{"id":10720,"date":"2016-09-30T20:44:03","date_gmt":"2016-09-30T18:44:03","guid":{"rendered":"http:\/\/etiudaandanima.com\/?p=10720"},"modified":"2016-09-30T20:44:03","modified_gmt":"2016-09-30T18:44:03","slug":"the-results-of-the-selection-of-anima-contest-2016","status":"publish","type":"post","link":"https:\/\/etiudaandanima.pl\/en\/the-results-of-the-selection-of-anima-contest-2016\/","title":{"rendered":"We already know the results of the selection of Anima contest 2016"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10717 aligncenter\" title=\"Gaidot Jauno gadu\/Waiting For the New Year, re\u017c.\/dir. Vladimir Leschiov\" src=\"http:\/\/etiudaandanima.com\/wp-content\/uploads\/2016\/09\/waiting_for_the_new_year_1_e2469.jpg\" alt=\"Gaidot Jauno gadu\/Waiting For the New Year, re\u017c.\/dir. Vladimir Leschiov\" width=\"900\" height=\"422\" \/><\/p>\n<p><strong>List of films accepted to the competition in \u00a0Anima contest 2016 \u00a0competing for awards of Golden Jabberwocky (15,000 PLN), Silver Jabberwocky, Bronze Jabberwocky and Special Golden Jabberwocky:<\/strong><\/p>\n<ul>\n<li><em>9, chemin des Gauchoirs<\/em>, re\u017c.\/dir. <strong>Lyonel Charmette<\/strong>, Vanilla Seed, Francja\/France, 13\u2019<\/li>\n<li><em>Aftermath<\/em>, re\u017c.\/dir. <strong>Layla Atkinson<\/strong>, Trunk Animation, Wielka Brytania\/UK, 2\u201930\u2019\u2019<\/li>\n<li><em>Afternoon Class<\/em>, re\u017c.\/dir. <strong>Oh Seoro<\/strong>, Korea, 3\u201950\u2019\u2019<\/li>\n<li><em>Albert<\/em>, re\u017c.\/dir. <strong>Felix Weisz<\/strong>, Austria, 7\u201910\u2019\u2019<\/li>\n<li><em>Am\u00e9lia &amp; Duarte<\/em>, re\u017c.\/dir. <strong>Alice Guimar\u00e3es<\/strong>, M\u00f3nica Santos, Portugalia, Niemcy\/Portugal, Germany, 8\u201930\u2019\u2019<\/li>\n<li><em>Au revoir Balthazar<\/em>, re\u017c.\/dir. <strong>Rafael Sommerhalder<\/strong>, freih\u00e4ndler Filmproduktion GmbH, Switzerland, 9\u201930\u2019\u2019<\/li>\n<li><em>Batfish Soup<\/em>, re\u017c.\/dir. <strong>Amanda Bonaiuto<\/strong>, California Institute of the Arts, USA, 4\u201930\u2019\u2019<\/li>\n<li><em>Before Love<\/em>, re\u017c.\/dir. <strong>Igor Kovalyov<\/strong>,\u00a0 Rosja\/Russia, 19\u201915\u2019\u2019<\/li>\n<li><em>Books on books,<\/em> re\u017c.\/dir. <strong>Lei Lei<\/strong>, Chiny\/China, 7\u201914\u2019\u2019<\/li>\n<li><em>Borderlines<\/em>, re\u017c.\/dir. <strong>Hanka Nov\u00e1kov\u00e1<\/strong>, FAMU, Czechy\/Czech Republic, 4\u201953\u2019\u2019<\/li>\n<li><em>Cachorro Loko<\/em>, re\u017c.\/dir. <strong>Igor Shin Moromisato<\/strong>, Niemcy\/Germany, 5\u201930\u2019\u2019<\/li>\n<li><em>Caf\u00e9 froid\/Cold Coffee<\/em>, re\u017c.\/dir. <strong>Stephanie Lansaque<\/strong> and <strong>Francois Leroy<\/strong>, Francja\/France, 14\u201944\u2019\u2019<\/li>\n<li><em>Castillo y el Armado<\/em>, re\u017c.\/dir. <strong>Pedro Harres<\/strong>, Brazylia\/Brazil, 13\u201946\u2019\u2019<\/li>\n<li><em>Chez moi\/My Home<\/em>, re\u017c.\/dir. <strong>Mai Nguyen<\/strong>, Francja\/France, 11\u201954\u2019\u2019<\/li>\n<li><em>Cia\u0142o obce\/Foregin body<\/em>, re\u017c.\/dir. <strong>Marta Magnuska<\/strong>, PWSFTviT, Polska\/Poland,\u00a0 7\u2019<\/li>\n<li><em>Czer\u0144\/Black<\/em>, re\u017c.\/dir. <strong>Tomasz Popakul<\/strong>, Polska, Japonia\/Poland, Japan, 14\u2019<\/li>\n<li><em>Daljine su savladane\/Distances are overcome<\/em>, re\u017c.\/dir. <strong>Jelena Milunovi\u0107<\/strong>, Serbia, 3\u2019<em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em><\/li>\n<li><em>De longues vacances\/A Long Holiday<\/em>, re\u017c.\/dir.: <strong>Caroline Nugues-Bourchat<\/strong>, Belgia\/Belgium, 15\u201954\u2019\u2019<\/li>\n<li><em>Fears<\/em>, re\u017c.\/dir. <strong>Nata Metlukh<\/strong>, Vancouver Film School (VFS), Kanada\/Canada, 2\u201908\u2019\u2019<\/li>\n<li><em>Feed, <\/em>re\u017c.\/dir.: <strong>Eri Okazaki<\/strong>, Tama Art University, Japonia\/Japan, 6\u201953\u2019\u2019<\/li>\n<li><em>Fenwick Island<\/em>, re\u017c.\/dir. <strong>Shane Beam<\/strong>, DePaul University, USA, 3\u201941\u2019\u2019<\/li>\n<li><em>Figury niemo\u017cliwe i inne historie II\/Impossible figures and other stories II<\/em>,\u00a0\u00a0re\u017c.\/dir.\u00a0 <strong>Marta Pajek<\/strong>, Animoon, Polska\/Poland, 14\u201940\u2019\u2019<\/li>\n<li><em>Flowers and Feathers<\/em>, re\u017c.\/dir. <strong>Jennifer Haugan<\/strong>, Royal College of Art, Wielka Brytania\/UK, 3\u201932\u2019\u2019<\/li>\n<li><em>Gaidot Jauno gadu<\/em>\/<em>Waiting For the New Year<\/em>, re\u017c.\/dir. <strong>Vladimir Leschiov<\/strong>, Lunohod, \u0141otwa\/Latvia, 8\u201911\u2019\u2019<\/li>\n<li><em>Hallux<\/em>, re\u017c.\/dir. <strong>Henning Thomas<\/strong>, University of Fine Arts, Hamburg, Niemcy\/Germany, 10\u201925\u2019\u2019<\/li>\n<li><em>How Long, Not Long<\/em>, re\u017c.\/dir. <strong>Michelle Kranot<\/strong> and <strong>Uri Kranot<\/strong>, Dania\/Denmark, 5\u201930\u2019\u2019<\/li>\n<li><em>Illusions<\/em>, re\u017c.\/dir. <strong>Dominca Harrison<\/strong>, Edinburgh College of Art, Wielka Brytania\/UK, 5\u201922\u2019\u2019<\/li>\n<li><em>In the Distance<\/em>, re\u017c.\/dir. <strong>Florian Grolig<\/strong>, Niemcy\/Germany, 7\u2019<\/li>\n<li><em>Kolekcjoner\/Colector, <\/em>re\u017c.\/dir. <strong>Kamila i Mirek Sosnowscy<\/strong>, Polska\/Poland, 7\u201909\u2019\u2019<\/li>\n<li><em>Kompozicija\/Composition, <\/em>re\u017c.\/dir. <strong>Mitja Man\u010dek<\/strong>, S\u0142owenia\/Slovenia, 3\u201934\u2019\u2019<\/li>\n<li><em>Kovbojsko\/Cowboyland, <\/em>re\u017c.\/dir. <strong>David Stumpf<\/strong>, Academy of Performing Arts in Bratislava, S\u0142owacja\/Slovakia, 4\u201946\u2019\u2019<\/li>\n<li><em>Kut\/Corner<\/em>, re\u017c.\/dir. <strong>Lucija Mrzljak<\/strong>, Estonian Academy of Arts, Estonia, 2\u201906\u2019\u2019<\/li>\n<li><em>Lak Boh Ki<\/em>\/<em>Drop Nowhere<\/em>, re\u017c.\/dir. <strong>Qing Sheng Ang<\/strong>, Singapur\/Singapore, 7\u201938\u2019\u2019<\/li>\n<li><em>Living<\/em>, re\u017c.\/dir. <strong>Cesar Diaz Melendez<\/strong>, Hiszpania\/Spain, 1\u2019<\/li>\n<li><em>Locus<\/em>, re\u017c.\/dir. <strong>Anita Kwiatkowska-Naqvi<\/strong>, WJTeam, Polska\/Poland, 10\u201908\u2019\u2019<\/li>\n<li><em>L\u00f6ss<\/em>, re\u017c.\/dir. <strong>Yi Zhao<\/strong>, Andre Bos, Holandia\/Nederland, 28\u2019<\/li>\n<li><em>Me Kafka Bogota<\/em>, re\u017c.\/dir. <strong>Camilo Cogua &amp; Ricardo Arce<\/strong>, Kolumbia\/Colombia, 7\u2019<\/li>\n<li><em>Merlot<\/em>, re\u017c.\/dir.<strong> Giulia Martinelli<\/strong> and<strong> Marta Gennari<\/strong>, W\u0142ochy\/Italy, 5\u201940\u2019\u2019<\/li>\n<li><em>Minotaurs<\/em>, re\u017c.\/dir. <strong>Karlis Vitols<\/strong>, \u0141otwa\/Latvia, 8\u201930\u2019\u2019<\/li>\n<li><em>Mr Sand<\/em>, re\u017c.\/dir.<strong> Soetkin Verstegen<\/strong>, Dania\/Denmark, 8\u201915\u2019\u2019<\/li>\n<li><em>Music Dances<\/em>, re\u017c.\/dir. <strong>Kirill Fessenko<\/strong>, Kanada\/Canada, 1\u201954\u2019\u2019<\/li>\n<li><em>Nighthawk<\/em>, re\u017c.\/dir. <strong>\u0160pela \u010cade\u017e<\/strong>, S\u0142owenia\/Slovenia, 8\u201950\u2019\u2019<\/li>\n<li><em>Novembre\/November<\/em>, re\u017c.\/dir. <strong>Marjolaine Perreten<\/strong>, La Poudri\u00e8re, Francja\/France, 4\u2019<\/li>\n<li><em>Parade de Satie<\/em>, re\u017c.\/dir. <strong>Koji Yamamura<\/strong>, Japonia\/Japan, 14\u201912\u2019\u2019<\/li>\n<li><em>Penelope, <\/em>re\u017c.\/dir<em>. <\/em><strong>Heta J\u00e4\u00e4linoja<\/strong>, Estonian Academy of Arts, Estonia, 4\u201923\u2019\u2019<\/li>\n<li><em>Perched<\/em>, re\u017c.\/dir. <strong>Liam Harris<\/strong>, The National film and Television School, Wielka Brytania\/UK, 10\u201930\u2019\u2019<\/li>\n<li><em>Projection<\/em>, re\u017c.\/dir. <strong>Beryl Allee<\/strong>, Pacific Northwest College of Art, USA, 5\u201941\u2019\u2019<\/li>\n<li><em>Radio Wave<\/em>, re\u017c.\/dir. <strong>Ryotaro Miyajima<\/strong>, Tokyo University of the Arts, Japonia\/Japan, 3\u201909\u2019\u2019<\/li>\n<li><em>Scapegoat<\/em>, re\u017c.\/dir. <strong>Gal Haklay<\/strong>, Izrael\/Israel, 8\u201930\u2019\u2019<\/li>\n<li><em>\u015alady ulotne<\/em>\/<em>Traces of Ephemeral<\/em>, re\u017c.\/dir. <strong>Agnieszka Waszczeniuk<\/strong>, Uniwersytet Artystyczny w Poznaniu, Polska\/Poland, 7\u201949\u2019\u2019<\/li>\n<li><em>Slinky<\/em>, re\u017c.\/dir. <strong>Rianne Stremmelaar<\/strong>, Artez Hogeschool voor de Kunsten Zwolle, Holandia\/Netherlands, 5\u2019<\/li>\n<li><em>\u0160uma\/Shuma<\/em>, re\u017c.\/dir. <strong>Lucija Mrzljak<\/strong>, Estonian Academy of Arts, Estonia, 6\u201912\u2019\u2019<\/li>\n<li><em>The Five Minute Museum<\/em>, re\u017c.\/dir. <strong>Paul Bush<\/strong>, Ancient Mariner and Schattenkabinett, Wielka Brytania\/UK, 6\u201930\u2019\u2019<\/li>\n<li><em>The Loneliest Stoplight<\/em>, re\u017c.\/dir. <strong>Bill Plympton<\/strong>, USA, 6\u201918\u2019\u2019<\/li>\n<li><em>The Scarecrow<\/em>, re\u017c.\/dir. <strong>Victoria Budgett<\/strong>, The Arts University Bournemouth, Wielka Brytania\/UK, 3\u201950\u2019\u2019<\/li>\n<li><em>Le Promeneur\/The Walker<\/em>, re\u017c.\/dir. <strong>Thibault Chollet<\/strong>, Francja\/France, 5\u201953\u2019\u2019<\/li>\n<li><em>Tik Tak<\/em>, re\u017c.\/dir.<strong> \u00dclo Pikkov<\/strong>, Nukufilm, Estonia, 10\u2019<\/li>\n<li><em>Tres moscas a medida\/Three Fitted Flies, <\/em>re\u017c.\/dir. <strong>Mar\u00eda \u00c1lvarez<\/strong> and <strong>Elisa Morais<\/strong>, Wielka Brytania\/UK, 7\u201947\u2019\u2019<\/li>\n<li><em>Tu Tamo\/Here There<\/em>, re\u017c.\/dir. <strong>Alexander Stewart<\/strong>, Bonobostudio, Chorwacja\/Croatia, 4\u201940\u2019\u2019<\/li>\n<li><em>Un plan d\u2019enfer\/One Hell of a Plan<\/em>, re\u017c.\/dir. <strong>Alain Gagnol<\/strong>, <strong>Jean-Loup Felicioli<\/strong>, Francja\/France, 5\u201950\u2019\u2019<\/li>\n<li><em>Vaysha l'aveugle\/Blind Vaysha<\/em>, re\u017c.\/dir. <strong>Theodore Ushev<\/strong>, Kanada\/Canada, 8\u201913\u2019\u2019<\/li>\n<li><em>Vu\u010dje igre\/Wolf Games<\/em>, re\u017c.\/dir. <strong>Jelena Oroz<\/strong>, Chorwacja\/Croatia, 4\u201944\u2019\u2019<\/li>\n<li><em>Wildfire<\/em>, re\u017c.\/dir. <strong>Hugues Opter, Pierre Pinon, Nicole Stafford, Valentin Stoll, Arnaud Tribout, Shang Zhang<\/strong>, Francja\/France, 3\u201958\u2019\u2019<\/li>\n<li><em>Without Tears<\/em>, re\u017c.\/dir. <strong>Amy Wang<\/strong>, Taipei National University of the Arts, Taiwan, 5\u201924\u2018\u2019<\/li>\n<li><em>Wonder<\/em>, re\u017c.\/dir. <strong>Mirai Mizue<\/strong>, Carte Blanche, Francja\/France, 8\u201908\u2019\u2019<\/li>\n<li><em>XOXO - poca\u0142unki i u\u015bciski\/XOXO \u2013 Hugs and Kisses<\/em>, re\u017c.\/dir. <strong>Wiola Sowa<\/strong>, SowaFilm, Poland, 14\u2019<\/li>\n<li><em>Zaczyn\/Leaven, <\/em>re\u017c.\/dir. <strong>Artur Hanaj<\/strong>, PWSFTviT, Polska\/Poland, 5\u2019<\/li>\n<li><em>\ub3d9\ubb3c\ub18d\uc7a5<\/em><em>\/Animal farm<\/em>, re\u017c.\/dir. <strong>Choi Nara<\/strong>, Korea, 6\u201915\u2019\u2019<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>List of films accepted to the competition in \u00a0Anima contest 2016 \u00a0competing for awards of Golden Jabberwocky (15,000 PLN), Silver Jabberwocky, Bronze Jabberwocky and Special Golden Jabberwocky: 9, chemin des Gauchoirs, re\u017c.\/dir. Lyonel Charmette, Vanilla Seed, Francja\/France, 13\u2019 Aftermath, re\u017c.\/dir. Layla Atkinson, Trunk Animation, Wielka Brytania\/UK, 2\u201930\u2019\u2019 Afternoon Class, re\u017c.\/dir. Oh Seoro, Korea, 3\u201950\u2019\u2019 Albert, [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":10717,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[199,15],"tags":[],"class_list":["post-10720","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anima-competition","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/10720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/comments?post=10720"}],"version-history":[{"count":2,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/10720\/revisions"}],"predecessor-version":[{"id":10725,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/posts\/10720\/revisions\/10725"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media\/10717"}],"wp:attachment":[{"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/media?parent=10720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/categories?post=10720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/etiudaandanima.pl\/en\/wp-json\/wp\/v2\/tags?post=10720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}