{"id":17482,"date":"2020-11-22T20:00:00","date_gmt":"2020-11-22T18:00:00","guid":{"rendered":"http:\/\/etiudaandanima.pl\/?p=17482"},"modified":"2020-11-22T17:41:07","modified_gmt":"2020-11-22T15:41:07","slug":"verdict-of-the-27th-international-film-festival-etiudaandanima","status":"publish","type":"post","link":"https:\/\/etiudaandanima.pl\/en\/verdict-of-the-27th-international-film-festival-etiudaandanima\/","title":{"rendered":"Verdict of the 27th International Film Festival Etiuda&#038;Anima 17-22.11.2020"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\"><strong>ETIUDA COMPETITION<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>JURY PRIZE<\/strong><\/h4>\n\n\n\n<p><\/p>\n\n\n\n<p>The\nJury of the 27<sup>th<\/sup> International Film Festival Etiuda&amp;Anima consisting\nof Anca Damian (President of the Jury), Marcin Kosza\u0142ka, Tomasz Wolski and Mark\nTher, after watching thirty competition films, decided to award the following\nprizes:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Grand Prix \u2013 Golden Dinosaur: <em>Fine <\/em><\/strong><em>\/ \u05d1\u05e1\u05d3\u05e8 \u05d2\u05de\u05d5<\/em> <\/li><\/ul>\n\n\n\n<p>dir. Maya Yadlin, screenplay Maya Yadlin, prod. Minshar School of Art, country: Israel<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/Fine-etiuda-1024x576.jpg\" alt=\"\" class=\"wp-image-17465\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/Fine-etiuda-1024x576.jpg 1024w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/Fine-etiuda-256x144.jpg 256w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/Fine-etiuda-768x432.jpg 768w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/Fine-etiuda-1536x864.jpg 1536w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/Fine-etiuda.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Still from the film  <strong><em>Fine <\/em><\/strong><em>\/ \u05d1\u05e1\u05d3\u05e8 \u05d2\u05de\u05d5<\/em> <\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Silver Dinosaur: <em>Halo\nEffect<\/em><\/strong><\/li><\/ul>\n\n\n\n<p>dir. Patrycja Polkowska, screenplay Patrycja\nPolkowska, prod. National Film School in \u0141\u00f3d\u017a, country: Poland<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Bronze Dinosaur: <em>Dogwatch<\/em><\/strong><em> \/ Der\nW\u00e4chter<\/em> <\/li><\/ul>\n\n\n\n<p>dir. Albin Wildner, screenplay Albin Wildner, prod.\nFilmakademie Wien, country: Austria,<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Special mentions: <\/strong><\/h4>\n\n\n\n<p><\/p>\n\n\n\n<p>1. <strong><em>Good Night<\/em><\/strong><em> \/ Da Yie <\/em><\/p>\n\n\n\n<p>dir. Anthony Nti, screenplay\nChingiz Karibekov, Anthony Nti, prod. Royal Institute for Theatre, Cinema and\nSound, country: Belgium<\/p>\n\n\n\n<p>2. <strong><em>Kosher<\/em><\/strong><em> \/ \u05db\u05e9\u05e8<\/em> <\/p>\n\n\n\n<p>dir. Gideon Imagor, screenplay\nYudit Kantor, prod. Minshar School of Art, country: Israel<\/p>\n\n\n\n<p>3. <strong><em>Territories<\/em><\/strong><em> \/ Timoura <\/em><\/p>\n\n\n\n<p>dir. Azedine Kasri, screenplay\nAzedine Kasri, prod. \u00c9cole Nationale Sup\u00e9rieure des M\u00e9tiers de l'Image et du\nSon, Universit\u00e9 de recherche Paris Sciences et Lettres, country: France<\/p>\n\n\n\n<p>4. <strong><em>Masel Tov Cocktail<\/em><\/strong><\/p>\n\n\n\n<p>dir. Arkadij Khaet,\nMickey Paatzsch, screenplay Arkadij Khaet, Merle Kirchhoff, prod. Filmakademie\nBaden-W\u00fcrttemberg, country: Germany<\/p>\n\n\n\n<p>5<em>. <strong>Frontier<\/strong> \/ Hranice<\/em> <\/p>\n\n\n\n<p>dir. Dami\u00e1n Vondr\u00e1\u0161ek, screenplay\nDami\u00e1n Vondr\u00e1\u0161ek, Luk\u00e1\u0161 Csicsely, prod. Filmov\u00e1 a televizn\u00ed fakulta Akademie m\u00fazick\u00fdch\num\u011bn\u00ed v Praze \u2013 FAMU, country: Czech Republic<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>THE GREAT UNDERESTIMATED<\/strong><\/h4>\n\n\n\n<p>Award\nof the Artistic Director Bogus\u0142aw Zmudzi\u0144ski:<\/p>\n\n\n\n<p><strong><em>A Long Story Short<\/em><\/strong> dir. Andrei\nOl\u0103nescu, prod. Universitatea Na\u021bional\u0103 de Art\u0103 Teatral\u0103 \u0219i Cinematografic\u0103,\ncountry: Romania<\/p>\n\n\n\n<p>ADDITIONAL AWARDS<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Award of the Jury of the International Federation of Film Societies (F\u00e9d\u00e9ration Internationale des Cin\u00e9 Clubs \u2013 FICC):<\/strong><\/li><\/ul>\n\n\n\n<p>The\nJury consisting of Tiziana Spadaro (Italy), David Lings (Great Britain),\nGrzegorz Pie\u0144kowski (Poland), after watching thirty competition films, decided\nto award the following:<\/p>\n\n\n\n<p>1.\nThe <strong>\u201cDon Quixote\u201d<\/strong> FICC Jury Prize: <strong><em>Territories<\/em><\/strong><em> \/ Timoura<\/em>, dir. Azedine Kasri (France)\n\u2013 <em>for an uncompromising depiction of a\nman\u2019s life and the feeling of being lost in society and culture, and for highlighting\nthe importance of having a family.<\/em><\/p>\n\n\n\n<p>2.\nTwo honourable mentions:<\/p>\n\n\n\n<p>-\n<strong><em>Good\nNight<\/em><\/strong><em> \/ Da Yie<\/em>, dir. Anthony\nNti (Belgium) \u2013 <em>for showing the fate of\nyoung people and children in the slums of Ghana and drawing attention to the\ndangers of false models.<\/em><\/p>\n\n\n\n<p>-\n<strong><em>Masel\nTov Cocktail<\/em><\/strong>, dir. Arkadij Khaet and Mickey Paatzsch (Germany) \u2013 <em>for showing the loss of cultural heritage\namong the young generations that no longer know where they come from, where\nthey are headed and what they are losing when rejecting the knowledge of the\nadult world \u2013 all in an expressive form, bursting with energy and a unique\nsense of humour.<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Award of the Student Jury: <em>\u00a0<\/em><\/strong><\/li><\/ul>\n\n\n\n<p><strong><em>Masel Tov Cocktail<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p>dir. Arkadij Khaet,\nMickey Paatzsch, screenplay Arkadij Khaet, Merle Kirchhoff, prod. Filmakademie\nBaden-W\u00fcrttemberg, country: Germany<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Peoples choice:<\/strong><\/li><\/ul>\n\n\n\n<p><strong><em>In Between Spaces <\/em><\/strong>\/ <em>Sa Among Agwat<\/em><\/p>\n\n\n\n<p>dir. Don Senoc, prod.: Unibersidad ng Pilipinas, country: Philippines<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\"><strong>ANIMA COMPETITION<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>JURY PRIZE<\/strong><\/h4>\n\n\n\n<p><\/p>\n\n\n\n<p>Jury\nconsisting of Andrzej\nP\u0105gowski (President of the Jury), Dahee Jeong, Anna Mantzaris and Andrzej\nOrzechowski,\nafter watching fifty three films, decided to award the following prizes:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Grand Prix \u2013 Golden Jabberwocky: <\/strong><strong><em>I\u2019m\nHere<\/em><\/strong>, dir.\nJulia Orlik, Poland 2020<\/li><\/ul>\n\n\n\n<p><em>For a powerful message and the economy of artistic expression. For courage, sensitivity, excellent animation and a great choice of actors, whose voices make the image even more credible \u2014 a true success in these difficult times, when the issue of dying with dignity resounds ever so strongly.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/APL20200422_Jestem-tutaj_re\u017c.-Julia-Orlik-1024x683.jpg\" alt=\"\" class=\"wp-image-17449\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/APL20200422_Jestem-tutaj_re\u017c.-Julia-Orlik-1024x683.jpg 1024w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/APL20200422_Jestem-tutaj_re\u017c.-Julia-Orlik-216x144.jpg 216w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/APL20200422_Jestem-tutaj_re\u017c.-Julia-Orlik-768x512.jpg 768w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/11\/APL20200422_Jestem-tutaj_re\u017c.-Julia-Orlik.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption> Still from the animation <strong><em>I\u2019m Here<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Silver Jabberwocky: <em>I\u2019m Going Out for Cigarettes<\/em><\/strong><em> \/ Je sors acheter des cigarettes<\/em>, dir. Osman Cerfon, France 2018<\/li><\/ul>\n\n\n\n<p><em>For a precise screenplay, a visual layer that fits the subject matter\nand the method of narration and, first and foremost, for telling the story of a\nserious family drama in a playful form and making creative use of the\npossibilities offered by traditional, hand-drawn animation.<\/em><strong><em><\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Bronze Jabberwocky: <em>Precious<\/em><\/strong><em> \/ Pr\u00e9cieux<\/em>, dir. Paul Mas, France 2019<\/li><\/ul>\n\n\n\n<p><em>For bold\ndirecting decisions and an exceptional sensitivity in observing the psyche of men\nand its fragility which, in the face of danger, often makes us turn a blind eye\nto another man\u2019s suffering.<\/em><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Special Golden Jabberwocky:<\/strong> <strong><em>Under the Ice<\/em><\/strong><em> \/ Sous la Glace,<\/em><strong> <\/strong>dir. Milan Baulard, Ismail Berrahma, Flore Dupont, Laurie\nEstampes, Quentin Nory, Hugo Potin, France 2019<\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Special mentions:<\/strong><\/h4>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><em>Symbiosis<\/em><\/strong>, dir. Nadja Andrasev, France,\nHungary 2019 <\/p>\n\n\n\n<p><strong><em>Conversations with a Whale<\/em><\/strong>, dir. Anna Samo, Germany\n2020<\/p>\n\n\n\n<p><strong><em>Freeze frame<\/em><\/strong>,dir. Soetkin\nVerstegen, Germany, Belgium 2019<\/p>\n\n\n\n<p><strong><em>Ties<\/em><\/strong><em> <\/em>\/<em> Uzi<\/em>, dir.\nDina Velikovskaya, Germany, Russia 2019<\/p>\n\n\n\n<p><strong><em>Alt\u00f6tting<\/em><\/strong><em>,<\/em> dir. Andreas Hykade, Germany,\nCanada, Portugal 2020<\/p>\n\n\n\n<p><strong><em>Heart of Gold<\/em><\/strong><em> \/ Un C\u0153ur d\u2019Or<\/em>, dir. Simon Filliot, France 2020<\/p>\n\n\n\n<p>THE GREAT UNDERESTIMATED<\/p>\n\n\n\n<p>Award\nof the Artistic Director Bogus\u0142aw Zmudzi\u0144ski:<\/p>\n\n\n\n<p><strong><em>Co-Ognition<\/em><\/strong>, dir. Przemys\u0142aw\n\u015awida, Poland 2020<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">ADDITIONAL PRIZES<\/h4>\n\n\n\n<p><\/p>\n\n\n\n<p>\u2022&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Award of the Student Jury: <strong><em>Why\nSlugs Have No Legs<\/em><\/strong><em> \/<\/em><em> <\/em><em>Warum\nSchnecken Keine Beine Haben,<\/em> dir. Aline H\u00f6chli, Switzerland\n2019<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Peoples choice:&nbsp; <strong><em>The Great Malaise\n     <\/em><\/strong>\/\n     <em>Le mal du si\u010dcle<\/em>, dir. Catherine\n     Lepage, Canada 2020<\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\"><strong>ANIMA.PL COMPETITION<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>JURY PRIZE<\/strong><\/h4>\n\n\n\n<p><\/p>\n\n\n\n<p>Jury\nconsisting of Izabela Pluci\u0144ska (President of the Jury), Michaela Mertov\u00e1,\nThomas Renoldner and Piotr Furmankiewicz, after watching forty competition\nfilms, decided to award the following prizes:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Golden \u017bmij<\/strong> <strong>\u2013 Grand Prix<\/strong>: <strong><em>Your Own Bullshit<\/em><\/strong>, dir. Daria Kopiec, Poland 2020<\/li><\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"590\" src=\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/10\/APL20200204_W\u0142asne-\u015bmieci_re\u017c.-Daria-Kopiec-1024x590.jpg\" alt=\"\" class=\"wp-image-16825\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/10\/APL20200204_W\u0142asne-\u015bmieci_re\u017c.-Daria-Kopiec-1024x590.jpg 1024w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/10\/APL20200204_W\u0142asne-\u015bmieci_re\u017c.-Daria-Kopiec-250x144.jpg 250w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/10\/APL20200204_W\u0142asne-\u015bmieci_re\u017c.-Daria-Kopiec-768x442.jpg 768w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/10\/APL20200204_W\u0142asne-\u015bmieci_re\u017c.-Daria-Kopiec-1536x884.jpg 1536w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2020\/10\/APL20200204_W\u0142asne-\u015bmieci_re\u017c.-Daria-Kopiec.jpg 1742w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption> Still from the animation <strong><em>Your Own Bullshit<\/em><\/strong><\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Silver \u017bmij: <em>The Hunt<\/em><\/strong>, dir. Mateusz Jarmulski, Poland 2019<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Bronze \u017bmij:<\/strong><\/li><\/ul>\n\n\n\n<p><strong>1) for best auteur animated film: <em>Co-Ognition<\/em><\/strong>, dir. Przemys\u0142aw \u015awida, Poland 2020<\/p>\n\n\n\n<p><strong>2) for best animation for children: <em>The Great Book of Feelings \u2013 Longing<\/em><\/strong>,dir. Wiola Sowa, Poland 2020<\/p>\n\n\n\n<p><strong>3) for best graduation film or professional debut<\/strong>:\n<strong><em>Marbles<\/em><\/strong><em>,<\/em> dir. Natalia Spycha\u0142a, Poland 2019<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Special Golden \u017bmij for best student animation<\/strong>: <strong><em>I\u2019m Here<\/em><\/strong>, dir. Julia Orlik, Poland 2020<\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Special mentions:<\/strong><\/h4>\n\n\n\n<p><\/p>\n\n\n\n<ol class=\"wp-block-list\"><li><strong><em>Aggie\nand Leaves<\/em><\/strong>, dir. Andrzej Piotr\nMorawski, Poland 2019<\/li><li><strong><em>backstage.episodes<\/em><\/strong>,dir.\nMarcin Wojciechowski, Poland 2020<\/li><li><strong><em>And Something Else<\/em><\/strong>, dir. Olga K\u0142yszewicz, Poland 2020<\/li><li><strong><em>Such a Beautiful Town<\/em><\/strong>,dir.\nMarta Koch, Poland 2019<\/li><\/ol>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>THE GREAT UNDERESTIMATED<\/strong><\/h4>\n\n\n\n<p><\/p>\n\n\n\n<p>Award\nof the Artistic Director Bogus\u0142aw Zmudzi\u0144ski:<\/p>\n\n\n\n<p><strong><em>A Woman with a\nPebble in Her Heart<\/em><\/strong>, dir. Karyna Piwowarska, Jakub Wro\u0144ski, Poland 2020<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>ADDITIONAL PRIZES<\/strong><\/h4>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Award of the Student Jury: <em>\u00a0<strong>I\u2019m Here<\/strong>, <\/em>dir. Julia Orlik, Poland 2020<\/li><\/ul>\n\n\n\n<ul class=\"wp-block-list\"><li>Peoples choice: <strong><em>I\u2019m Here<\/em><\/strong><em>, <\/em>dir. Julia Orlik, Poland 2020<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>ETIUDA COMPETITION JURY PRIZE The Jury of the 27th International Film Festival Etiuda&amp;Anima consisting of Anca Damian (President of the Jury), Marcin Kosza\u0142ka, Tomasz Wolski and Mark Ther, after watching thirty competition films, decided to award the following prizes: Grand Prix \u2013 Golden Dinosaur: Fine \/ \u05d1\u05e1\u05d3\u05e8 \u05d2\u05de\u05d5 dir. Maya Yadlin, screenplay Maya Yadlin, prod. [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":17481,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[1003,1005,1002,1004],"class_list":["post-17482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-closing-gala-27-iff-etiudaanima","tag-closing-gala-27th-iff-etiudaanima","tag-verdict-27-iff-etiudaanima","tag-verdict-of-27-iff-etiudaanima"],"acf":[],"_links":{"self":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/17482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/comments?post=17482"}],"version-history":[{"count":1,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/17482\/revisions"}],"predecessor-version":[{"id":17484,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/17482\/revisions\/17484"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media\/17481"}],"wp:attachment":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media?parent=17482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/categories?post=17482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/tags?post=17482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}