{"id":14623,"date":"2018-11-08T05:43:04","date_gmt":"2018-11-08T09:47:00","guid":{"rendered":"http:\/\/etiudaandanima.pl\/prelegenci-2\/"},"modified":"2018-11-14T19:46:37","modified_gmt":"2018-11-14T18:46:37","slug":"speakers","status":"publish","type":"post","link":"https:\/\/etiudaandanima.pl\/en\/speakers\/","title":{"rendered":"Speakers"},"content":{"rendered":"
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Mackevision<\/strong>
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Juri Stanossek<\/strong>
\nJuri Stanossek started his career as a Visual Effects Artist in 1994. Since then he's supervised more than 40 projects for TV and cinema.
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He acted as a Visual Effects Supervisor at Elektrofilm from 2004 to 2008 and then moved forward to Pixomondo Stuttgart, where he supervised international productions like \"Ghostwriter\" (2010), \"Hugo Cabret\" (2011) , \"Game of Thrones\" (2012) and \"Rush\" (2013).
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He started at his current employer, Mackevision, in 2013 as VXF Supervisor. Thanks to his in-depth expertise he has overseen the visual effects in productions like \"The Cut\" (2015) and \"Independence Day: Resurgence\" (2016).
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Most recently Juri was a VFX supervisor for the movie \"Jim Button\" (2018) and the new Netflix series \"Lost in Space\" (2018).
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His outstanding work for \"Game of Thrones\" won him an Emmy VES Award in 2013. Last year Juri and his team were nominated for an Emmy VES Award for their work on Lost in Space and he received the title of Professor by the prestigious Film Academy of Ludwigsburg where he's been lecturing courses on animation since 2010. <\/p>\n<\/div>\n<\/div>\n<\/div>\n

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MELT<\/strong>
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Kuba Matyka<\/strong>
\nFutourist. Immersive Experience Director and Co-Founder @ MELT - multidisciplinary little studio, creating experiences for big brands\u2019 audiences. These are often multi-sensory, combining animation, sound, light and interaction in every scale and form. Pop-culture binger. Constantly optimising the world around him. <\/div>\n<\/div>\n<\/div>\n

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\nDeep Blue Production\u00a0<\/strong>
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\nGrzegorz Kuku\u015b<\/strong>
\nHead of CG \/ CEO Deep Blue Production
\nVFX executive and talented 3D artist with vast experience in 3D imaginary getting back to late 90's. He specializes CG Supervision, 3D pipeline design, rendering and character animation. For past 10 years connected with Platige Image. Worked as CG Supervisor on many iconic productions such as \"The Witcher\" cinematics series or worldwide acknowledged short animations \"Ark\" and \"The Kinematograph\". He sucesfully delivered dozens of game cinematics and tv commercials for clients like: Ubisoft, Square Enix or SEGA. He was a part of the team responsible for CG animated feature \"Final Fantasy: Kingsglaive\". His professional road went from being character modeler, through character animation, technical direction, lighting, cg supervising to the position of Head of CG and finally Head of Cinematics Department at one of the biggest animation studios in Europe. He's currently involved in several Deep Blue projects as Producer and CG Supervisor.<\/p>\n<\/div>\n<\/div>\n
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Marcin Panasiuk<\/strong>
\nArt. Director at Deep Blue Production. Marcin is an artist based in Warsaw, Poland.\u00a0After graduating with a degree in architecture, he worked as a freelance concept artist. Since 2013 he has been involved with Platige Image, where he serves as an illustrator, concept artist\u00a0and art director. He gained extensive professional experience in the course of a number of projects he has been involved with. His work is greatly influenced by jazz music, video games\u00a0and architecture.\n<\/div>\n<\/div>\n<\/div>\n
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\nInstytut Adama Mickiewicza<\/strong>
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\nGrzegorz Skorupski<\/strong>
\nGrzegorz Skorupski, born 1979. Graduate of the Warsaw University at the faculty of public communication and journalism and WWSH at Polish Academy of Science at the faculty of media and public communication. Between 1998 \u2013 2002 studied at Agricultural University in Warsaw at the faculty of animal husbandry. Now working on Ph.D. thesis on film language as a tool in cultural international communication.
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Between 2009 \u2013 2010 - Head of Communication and Marketing at Polish Cultural Institute in London, i.e. in charge of communication and marketing of KINOTEKA film festival.
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Between 2010 \u2013 2012 manager of PR and Marketing at Human-Ark - Warsaw based film studio and author and coordinator of the 2012 Oscar campaign of THE LOST TOWN OF SWITEZ by KamilPolak.
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Since 2012 at Adam Mickiewicz Institute where he is a member of Institute\u2019s Experts Team in charge of film.
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As a film expert at AMI he is responsible for planning and coordinating the Institute film program as well as planning the long term strategies for film projects. Networking and long term cooperation with the foreign partners and coordination the film co-production (i.e. POSSEST and WROBLEWSKI ACORDING TO WAJDA by Andrzej Wajda and AUTOR SOLARIS and \u201eKOBRO\/ STRZEMI\u0143SKI. FANTASTIC TALE\u201d by BorysLankosz).<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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\nAnimoon<\/strong>
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\nGRZEGORZ WAC\u0141AWEK <\/strong>
\nGrzegorz Wac\u0142awek is a producer and director of animated films, and a creator of the SMODO technology.
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He graduated from Animation at the department of Film Special Effects at the Polish National Film School in \u0141\u00f3d\u017a (PWSFTviT), and Graphic Design at The Academy of Fine Arts in Warsaw. He debuted with his film \u201cBeyond the old age\u201d, and worked next to two Oscar-award producers, Hugh Welchman and Gareth Unwin. Hugh Welchman had a huge impact on his creative producer path, which inspired him to establish Studio Animoon in 2013. Animoon's portfolio consists of animated series, short and feature films. Grzegorz is a co-founder and a member of the Polish Animation Producers Association (SPPA), where he took the chairman role for two cadences.\n<\/div>\n<\/div>\n<\/div>\n
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\nMinisterstwo Kultury i Dziedzictwa Narodowego<\/strong>
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\nMaciej Dydo<\/strong>
\nDeputy Director of the Department of Intellectual Property and Media in the Polish Ministry of Culture and National Heritage. Lawyer specializing in IP, lecturer at the Warsaw Film School (copyright law for Directing students, modern movie and multimedia markets). Currently responsible for implementing governmental support policies for cultural and creative industries, supervising cultural institutions in the domain of film, as well as carrying out programmes of support for digitisation of cultural heritage and online accessibility of digital resources.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\nMAD Entertainment<\/strong>
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\nMarino Guarnieri<\/strong>
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DIRECTOR, ANIMATOR, ILLUSTRATOR
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After working as a graphic designer, experimenting with all forms of expression and communication for the past 20 years, he has finally discovered his true passion: animation. He creates, designs and participates in the realization of commercials and video clips, TV theme songs and educational products, documentaries, specials and feature films. He supervised the animation for the documentary Gli Occhi pi\u00f9 Azzurri, in the educational series Docucartoon, and the episode Giga & Stick for INAF, before embarking on the collaboration with MAD Entertainment. His works include: the music video for Foja\u2019s Donna Maria, the promo for the movie A Skeleton Story and the theme song for the Festival Crossmediale Cartoons on the Bay. Assistant director, 2D supervisor and animation editor for the feature film L\u2019Arte della Felicit\u00e0. Winner of the 2014 European Film Awards for Best European Animated Film. He teaches Digital Animation at the Italian school of Comix, for which he directed the promotional commercial Chi Sogna Disegna and the short film Mezzanotte di Segni. He is also member of the board of ASIFA Italia (Associazione Internazionale Film di Animazione). Gatta Cenerentola is his first feature film as director.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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\nPigeon Studio<\/strong>
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\nMateusz Kowalczyk<\/strong>
\nCo-founder and managing director at Pigeon animation studio in Krak\u00f3w. His responsibilities include conducting the production process, as well as seeking out and implementing new projects. He also assumes the role of exectutive producer for the Studio\u2019s most important undertakings.
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\nStudio Produkcyjne Orka<\/strong>
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\nMicha\u0142 Konwicki<\/strong>
\nGraphic artist, animated film director, effects supervisor. He has created illustrations, animations, commercials, film effects, architectural visualizations and animated films. For 6 years he has been professionaly associated with Orka Production Studio, where he supervises commercials, film effects and animation.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\nStowarzyszenie Producent\u00f3w Polskiej Animacji<\/strong>
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\nRobert Jaszczurowski<\/strong>
\nA director, producer, scriptwriter and co-founder of GS Animation. With his early projects: \u201eHarry and Toto\u201d and \u201eAgronauta\u201d, he gained experience in directing animation, creating layouts, backgrounds, characters' design. From 2009 acts as a creative producer with the most important project, TV series \u201eMami Fatale\u201d (a delegate producer). A president of a Polish Animation Producers Association (SPPA) and a participant of the most important coproduction markets, festivals and animation related events in Europe (Cartoon Forum, Cartoon Movie, MiPJunior, Cinekid, Annecy). Currently working on \"Basia\" TV series, \"Grand Banda\" TV series and \"Mice on Strike\" feature. <\/p>\n<\/div>\n<\/div>\n<\/div>\n
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\nPlatige Image<\/strong>
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\nDominik Wawrzyniak<\/strong>
\nLead of the layout\/previz team at the Animation department. Also: Director and Director of Animation. Associated with Platige Image since the beginning of his career, first as a freelancer supporting the studio in the production of short films and special projects. He became a core team member in 2011, joining as a Layout Artist. Graduate in Animation and Special Effects at the National Film School in \u0141\u00f3d\u017a. Scholarship holder at the Animation Institute within the Filmakademie Baden-W\u00fcrttemberg in Germany.\n<\/div>\n<\/div>\n
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\nUrszula \u0141uczak<\/strong>
\nUrszula \u0141uczak is a producer at Platige Image in Poland for over 8 years now. She started working at VFX Department where she was involved in movies such as "Essential Killing", "Melancholy" and "Uwiklanie". She was a production manager creating stereoscopic scenography for spectacles such as "Polita" for Buffo Theatre and "Pilots" for Roma Theatre. She also produced animation movies for Qatar market: \u201cHero and the message\u201d and \u201cHeroes and the mission\u201d. Recently first full \u2013 feature animation movie co-produced by Platige Image called \u201cAnother Day of Life\u201d is being released to the festival circulation where she was involved as production manager.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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\nStudio Miniatur Filmowych<\/strong>
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\nW\u0142odzimierz Matuszewski<\/strong>
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Pracuje od 1976 roku w Studiu Miniatur Filmowych jako redaktor i scenarzysta.
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Pierwszy scenariusz \u201eW samolocie\u201d (na podstawie wiersza Juliana Tuwima)\u00a0 zosta\u0142 zrealizowany w 1976 roku w Studiu Miniatur Filmowych. Od tego czasu wykona\u0142 ok. 30 scenariuszy film\u00f3w animowanych dla doros\u0142ych i dla dzieci. W tym m.in.:
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PAX VINCIT (1981) - I nagroda w kat. film\u00f3w animowanych na Festiwalu Film\u00f3w O Sztuce Zakopane \u2018 82 , wyr\u00f3\u017cnienie w Oberhausen\u2019 82.
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SEZON OG\u00d3RKOWY seria Dixie, (1983) - \u201eBr\u0105zowe Kozio\u0142ki\u201d dla najlepszego filmu animowanego na FF dla Dzieci i M\u0142odzie\u017cy w Poznaniu(1984)
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ROZWI\u0104ZANIE(1987)- nagr. dla najlepszego filmu na Festiwalu Film\u00f3w Jazzowych - Wroc\u0142aw\u201987
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Z\u0141OTA RYBKA (1991) - Grand Prix na FF dla Dzieci i M\u0142., Pozna\u0144\u201992
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W latach 1980-81 przewodnicz\u0105cy Komisji Zak\u0142adowej NSZZ Solidarno\u015b\u0107 przy SMF, cz\u0142onek Komisji Krajowej Pracownik\u00f3w Filmu NSZZ Solidarno\u015b\u0107.
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W latach 1989-91 dzia\u0142a jako prywatny producent realizuj\u0105c m.in.godzinny animowany film telewizyjny dla hiszpa\u0144skiej firmy IRUSOIN z San Sebastian pt. LOYOLA. Realizuje samodzielnie filmy animowane reklamowe, kt\u00f3re w 1990 roku zosta\u0142y zakwalifikowane na Festiwal w Espinho, gdzie uzyska\u0142y wyr\u00f3\u017cnienie
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W 1991 r. w wyniku konkursu obejmuje funkcj\u0119 dyrektora Studia Miniatur Filmowych, Instytucji Filmowej w Warszawie, w bardzo trudnym momencie transformacji, gdy SMF musi przej\u015b\u0107 na w\u0142asny rozrachunek bez pa\u0144stwowych dotacji.
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Produkuje seriale rysunkowe i filmy pojedyncze w koprodukcji i na zlecenie kontrahent\u00f3w krajowych i zagranicznych, w tym seria \u201eDwa Koty i Pies\u201d - Grand Prix w Poznaniu\u201992 r., ABC...ITD dla TVP S.A (1990-93)., bierze udzia\u0142 w mi\u0119dzynarodowej produkcji \u201eBilly the Cat\u201d, na zlecenie LesFilms de Triangle (Francja 1995-96), \u201eTroubles\u201d dla Ink Tank\/WTA\/Cartoon Network,(1997-98) a tak\u017ce wiele innych produkcji w tym \u201eAIDA DEGLI ALBERI\u201d dla LANTERNA MAGICA (Turyn- 2001).
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W roku 2001 uko\u0144czy\u0142 m.in. pe\u0142nometra\u017cowy film aktorsko-animowany dla dzieci pt. TRYUMF PANA KLEKSA (re\u017c.Krzysztof Gradowski) \u2013 koprodukcja. z HBO ,\u00a0 oraz 40-minutowy film WYSPA R.O. w re\u017c. Jana Lenicy (koprod. z TVP S.A.).
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Producent film\u00f3w m.in. re\u017c. Andrzeja Bara\u0144skiego \u201eWARZYWNIAK 360\u2019\u201d(2007), koprod. z TVP S.A. oraz \u201eOAZA\u201d (2009), \u201eMANO\u201d (pe\u0142ny metra\u017c) \u2013 re\u017c. Leszek Komorowski (2005), \u201e\u015aLUB KRAWCA (2001)w koprodukcji z TVP S.A. i \u201eB\u0141\u0118DNE KO\u0141O\u201d(2005) \u2013 re\u017c. El\u017cbieta W\u0105sik, \u201eKR\u00d3L I KR\u00d3LIK\u201d re\u017c. Norbert Rasi\u0144ski (2008), w koprod. z TVP S.A.(tak\u017ce pomys\u0142odawca i wsp\u00f3\u0142scenarzysta) \u00a0producent serii 13x 13\u2019 dla TVP S.A.\u201ePODRO\u017bE NA BURZOWEJ CHMURZE\u201d re\u017c. Agnieszka Sadurska (2007-2009) oraz serii\u00a0 26x 13\u2019\u201eHIP \u2013 HIP I HURRA\u201d (2009-13) koprodukcja polsko-francuska, seria sprzedana do ok. 110 kraj\u00f3w (w Polsce emisja w TVP serii \u201eMAMI FATALE\u201d26x10\u2019 (2011-14), koprodukcja z GS Animation z Gda\u0144ska. Serial trzykrotnie nagrodzony przez Jury Dzieci\u0119ce na Tarnowskiej Nagrodzie Filmowej (w latach 2012-14)
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Producent nagradzanych na festiwalach kr\u00f3tkometra\u017cowych film\u00f3w animowanych: LUCKY DAY FOREVER \u2013 re\u017c. Alek Wasilewski (2011) oraz \u0141A\u0179NIA \u2013 re\u017c. Tomek Ducki (2013)
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Od 1.04.2010 SMF zostaje przekszta\u0142cone w Sp\u00f3\u0142k\u0119 Skarbu Pa\u0144stwa, od tego czasu pe\u0142ni funkcj\u0119 Prezesa Zarz\u0105du.
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Wsp\u00f3\u0142organizator \u2013 ze strony polskiej CARTOON FORUM, rok 2011 Sopot.
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W latach 2014-2015 uczestniczy jako producent, z ramienia Studia Miniatur Filmowych w polsko-rumu\u0144sko-francuskiej koprodukcji, animowany film pe\u0142nometra\u017cowy CZARODZIEJSKA G\u00d3RA \u2013 re\u017c. Anca Damian, nagrodzony (wyr\u00f3\u017cnienie) m.in. na Festiwalu w KarlovychVarach w 2015 r.
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W latach 2014 - 17 producent serii i film\u00f3w pojedynczych:
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NIE MARTW SI\u0118 TAMARO \u2013 25 min. TV Special, re\u017c. El\u017cbieta W\u0105sik ,koprod. Polsko-francuska
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BALI \u2013 13x10 min. (te\u017c wsp\u00f3\u0142re\u017cyseria z Szymonem Adamskim) \u2013 koprod. Polsko-francuska
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THE WEBSTERS \u2013 13x 11 min. Koprod. polsko- czesko- s\u0142owacka.
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MAMI FATALE \u2013 III sezon \u2013 13x10 min. Koprod. z GS Animation
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BASIA \u2013 13x10 min. Koprod. z GS Animation
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AGATKA \u2013 13x 10 min. koprod. z Serafi\u0144ski Studio
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Dorobek z ostatnich pi\u0119ciu lat:
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Scenariusze:
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Seria Hip Hip i Hurra (odc. 11 min,):
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\u201eKto porwa\u0142 bociany\u201d (2013
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\u201e\u015amiech to zdrowie\u201d (wsp\u00f3\u0142aut.) (2018)
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Seria Mami Fatale (IV seria, odc. 10 min,):
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\u201eMademoiselle Tip-Top\u201d (wsp\u00f3\u0142aut.) - 2018
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\u201eKasztany\u201d (wsp\u00f3\u0142aut.) 2018
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Inne prace literackie:<\/p>\n
  • Scriptdoctoring IV seriaMami Fatale (13x10\u2019) 2018<\/li>\n
  • Dialogi \u2013 13 odc. Serii Bali (13x10\u2019) 2016<\/li>\n
  • Scriptdoctoring film pe\u0142nometra\u017cowy SZLEMIEL 2018<\/li>\n


    Ponadto:<\/p>\n

  • Re\u017cyseria 7 odc.x10\u2019 serii Bali 2016<\/li>\n
  • Re\u017cyseria trailera (ok. 1\u201920\u201d) filmu SZLEMIEL 2018<\/li>\n

     \n<\/p><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Mackevision Juri Stanossek Juri Stanossek started his career as a Visual Effects Artist in 1994. Since then he's supervised more than 40 projects for TV and cinema. He acted as a Visual Effects Supervisor at Elektrofilm from 2004 to 2008 and then moved forward to Pixomondo Stuttgart, where he supervised international productions like \"Ghostwriter\" (2010), […]<\/p>\n","protected":false},"author":14,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[214],"tags":[],"class_list":["post-14623","post","type-post","status-publish","format-standard","hentry","category-conference"],"acf":[],"_links":{"self":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/14623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/comments?post=14623"}],"version-history":[{"count":10,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/14623\/revisions"}],"predecessor-version":[{"id":15073,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/14623\/revisions\/15073"}],"wp:attachment":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media?parent=14623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/categories?post=14623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/tags?post=14623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}