{"id":17696,"date":"2021-09-21T14:24:49","date_gmt":"2021-09-21T12:24:49","guid":{"rendered":"http:\/\/etiudaandanima.pl\/?p=17696"},"modified":"2021-10-26T05:54:12","modified_gmt":"2021-10-26T03:54:12","slug":"anima-competition-list-of-selected-films-28-international-film-festival-etiudaanima","status":"publish","type":"post","link":"https:\/\/etiudaandanima.pl\/en\/anima-competition-list-of-selected-films-28-international-film-festival-etiudaanima\/","title":{"rendered":"Anima competition - list of selected films - 28. International Film Festival Etiuda&#038;Anima"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2021\/09\/Affairs-of-the-Art_Joanna-Quinn-2-1024x576.jpg\" alt=\"\" class=\"wp-image-17697\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2021\/09\/Affairs-of-the-Art_Joanna-Quinn-2-1024x576.jpg 1024w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2021\/09\/Affairs-of-the-Art_Joanna-Quinn-2-256x144.jpg 256w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2021\/09\/Affairs-of-the-Art_Joanna-Quinn-2-768x432.jpg 768w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2021\/09\/Affairs-of-the-Art_Joanna-Quinn-2-1536x864.jpg 1536w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2021\/09\/Affairs-of-the-Art_Joanna-Quinn-2.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption> Photo from animation <strong>Affairs of the Art,<\/strong> dir. Joanna Quinn, Canada 2021   <\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>List of animations qualified for the ANIMA 2021 competition:<\/p>\n\n\n\n<ol class=\"wp-block-list\"><li><strong>Affairs of the Art,<\/strong> re\u017c.\/dir. Joanna Quinn, Kanada\/Canada 2021, 16\u2019<\/li><li><strong>Agape<\/strong>, re\u017c.\/dir. Gabrielle Siraudin, Maxime Delsart, Ad\u00e8le Fugier, Julie Griot, Thibault Magrit, Raina Patel, Francja\/France 2020, 7\u201902\u2019\u2019<\/li><li><strong>Alleswasichber\u00fchre \/ C<\/strong>, re\u017c.\/dir. Marion T\u00e4schler, Szwajcaria\/Switzerland 2020, 5\u201904\u2019\u2019<\/li><li><strong>Autoportret odczuwany \/ Self-Portrait as Felt<\/strong>, re\u017c.\/dir. Julia Benedyktowicz, Polska\/Poland 2021, 7\u201927\u2019\u2019<\/li><li><strong>Benztown<\/strong>, re\u017c.\/dir. Gottfried Mentor, Niemcy\/Germany 2021, 4\u201945\u2019\u2019<\/li><li><strong>Bis zum letzten Tropfen \/ To the last drop<\/strong>, re\u017c.\/dir. Simon Schnellmann, Niemcy\/Germany 2021, 5\u201946\u2019\u2019<\/li><li><strong>Blink in the Desert<\/strong>, re\u017c.\/dir. Shinobu Soejima, Japonia\/Japan 2021, 10\u201934\u2019\u2019<\/li><li><strong>BusLine35A<\/strong>, re\u017c.\/dir. Elena Felici, Dania\/Denmark 2021, 5\u201950\u2019\u2019<\/li><li><strong>Ce qui r\u00e9sonne dans le silence \/ What resonates in silence<\/strong>, re\u017c.\/dir. Marine Blin, Francja\/France 2020, 8\u201904\u2019\u2019<\/li><li><strong>Coffin<\/strong>, re\u017c.\/dir. Yuanqing Cai, Nathan Crabot, Houzhi Huang, Mikolaj Janiw, Mandimby Lebon, Th\u00e9o Tran Ngoc, Francja\/France 2020, 5\u201923\u2019\u2019<\/li><li><strong>Comeback<\/strong>, re\u017c.\/dir. Vladimir Leschiov, \u0141otwa, Litwa\/Latvia, Lithuania 2021, 7\u201955\u2019\u2019<\/li><li><strong>Dom \/ Home<\/strong>, re\u017c.\/dir. Marcjanna Urba\u0144ska, Polska\/Poland 2019, 5\u201905\u2019\u2019<\/li><li><strong>Drawn Undrew Draw<\/strong>, re\u017c.\/dir. Angel Wu, Tajwan\/Taiwan 2020, 3\u201930\u2019\u2019<\/li><li><strong>Guard of Honour<\/strong>, re\u017c.\/dir. Edmunds Jansons, \u0141otwa\/Latvia 2021, 5\u201931\u2019\u2019<\/li><li><strong>Hokkyoku-Guma Suggoku Hima \/ Polar Bear Bears Boredom<\/strong>, re\u017c.\/dir. Koji Yamamura, Japonia\/Japan 2021, 7\u2019<\/li><li><strong>Honekami \/ A Bite of Bone<\/strong>, re\u017c.\/dir. Honami Yano, Japonia\/Japan 2021, 9\u201945\u2019\u2019<\/li><li><strong>Jean<\/strong>, re\u017c.\/dir. Marion Auvin, Francja\/France 2020, 13\u201920\u2019\u2019<\/li><li><strong>Ksi\u0105\u017c\u0119 w cukierni \/ Prince in a Pastry Shop<\/strong>, re\u017c.\/dir. Katarzyna Agopsowicz, Polska\/Poland 2020, 16\u2019<\/li><li><strong>L\u2019absent \/ The absent<\/strong>, re\u017c.\/dir. Lola Degove, Francja\/France 2020, 7\u201910\u2019\u2019<\/li><li><strong>Latitude du printemps \/ A Tiny Tale<\/strong>, re\u017c.\/dir. Sylvain Cuvillier, Chlo\u00e9 Bourdic, Th\u00e9ophile Coursi, Francja\/France 2020, 7\u201933\u2019\u2019<\/li><li><strong>Le Journal de Darwin \/ Darwin\u2019s Notebook<\/strong>, re\u017c.\/dir. Georges Schwizgebel, Szwajcaria\/Switzerland 2020, 9\u201920\u2019\u2019<\/li><li><strong>Mauvaises herbes \/ Bad Seeds<\/strong>, re\u017c.\/dir. Claude Cloutier, Kanada\/Canada 2020, 6\u201922\u2019\u2019<\/li><li><strong>Meblo\u015bcianka \/ Wall unit<\/strong>, re\u017c.\/dir. Joanna Polak, Polska\/Poland 2021, 9\u201947\u2019\u2019<\/li><li><strong>Mi\u0142o\u015b\u0107 w czasach gospodarki opartej na w\u0119glu \/ Love in the times of coal-based economy<\/strong>, re\u017c.\/dir. Tomasz Siwi\u0144ski, Polska, Chorwacja\/Poland,      Croatia 2021, 11\u201955\u2019\u2019<\/li><li><strong>Mokryie Nosochki Berty Reis \/ The Wet Socks of Berta Reyes<\/strong>, re\u017c.\/dir. Alexandra Shadrina, Rosja\/Russia 2020,      11\u201902\u2019\u2019<\/li><li><strong>MOM<\/strong>, re\u017c.\/dir. Kajika Aki Ferrazzini, Francja\/France 2020, 9\u201910\u2019\u2019<\/li><li><strong>Nachalo sveta \/ Beginning of the light<\/strong>, re\u017c.\/dir. Anastasia Melikhova, Rosja\/Russia 2020, 6\u201920\u2019\u2019<\/li><li><strong>Naelapea Pihta \/ Hit the Nail on the Head<\/strong>, re\u017c.\/dir. Cristo Madissoo, Maria Rakitina, Lyza Jarvis, Kaimar Lomp, Estonia 2021, 6\u201910\u2019\u2019<\/li><li><strong>Noir-Soleil<\/strong>, re\u017c.\/dir. Marie Larriv\u00e9, Francja\/France 2021, 20\u2019<\/li><li>On Time, re\u017c.\/dir. Zbigniew Czapla, Polska\/Poland 2021, 5\u201932\u2019\u2019<\/li><li><strong>One Last Wish. Based on \"What, Of this Goldfish, Would You Wish?\" by Etgar Keret<\/strong>, re\u017c.\/dir. Galia Osmo, Izrael\/Israel 2021, 10\u201920\u2019\u2019<\/li><li><strong>Only a child<\/strong>, re\u017c.\/dir. Simone Giampaolo, Szwajcaria\/Switzerland 2020, 6\u2019<\/li><li><strong>Orgiastic Hyper-Plastic<\/strong>, re\u017c.\/dir. Paul Bush, Dania, UK\/Denmark, UK 2020, 7\u2019<\/li><li><strong>P\u00e1 kis Panelom! \/ Bye Little Block!<\/strong>, re\u017c.\/dir. \u00c9va Darabos, Hungary\/W\u0119gry 2020, 8\u201942\u2019\u2019<\/li><li><strong>Papa Zaza, re\u017c.\/dir. G\u00e9raldine Charpentier<\/strong>, Belgia\/Belgium 2020, 8\u201928\u2019\u2019<\/li><li><strong>Popio\u0142y \/ Ashes<\/strong>, re\u017c.\/dir. Joanna Dudek, Polska\/Poland 2020, 7\u201949\u2019\u2019<\/li><li><strong>Seeker<\/strong>, re\u017c.\/dir. Shenglong Zhang, USA 2021, 3\u201942\u2019\u2019<\/li><li><strong>Silvering<\/strong>, re\u017c.\/dir. Eilidh Nicoll, UK 2021, 5\u201957\u2019\u2019<\/li><li><strong>Si\u0142aczka \/ 98 kg<\/strong>, re\u017c.\/dir. Izabela Pluci\u0144ska, Polska, Niemcy\/Poland, Germany 2021, 5\u2019<\/li><li><strong>Sobaki Pakhnut Morem \/ Dogs Smell Like the Sea<\/strong>, re\u017c.\/dir. Anastasiya Lisovets, Rosja\/Russia 2020, 4\u201914\u2019\u2019<\/li><li><strong>\u015awi\u0105tynia Ukwia\u0142u \/ Anemone Temple<\/strong>, re\u017c.\/dir. Justyna Pazdan, Polska\/Poland 2020, 4\u201952\u2019\u2019<\/li><li><strong>Ta presneta ocetova kamera! \/ My Father's Damn Camera!<\/strong>, re\u017c.\/dir. Milos Tomic, S\u0142owenia\/Slovenia 2021,      6\u201940\u2019\u2019<\/li><li><strong>Tender Parts<\/strong>, re\u017c.\/dir. Steven Subotnick, USA 2021, 5\u201950\u2019\u2019 <\/li><li><strong>The Edge<\/strong>, re\u017c.\/dir. Zaide Kutay, G\u00e9raldine Cammisar, Szwajcaria\/Switzerland 2020, 7\u201923\u2019\u2019<\/li><li><strong>The Fog<\/strong>, re\u017c.\/dir. Ziyoo Hwang, UK 2021, 6\u201916\u2019\u2019<\/li><li><strong>Thorns and Fishbones<\/strong>, re\u017c.\/dir. Nat\u00e1lia Azevedo Andrade, W\u0119gry\/Hungary 2020, 9\u201947\u2019\u2019<\/li><li><strong>Toonekurg \/ The Stork<\/strong>, re\u017c.\/dir. Lucija Mrzljak, Morten T\u0161inakov, Estonia 2020, 15\u201951\u2019\u2019<\/li><li><strong>Transfer<\/strong>, re\u017c.\/dir. Krzysztof Kiwerski, Polska\/Poland 2021, 7\u201926\u2019\u2019<\/li><li><strong>Tunable Mimoid<\/strong>, re\u017c.\/dir. Vladimir Todorovic, Australia 2020, 7\u201913\u2019\u2019<\/li><li><strong>Vadim na progulke \/ Vadim on a walk<\/strong>, re\u017c.\/dir. Sasha Svirsky, Rosja\/Russia 2021, 7\u201957\u2019\u2019<\/li><li><strong>Volver \/ Return<\/strong>, re\u017c.\/dir. Jonathan Delgado Herrera, Argentyna\/Argentina 2020, 11\u201928\u2019\u2019<\/li><li><strong>Zapomniany \/ Forgotten<\/strong>, re\u017c.\/dir. Mawrgan Shaw, Kanada\/Canada 2021, 4\u201923\u2019\u2019<\/li><li><strong>Zhizn-paskuda \/ Life\u2019s a Bitch<\/strong>, re\u017c.\/dir. Varya Yakovleva, Rosja\/Russia 2021, 6\u201921\u2019\u2019<\/li><li><strong>\u0647\u064e\u0628\u0648\u0628 \/ Haboob<\/strong>, re\u017c.\/dir. Mahsa Samani, Iran 2020, 9\u2019 <\/li><\/ol>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>List of animations qualified for the ANIMA 2021 competition: Affairs of the Art, re\u017c.\/dir. Joanna Quinn, Kanada\/Canada 2021, 16\u2019 Agape, re\u017c.\/dir. Gabrielle Siraudin, Maxime Delsart, Ad\u00e8le Fugier, Julie Griot, Thibault Magrit, Raina Patel, Francja\/France 2020, 7\u201902\u2019\u2019 Alleswasichber\u00fchre \/ C, re\u017c.\/dir. Marion T\u00e4schler, Szwajcaria\/Switzerland 2020, 5\u201904\u2019\u2019 Autoportret odczuwany \/ Self-Portrait as Felt, re\u017c.\/dir. Julia Benedyktowicz, Polska\/Poland [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":17697,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,199,15],"tags":[1053,843,1050,835],"class_list":["post-17696","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktualnosci","category-anima-competition","category-news","tag-anima-competition-2021","tag-anima-selected-films","tag-iff-etiudaanima-2021","tag-selected-films"],"acf":[],"_links":{"self":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/17696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/comments?post=17696"}],"version-history":[{"count":2,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/17696\/revisions"}],"predecessor-version":[{"id":17979,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/17696\/revisions\/17979"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media\/17697"}],"wp:attachment":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media?parent=17696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/categories?post=17696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/tags?post=17696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}