{"id":18643,"date":"2021-11-21T21:15:00","date_gmt":"2021-11-21T19:15:00","guid":{"rendered":"http:\/\/etiudaandanima.pl\/?p=18643"},"modified":"2021-12-13T12:58:39","modified_gmt":"2021-12-13T10:58:39","slug":"verdict-of-the-28th-international-film-festival-etiudaandanima","status":"publish","type":"post","link":"https:\/\/etiudaandanima.pl\/en\/verdict-of-the-28th-international-film-festival-etiudaandanima\/","title":{"rendered":"Verdict of the 28th International Film Festival Etiuda&Anima 16-21.11.2021"},"content":{"rendered":"\n
<\/p>\n\n\n\n
ETIUDA COMPETITION<\/strong><\/h3>\n\n\n\n
<\/p>\n\n\n\n
JURY PRIZE<\/strong><\/h4>\n\n\n\n
<\/p>\n\n\n\n
The Jury Ilya Khrzhanovsky (Chairman), Maya Yadlin, Maciej Pieprzyca, Maciej Cuske on November 19th 2021, after watching 29 competition films in ETIUDA competition, the Jury decided to award the following prizes:<\/p>\n\n\n\n
<\/p>\n\n\n\n
The Grand Prix Golden Dinosaur and PLN 7000 BER\u00dcHR\u2019 MICH \/ TOUCH ME<\/strong><\/p>\n\n\n\n
dir. Hendrik Str\u00f6hle, prod. Filmakademie Baden-W\u00fcrttemberg, Germany<\/p>\n\n\n\n<\/figure>\n\n\n\n
<\/p>\n\n\n\n
\u201cFor originality\nin the choice of heroes and the theme of the film, as well as fearlessness and\ndelicacy in the artistic realization of the theme in the language of cinema\u201d<\/p>\n\n\n\n
Three jury members voted for granting the award. The fourth one - Maciej\nCuske, expressed a dissenting opinion<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
The Silver Dinosaur<\/strong> THE DRESS \/ SUKIENKA<\/strong><\/p>\n\n\n\n
dir. Tadeusz \u0141ysiak, prod. Warszawska Szko\u0142a Filmowa, Poland<\/p>\n\n\n\n
\u201dFor professionalism, sensitivity and maturity in telling an emotionally difficult story\u201d <\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
The Bronze Dinosaur<\/strong> \u0421\u0423\u0425\u041e\u041f\u0423\u0422\u041d\u042b\u0419 \u0411\u0420\u042e\u0425\u041e\u041d\u041e\u0413\u0418\u0419 \u041c\u041e\u041b\u041b\u042e\u0421\u041a \/ SHELLED <\/strong> <\/p>\n\n\n\n
dir. Boris Vedensky, prod. Moscow Film School, Russia<\/p>\n\n\n\n
\u201cFor a very important and courageous film which exposes the mechanism of human manipulation and shows how evil is born\u201d<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
HONOURABLE MENTIONS<\/strong><\/h4>\n\n\n\n
<\/p>\n\n\n\n
POZDRAV Z NIG\u00c9RIE \/ GREETINGS FROM NIGERIA<\/strong><\/p>\n\n\n\n
dir. Peter Hoferica, prod. Vysok\u00e1 \u0160kola Muzick\u00fdch Umen\u00ed, Slovakia<\/p>\n\n\n\n
\u201cFor a sense of humor and an unconventional, absurd diagnosis of reality\u201d <\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
REINA<\/strong><\/p>\n\n\n\n
dir. Ozan Mermer, prod. Hochschule f\u00fcr Fernsehen und Film M\u00fcnchen, Germany<\/p>\n\n\n\n
\u201dFor a film about a painful lesson on growing up in a vulgar adult world, for sensitivity with which the inner transformation of the young heroine and her struggle to preserve dignity and innocence were shown\u201d <\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
HILJAISUUS \/ SILENCE<\/strong><\/p>\n\n\n\n
dir. Saara Hakkarainen, prod. Aalto University, Finland<\/p>\n\n\n\n
\u201cFor directing sensitively and courageously a theme that is taboo and enabling a new perspective about pedophilia.This is by a cinematic language which presents an everyday life in contrast to the protagonist's hard confessions and which expresses his loneliness and the gap between his life and \"ordinary life\".\u201d<\/p>\n\n\n\n
The jury also decided to award a diploma to a film school:<\/strong><\/p>\n\n\n\n
HOCHSCHULE F\u00dcR FERNSEHEN UND FILM M\u00dcNCHEN (GERMANY)<\/p>\n\n\n\n
\u201cFor the variety and very high quality of the presented films.\u201d <\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
ADDITIONAL AWARDS<\/strong><\/h4>\n\n\n\n
<\/p>\n\n\n\n
FICC Jury Verdict<\/strong><\/h4>\n\n\n\n
The Jury: Iwona Bartnicka (Poland), Adriana Kytkova (UK), Clementino Junior (Brazil) <\/strong>on November 19th<\/sup> 2021 after watching 29 films in ETIUDA competition decided to award its diploma to:<\/p>\n\n\n\n
A FIRECRACKER STORY \/ PAO ZHANG DE GU SHI <\/strong><\/p>\n\n\n\n
dir. Zhizi Hao, London Film School, GB<\/p>\n\n\n\n
for \u201cPerfect, conscious and creative using of film language to convey a complete story about adapting traditions in the ever-changing society\u201d<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
and has also decided to award Honourable Mention<\/strong>:<\/p>\n\n\n\n
LAND OF GLORY \/ PANN\u00d3NIA DICS\u00c9RETE<\/strong><\/p>\n\n\n\n
dir. Borb\u00e1la Nagy, Deutsche Film- und Fernsehakademie Berlin, Germany<\/p>\n\n\n\n
for \"very actual subject presented in simple but universal way and for bringing important issues through the mouth of the young and brave protagonist\"<\/p>\n\n\n\n
<\/p>\n\n\n\n
Award of the Student Jury<\/strong><\/h4>\n\n\n\n
Szymon Pazera, Anna Skocze\u0144, Kinga Kowalczuk<\/strong> on November 16th<\/sup> 2021 after watching 29 films in ETIUDA competition decided to award its diploma to:<\/p>\n\n\n\n
SPIRITS AND ROCKS: AN AZOREAN MYTH<\/strong><\/p>\n\n\n\n
dir. Aylin G\u00f6kmen, prod. Universidade Lus\u00f3fona \/ Sz\u00ednh\u00e1z- \u00e9s Filmm\u0171v\u00e9szeti Egyetem \/ LUCA School of Arts, Switzerland<\/p>\n\n\n\n
for \u201eFor the minimal use of film language to present the depth of beliefs and fears of the community, for frames that create an image of the horror of nature without words, and for the mystical combination of people and nature, which, preceded by numerous observations, affect the imagination and make the viewer a part of the presented events.\u201d<\/p>\n\n\n\n
<\/p>\n\n\n\n
PEOPLES CHOICE<\/strong><\/h4>\n\n\n\n
<\/p>\n\n\n\n
SPACEBOY<\/strong><\/p>\n\n\n\n
dir. Veerle De Wilde, Koninklijke Academie voor Schone Kunsten van Gent, Belgium<\/p>\n\n\n\n
<\/p>\n\n\n\n
HAEBERLI<\/strong><\/p>\n\n\n\n
dir. Moritz Mueller-Preisser, Hochschule f\u00fcr Fernsehen und Film M\u00fcnchen, Germany<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
ANIMA COMPETITION<\/strong> <\/h3>\n\n\n\n
<\/p>\n\n\n\n
JURY AWARD<\/h4>\n\n\n\n
<\/p>\n\n\n\n
The Jury of 28th IFF Etiuda&Anima: G\u00e9za M. T\u00f3th <\/strong>(Chairman), Grzegorz Koncewicz, Chintis Lundgren, Julia Orlik<\/strong> on November 15th 2021, after seeing 54 competition films the Jury decided to award the prizes to the following films:<\/p>\n\n\n\n
The Grand Prix of the Festival \u2013 the Golden Jabberwocky and 7000 PLN<\/strong> AFFAIRS OF THE ART<\/strong><\/p>\n\n\n\n
dir. Joanna Quinn, Canada 2021<\/p>\n\n\n\n<\/figure>\n\n\n\n
<\/p>\n\n\n\n
for \u201eJoanna Quinn in her film Affairs of the Art<\/em> in a daring way told the story of the Beryl family. We follow the story of the main character\u2019s life and her relatives with a beauty that only animations can bring: perfect drawing, perfect movie language, brilliant script, well constructed characters. It is a story about how people\u2019s aspirations complement reality. Life does not always give us the possibility to fulfill them, and even can make aspirations an obsession. It turns out that if somebody has an artistic soul and a passion that never goes out, he will madly enjoy all the colors of life.\u201d<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
The Silver Jabberwocky<\/strong> ORGIASTIC HYPER-PLASTIC<\/strong><\/p>\n\n\n\n
dir. Paul Bush, Denmark, UK 2020<\/p>\n\n\n\n
for \u201eA formal language that is both playfully abstract and provocatively intelligible, in the best visual music tradition\u201d<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
The Bronze Jabberwocky<\/strong> THE STORK<\/strong><\/p>\n\n\n\n
dir. Lucija Mrzljak, Morten T\u0161inakov, Estonia 2020<\/p>\n\n\n\n
\u201eThrough a playful portrayal of freedom, this film reminds us about the absurdity of life and the silliness of unconstrained desire. We enjoyed following the grotesque behaviour of the protagonist, who demonstrates an opposition to mediocre life patterns of a couple whose life he intervenes into. It makes us question our own established patterns and values, and invites the viewer to follow the protagonist beyond social and physical norms.\u201d<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
The Special Golden Jabberwocky and 3000 PLN for the best student etude go to<\/strong> BUSLINE35A<\/strong><\/p>\n\n\n\n
dir. Elena Felici, Denmark 2021<\/p>\n\n\n\n
\u201eThe film in an interesting way leads the narration, showing how easy it is for us to turn our eyes away and look for excuses in a moment which requires reaction. A clear manifestation of human inactivity in a situation which may later have influence on the whole life.\u201d <\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
HONOURABLE MENTIONS<\/strong><\/h4>\n\n\n\n
<\/p>\n\n\n\n
COFFIN<\/strong><\/p>\n\n\n\n
dir. Yuanqing Cai, Nathan Crabot, Houzhi Huang, Mikolaj Janiw, Mandimby Lebon, Th\u00e9o Tran Ngoc, France 2020<\/p>\n\n\n\n
for \u201eRealistically showing life in a claustrophobic environment and turning attention to a problem which is often faced by densely populated Asians cities. A visual presentation of people stripped of their private space, who, for lack of other possibilities, are forced to find themselves in the difficult conditions in which they live.\u201d<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
NOIR-SOLEIL<\/strong><\/p>\n\n\n\n
dir. Marie Larriv\u00e9, France 2021<\/p>\n\n\n\n
for \u201eTaking us on a poetic journey that explores the relationships between generations of family members, some of which are long gone. This film enchanted us with its vibrant visuals and with subtle symbolical connections between a historical place, family affairs and nature.\u201d<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
JEAN<\/strong><\/p>\n\n\n\n
dir. Marion Auvin, France 2020<\/p>\n\n\n\n
\"Jean<\/em> from its first shot introduces us to the story which we follow with interest and alternately with emotions of anger and sympathy until the very finale. Not only the ending is surprising, but also the fact how much drama, emotions and life can be shown via simple lines and colorful blurs. So many things can only be successfully realized at once in the art of animation.\u201d<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
PRINCE IN A PASTRY SHOP<\/strong><\/p>\n\n\n\n
dir. Katarzyna Agopsowicz, Poland 2020<\/p>\n\n\n\n
\u201eA lyrical story in an extremely well dramatised, lyrical animation, with a graphic world of independent illustrative value at every moment.\u201d<\/p>\n\n\n\n
<\/p>\n\n\n\n
Special Jury Mention in the ANIMA 28th International competition The Etiuda&Anima 2021 Film Festival was awarded to Katarzyna Agopsowicz for the film \"Prince in a Cake Shop\". Simultaneously, the author for the same film received a cash prize in the amount of PLN 5,000, funded by Polish Filmmakers Association, for the best Polish film animated film presented at the festival.<\/p>\n\n\n\n
<\/p>\n\n\n\n
<\/p>\n\n\n\n
ADDITIONAL AWARDS<\/strong><\/h4>\n\n\n\n
Award of the Student Jury<\/strong>:<\/p>\n\n\n\n
Witold Dudzic, Paulina Gandor, Zofia Tomalska<\/strong> On November 16th 2021, after seeing 54 competition films the Jury decided to award the prizes to the following film:<\/p>\n\n\n\n
VADIM ON A WALK \/ VADIM NA PROGULKE<\/strong><\/p>\n\n\n\n
ETIUDA COMPETITION JURY PRIZE The Jury Ilya Khrzhanovsky (Chairman), Maya Yadlin, Maciej Pieprzyca, Maciej Cuske on November 19th 2021, after watching 29 competition films in ETIUDA competition, the Jury decided to award the following prizes: The Grand Prix Golden Dinosaur and PLN 7000BER\u00dcHR\u2019 MICH \/ TOUCH ME dir. Hendrik Str\u00f6hle, prod. Filmakademie Baden-W\u00fcrttemberg, Germany \u201cFor […]<\/p>\n","protected":false},"author":14,"featured_media":17798,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-18643","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/18643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/comments?post=18643"}],"version-history":[{"count":5,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/18643\/revisions"}],"predecessor-version":[{"id":18701,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/18643\/revisions\/18701"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media\/17798"}],"wp:attachment":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media?parent=18643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/categories?post=18643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/tags?post=18643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2021\/10\/2021_E_28-1024x617.jpg\")
<\/figure>\n\n\n\n![\"\"](\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2021\/10\/A_2021_1-1024x576.jpg\")
<\/figure>\n\n\n\n