images\nand sounds. Finally \u2013 it offers a new \u201caudiovisual agreement\u201d by appreciating sound,\neverlastingly marginalized in favour of image. <\/p>\n\n\n\n

From the review by Miros\u0142aw Filiciak, professor at SWPS<\/p>\n\n\n\n


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More information: https:\/\/wydawnictwo.umcs.eu\/produkt\/5426\/poza-ekranem-kinowym-postmedialne-konteksty-animacji<\/a> <\/span><\/p>\n\n\n\n


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EMISSIONS:<\/strong><\/p>\n\n\n\n

2nd December 2022 \u2013 11 AM<\/strong>
Ma\u0142opolska Garden of Arts - Small Screening Room<\/p>\n\n\n\n


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MICHA\u0141\nBOBROWSKI<\/strong><\/p>\n\n\n\n

Assistant professor in the Institute of Culture Studies at Maria\nCurie-Sk\u0142odowska University in Lublin (Faculty of Philology) since 2018. PhD specializing\nin film theory (he defended his thesis in 2010 at the Jagiellonian University).\nHis research interests include classical Japanese and American cinema, animation,\nCold War film propaganda (USA, USSR, Yugoslavia). In 2012 he published a book Akira Kurosawa. Artysta Pogranicza<\/em>. In 2016\na monograph Obsession, Perversion,\nRebellion. Twisted Dreams of Central European Animation<\/em> was published, which\nhe co-authored, and in 2019 it was continued by Propaganda, Ideology, Animation. Twisted Dreams of History<\/em> (which he again co-authored). This book was\nnominated for the McLaren-Lambart Award for Best Scholarly Book on\nAnimation for years 2019-2020 awarded by the Society for Animation Studies. Together\nwith Rados\u0142aw Bomba, he co-authored a book Poza\nekranem kinowym<\/em>. Postmedialne konteksty animacji<\/em>,\npublished in 2021. He\nis programme director and co-founder of StopTrik International Film Festival (Slovenia\/Poland),\na festival devoted to stop motion animation. He cooperates with numerous\nEuropean festivals and film institutions as curator and culture activist. He\nspeaks English, Serbo-Croatian and Russian.<\/p>\n\n\n\n



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RADOS\u0141AW BOMBA<\/strong><\/p>\n\n\n\n

Researcher, academic teacher, digital  culture animator. He graduated from Maria Curie-Sk\u0142odowska University in Lublin majoring in culture studies and sociology; he also completed postgraduate studies Protection of Intellectual Property (Maria Curie-Sk\u0142odowska University in Lublin, 2014) and Computer Graphic Design and DTP (Maria Curie-Sk\u0142odowska University in Lublin, 2015). Since 2006, he has worked in the Institute of Culture Studies at Maria Curie-Sk\u0142odowska University in Lublin, where having obtained his PhD (2012) he became assistant professor, and since 2021 \u2013 professor. He is interested in knowledge visualization, digital humanities, culture analytics, anthropological aspects of computer games, game studies, cyberculture, digital culture, new media and their influence on social and cultural transformations. He has been teaching at Maria Curie-Sk\u0142odowska University for 15 years. He has also taught at the SWPS University in Warsaw (2015-2018), John Paul II University in Krakow (2020\/21) and WSEI University in Lublin (2019\/20). Apart from teaching and researching, he has actively cooperated with numerous scientific and cultural institutions, such as National Centre for Culture<\/strong>, National Audiovisual Institute, National Library, Medialab Katowice, Digital Humanities Centre at the Institute of Literary Research of the Polish Academy of Sciences, Modern Poland Foundation, Gdynia City Museum, The \u201cGrodzka Gate \u2013 NN Theatre\u201d Centre, 5medium Foundation, City Culture Institute in Gdansk, Centre for the Meeting of Cultures in Lublin, Lublin Gamedev Foundation, IT Promotion Centre in Warsaw. In 2015 he worked as media education expert for the Ministry of Culture and National Heritage. In 2013-2017 he was director of the Culture Theory postgraduate programme. Since 2018, he is the director of Video Games Research Centre at Maria Curie-Sk\u0142odowska University in Lublin. In 2006-2017 he was deputy editor-in-chief of the scientific magazine \u201cCulture and History\u201d. Editor of numerous internet portals (among others History and Media, Knowledge and Education). Member of Polish Culture Studies Association (since 2005), Games Research Association of Poland (since 2007) and Polish Association of Film and Media Research.<\/p>\n\n\n\n

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Micha\u0142 Bobrowski, Rados\u0142aw BombaPoza ekranem kinowym. Postmedialne konteksty animacjiUMCS, Lublin 2021978-83-227-9534-7, 148 pages In this monograph authors set for themselves an uneasy, yet without doubt, intriguing goal \u2013 mapping animation against the background of post-media landscape, in which media function as Geertz`s \u201cclouded genres\u201d.  In two parts of this volume, this framework allows us to […]<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,1358],"tags":[1270,1375,1376,1373,1374],"class_list":["post-19810","post","type-post","status-publish","format-standard","hentry","category-aktualnosci","category-events","tag-29-iff-etiudaanima","tag-author-michal-bobrowski","tag-author-radoslaw-bomba","tag-beyond-cinema-screen-post-media-animation-contexts","tag-book-promotion"],"acf":[],"_links":{"self":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/19810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/comments?post=19810"}],"version-history":[{"count":3,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/19810\/revisions"}],"predecessor-version":[{"id":19815,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/19810\/revisions\/19815"}],"wp:attachment":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media?parent=19810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/categories?post=19810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/tags?post=19810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}