{"id":16200,"date":"2019-11-12T09:20:46","date_gmt":"2019-11-12T08:30:09","guid":{"rendered":"http:\/\/etiudaandanima.pl\/?p=16200"},"modified":"2019-11-12T09:30:09","modified_gmt":"2019-11-12T08:30:09","slug":"self-portraits-of-animation-artists-series-at-the-26th-international-film-festival-etiudaandanima","status":"publish","type":"post","link":"https:\/\/etiudaandanima.pl\/en\/self-portraits-of-animation-artists-series-at-the-26th-international-film-festival-etiudaandanima\/","title":{"rendered":"\u201cSelf-Portraits of Animation Artists\u201d series at the 26th International Film Festival Etiuda&#038;Anima"},"content":{"rendered":"<p><strong>Permanent series \u201cSelf-portraits of Animation Artists\u201d is one of the most eagerly awaited parts of each edition of Etiuda&amp;Anima festival.\u00a0 During interactive meetings with the audience, the greatest personalities of modern artistic animation talk about the tricks of their trade. Guests during this year`s edition of the series are Igor Kovalyov (21.11) and Izabela Pluci\u0144ska (22.11).<\/strong><\/p>\n<h3>Igor Kovaljov<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-16181 aligncenter\" src=\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Igor_Kovalyov_Ola7504-1024x771.jpg\" alt=\"\" width=\"486\" height=\"366\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Igor_Kovalyov_Ola7504-1024x771.jpg 1024w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Igor_Kovalyov_Ola7504-1024x771-150x113.jpg 150w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Igor_Kovalyov_Ola7504-1024x771-191x144.jpg 191w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Igor_Kovalyov_Ola7504-1024x771-768x578.jpg 768w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/p>\n<p>Our this year`s special guest \u2013 Igor Kovalyov \u2013 is a world renowned filmmaker, animator and director. His short animations <em>Andrei Svislotski <\/em>(1992), <em>Hen, His Wife <\/em>(1990), <em>Flying Nansen <\/em>(1999), <em>Milch<\/em> (2005) and <em>Before Love<\/em> (2015) won numerous awards and honorary mentions gaining recognition in the film circle.<\/p>\n<div id=\"attachment_16183\" style=\"width: 326px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16183\" class=\"wp-image-16183\" title=\"Kard z filmu &quot;Milch&quot;\" src=\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/milch.jpg\" alt=\"\" width=\"316\" height=\"190\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/milch.jpg 2048w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/milch-150x90.jpg 150w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/milch-239x144.jpg 239w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/milch-768x463.jpg 768w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/milch-1024x617.jpg 1024w\" sizes=\"auto, (max-width: 316px) 100vw, 316px\" \/><p id=\"caption-attachment-16183\" class=\"wp-caption-text\">Kard z animacji \/ Still from animation\"Milch\"<\/p><\/div>\n<p>Born in Kiev, in Ukraine, Igor Kovalyov is a co-founder of the legendary studio Pilot School of Animation in Moscow. The studio brought together the most important Russian artists, including the animators from Klasky Csupo. In 1991 Kovalyov accepted the invitation to work at the studio Klasky Csupo in Hollywood and became the director of the first feature film there, <em>The Rugrats Movie <\/em>(1998). The artists also worked on the TV series <em>Aaahh !!! Real Monsters <\/em>(1994-1998), and directed commercials as well as short internet films.<\/p>\n<div id=\"attachment_16180\" style=\"width: 269px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16180\" class=\"wp-image-16180\" src=\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Han-his-wife.jpg\" alt=\"\" width=\"259\" height=\"193\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Han-his-wife.jpg 1446w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Han-his-wife-150x112.jpg 150w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Han-his-wife-193x144.jpg 193w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Han-his-wife-768x574.jpg 768w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/Han-his-wife-1024x765.jpg 1024w\" sizes=\"auto, (max-width: 259px) 100vw, 259px\" \/><p id=\"caption-attachment-16180\" class=\"wp-caption-text\">Kard z animacji \/\u00a0Still from animation \"Hen, His Wife\"<\/p><\/div>\n<p>In Kovalyov`s films we can find surreal everyday situations, sometimes including fantasy elements. Limited dialogues encourage the viewers to focus on the characters` faces, which cannot be called attractive. The decision to call them ugly, or maybe rather stylized,\u00a0 the director leaves to the viewer. He does the same with the interpretation of the stories.<\/p>\n<p>&nbsp;<\/p>\n<h3>Izabela Pluci\u0144ska<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-16182 aligncenter\" src=\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/izabela-plucinska.jpg\" alt=\"\" width=\"374\" height=\"498\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/izabela-plucinska.jpg 1024w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/izabela-plucinska-113x150.jpg 113w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/izabela-plucinska-108x144.jpg 108w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/izabela-plucinska-768x1024.jpg 768w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><\/p>\n<div id=\"attachment_16179\" style=\"width: 305px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16179\" class=\"wp-image-16179\" src=\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/7-More-Minutes.jpg\" alt=\"\" width=\"295\" height=\"209\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/7-More-Minutes.jpg 1024w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/7-More-Minutes-150x106.jpg 150w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/7-More-Minutes-203x144.jpg 203w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/7-More-Minutes-768x545.jpg 768w\" sizes=\"auto, (max-width: 295px) 100vw, 295px\" \/><p id=\"caption-attachment-16179\" class=\"wp-caption-text\">Kard z animacji \/ Still from animation\"7 more minutes\"<\/p><\/div>\n<p>Our compatriot Izabela Pluci\u0144ska, on the other hand, specializes in clay animation. The artist was born in 1974 in Koszalin. She studied animation at the Film School in Lodz, graphics and design at the Academy of Fine Arts in the same city and also studied at the Film &amp;Television Academy (HFF) \u201cKonrad Wolf\u201d in Potsdam. From among numerous clay animations, her greatest success was the film <em>Jam Session<\/em> (2005), which won numerous awards, including the Silver Bear for a short film at the festival in Berlin. Currently, she resides in Berlin, where she runs her own production company Claytraces.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_16184\" style=\"width: 353px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-16184\" class=\"wp-image-16184\" src=\"http:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/sexy-laundry.jpg\" alt=\"\" width=\"343\" height=\"193\" srcset=\"https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/sexy-laundry.jpg 1918w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/sexy-laundry-150x84.jpg 150w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/sexy-laundry-256x144.jpg 256w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/sexy-laundry-768x432.jpg 768w, https:\/\/etiudaandanima.pl\/wp-content\/uploads\/2019\/11\/sexy-laundry-1024x576.jpg 1024w\" sizes=\"auto, (max-width: 343px) 100vw, 343px\" \/><p id=\"caption-attachment-16184\" class=\"wp-caption-text\">Kadr z animacji \/ Still from animation \"Sexy Laundry\"<\/p><\/div>\n<p>In Pluci\u0144ska`s productions we will also find neither carefully drawn characters nor neatly rendered landscapes we got used to watching in Disney`s productions. The worlds created by Pluci\u0144ska in <em>Esterhazy<\/em> (2009) or <em>Afternoon<\/em> (2012) are more tangible, like the clay used to make them. The artist`s latest film, Portrait of Suzanne (<em>Portret Suzanne<\/em>, 2019) \u2013 a grotesque love story based on a short story by Roland Topor \u2013 will compete in this year`s festival competition in the ANIMA category.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Permanent series \u201cSelf-portraits of Animation Artists\u201d is one of the most eagerly awaited parts of each edition of Etiuda&amp;Anima festival.\u00a0 During interactive meetings with the audience, the greatest personalities of modern artistic animation talk about the tricks of their trade. Guests during this year`s edition of the series are Igor Kovalyov (21.11) and Izabela Pluci\u0144ska [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":16183,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[676,636,736,738,737],"class_list":["post-16200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-26th-iff-etiudaanima","tag-iff-etiudaanima-2019","tag-self-portraits-of-animation-artists-2019","tag-special-gueast-izabela-plucinska","tag-special-guest-igor-kovalyov"],"acf":[],"_links":{"self":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/16200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/comments?post=16200"}],"version-history":[{"count":2,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/16200\/revisions"}],"predecessor-version":[{"id":16203,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/16200\/revisions\/16203"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media\/16183"}],"wp:attachment":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media?parent=16200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/categories?post=16200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/tags?post=16200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}