DAY 3

21st November (Thursday)


Małopolska Garden of Arts
Rajska 12
Large Screening Room

10 a.m.
  • Lotte ja kadunud lohed / Lotte i zagubione smoki / Lotte and the Lost Dragons, reż./dir.: Janno Põldma, Heiki Ernits, muz./mus.: Sven Grünberg, prod.: Eesti Joonisfilm, Rija Films, EE/LV 2019, 78’ (Family film, 5+)

  • In this third film of the series of Lotte films that children know and love, the spirited girl dog Lotte gets a little sister named Roosi. Karl the raccoon and Viktor the fish are scientists who come to Gadgetville. They are taking part in a big folk song collecting competition. Whoever succeeds in recording the folk song of the world’s oldest animal species, the mythical fire-breathing dragon, wins the competition’s grand prize. Lotte and Roosi decide to help the scientists. Exciting and unexpected adventures await the sisters.

    12 p.m.
  • Away, reż./dir.: Gints Zilbalodis, muz./mus.: prod.: Bilibaba, LV 2019, 75’

  • A boy winds up lost on a mysterious island, inhabited only by a few animals and a giant who insistently pursues our hero. This boy's journey across a strange landscape gives rise to minimalist, evocative animated film, made entirely by Gints Zilbalodis and winner of one of the most important awards at the latest Annecy festival.

    2 p.m.
    Europe in animation (II)
    Portugalia - Portugal – Cinanima International Animated Film Festival in Espinho presents (63’)


    Held for more than 40 years, the International Animated Film Festival in Espinho is one of the oldest industry events in the world. This time, on the request of the IFF Etiuda&Anima Organization Office, the festival presents a selection of the most interesting Portugese animations from recent years.

  • Porque este é o meu ofício | Bo taki mam zawód | Because this is My Craft, reż./dir.: Paulo Monteiro, PT 2018, 10' 17''
  • 4 Estados da matéria | 4 stany materii | 4 States of Matter, reż./dir.: Miguel Pires de Matos, PT 2017, 12'48''
  • Água mole | Kropla po kropli | Drop by Drop, reż./dir.: Alexandra Ramires (Xá), Laura Gonçalves, PT 2016, 9'15''
  • Surpresa | Niespodzianka | Surprise, reż./dir.: Paulo Patrício, PT 2017, 8'49''
  • Das gavetas nascem os sons | Głosy z szuflad | The Sounds From the Drawers, reż./dir.: Vítor Hugo Rocha, PT 2017, 6'16''
  • Entre Sombras | Wśród cieni| Between the Shadows, reż./dir.: Mónica Santos, Alice Guimarães, PT 2018, 13'25''
  • Agouro | Znak | Augur, reż./dir.: David Doutel, Vasco Sá, PT 2018, 15'


  • 4 p.m.
    3rd Screening of ANIMA Competition (103’)

  • Udahnut zivot / Wypchane życie / Imbued Life, reż./dir.: Ivana Bosnjak, Thomas Johnson, HR 2019, 12'15''
  • Castle / Zamek, reż./dir.: Ryotaro Miyajima, JP 2019, 5'
  • Deszcz / Rain, reż./dir.: Piotr Milczarek, PL 2019, 5'
  • La Plongeuse / Nurek / The Diver, reż./dir.: Iulia Voitova, FR 2018, 4'09''
  • Almost there / Prawie na miejscu, reż./dir.: Nelly Michenaud, UK 2019, 8'44''
  • Lachfalten / Zmarszczki mimiczne / Laugh Lines, reż./dir.: Patricia Wenger, CH 2018, 5'52''
  • West Question East Answer / Zachodnie pytanie wschodnia odpowiedź, reż./dir.: Dal Park, UK 2018, 6'26''
  • Fight Club but with Tennis / Klub walki, ale z tenisem, reż./dir.: Sylvie Le Couteur, AU 2018, 3'04''
  • Silence / Cisza, reż./dir.: Isis Leterrier, FR 2019, 9'50''
  • Wieczór / Sunset, reż./dir.: Marcin Giżycki, PL 2019, 3'15''
  • Intermission Expedition / Przerwana wyprawa, reż./dir.: Wiep Teeuwisse, NL 2019, 8'21''
  • Lola zhivaya kartoshka / Lola, żyjący ziemniak / Lola the living potato, reż./dir.: Leonid Shmelkov, FR/RU 2018, 17'18''

  • 6.30 p.m.
    Self-Portraits of Animation Authors (I) – Igor Kovaljov
    Special Guest – Igor Kovalyov

  • Его жена курица / Jego żona kura / Hen, His Wife, reż./dir.: Igor Kovalyov, prod. Pilot Studio, ZSRR 1990, 14’
  • Flying Nansen / Latający Nansen, reż./dir.: Igor Kovalyov, muz./music: Vladimir Horunzhy, prod.: Klasky-Csupo, USA 1999, 11'
  • Milch / Mleko, reż./dir.: Igor Kovalyov, prod. Klasky Csupo Inc., USA/RU 2005, 15'30’’
  • Before Love / Przed miłością, reż./dir.: Igor Kovalyov, muz./music: Yuriy Poteenko, Miriam Sekhon, prod. Julia Gulyan (Bazelevs), RU 2016, 19'15’’

  • 8.30 p.m.
    4th Screening of ANIMA Competition (89’)

  • Entre sombras / Wśród cieni / Between the shadows, reż./dir.: Mónica Santos, Alice Guimarães, PT/FR 2018, 13'25''
  • Kõhkleja / Niezdecydowany / The Hesitator, reż./dir.: Katariin Mudist, EE 2019, 3'42''
  • Desyat Etyuov v chernom / Dziesięć czarnych szkiców / Ten sketches in black, reż./dir.: Tatiana Kuznetsova, Masha Serebryakova, Nikolai Sh, RU 2018, 5'42''
  • Schovka / Zabawa w chowanego / Hide N Seek, reż./dir.: Barbora Halířová, CZ 2019, 6'55''
  • The Lonely Orbit / Samotna orbita, reż./dir.: Frederic Siegel, Benjamin Morard, CH 2019, 9'20''
  • Good Intentions / Dobre intencje, reż./dir.: Anna Mantzaris, UK 2018, 8'35''
  • Movements / Ruchy, reż./dir.: Dahee Jeong, KS 2019, 10'15''
  • 300 g/m2, reż./dir.: Kamila Kučíková, EE/SK 2018, 5'33''
  • Une famille dysfonctionnelle / Dysfunkcyjna rodzina / A Dysfunctional Family, reż./dir.: Alexandre Fatta, CA 2018, 5'20''
  • Hänen päänsä / Jej głowa / Her Head, reż./dir.: Emma Louhivuori, FI 2019, 7'
  • Ostatnia wieczerza / Last supper, reż./dir.: Piotr Dumała, PL 2019, 13'


  • Małopolska Garden of Arts
    Rajska 12
    Small Screening Room

    10 a.m.
    1st Screening of ETIUDA Competition – repetition (95’)

    12 p.m.
    2nd Screening of ETIUDA Competition – repetition (104’)

    2 p.m.
    Watch and buy me! Animated film series and toy industry
    Led by: Konrad Sierzputowski

    3.30 p.m.
    3rd Screening of ETIUDA Competition (103’)

  • Last Call / Ostatnie wezwanie, reż./dir.: Hajni Kis, prod.: University of Theatre and Film Arts of Budapest, HU 2018, 27’18’’
  • Kühe können nicht schwimmen / Krowy nie potrafią pływać / Cows Can’t Swim, reż./dir.: Jonas Möllmann, prod.: Fachhochschule Dortmund, DE 2018, 22’47’’
  • JR, reż./dir.: Nicolasa Ruiz, prod.: Universidad Autónoma de Baja California, MX 2019, 20’28’’
  • 紙飛機/ Papierowy samolot / Blowing in the Wind, reż./dir.: Saito Chong, prod.: NTUA Deapratment of Motion Picture, TW 2019, 24’59’’
  • The Vibrant Village / Wibrująca wioska, reż./dir.: Weronika Jurkiewicz, prod.: University of Theatre and Film Arts of Budapest, Universidade Lusófona, LUCA - School of Arts, HU 2018, 6’55’’


  • 5.45 p.m.
    Farewell

  • Varda według Agnès / Varda by Agnès / Varda par Agnès, , reż./dir.: Agnès Varda, wyst./cast: Agnès Varda, Sandrine Bonnaire, Hervé Chandès, prod.: Ciné Tamaris, Arte France, FR 2018 / 115’

  • Last film by the recently deceased artist. Photographer and film director about herself, autoportrait of one of French New Wave icons. In her work she combined social engagement, feminist message and love for formal experiments.Her best renowned films include Cléo from 5 to 7 (Cléo de 5 à 7), Happiness (Le Bonheur) and Vagabond (Sans toit ni loi) (Golden Lion at the Venice Film Festival in 1985).

    8 p.m.
    4th Screening of ETIUDA Competition (105’)

  • Strawberry Boys, reż./dir.: Michał Toczek, prod.: Państwowa Wyższa Szkoła Filmowa Telewizyjna i Teatralna w Łodzi, PL 2018, 20’38’’
  • Am Himmel / Na niebie / Heaven’s Meadow, reż./dir.: Magdalena Chmielewska, prod.: Filmacademie Wien, AT 2018, 29’56’’
  • Kaugummiblase / Guma balonowa / Bubble Gummed Girl, reż./dir.: Anja Gurres, prod.: Filmakademie Baden-Württemberg, DE 2018, 25’12’’
  • La Llorona / Płacząca kobieta / Weeping Woman, reż./dir.: Rosana Cuellar, prod.: Hochschule für bildende Künste Hamburg, DE 2018, 28’28’’


  • Jan Matejko Academy of Fine Arts in Krakow
    Plac Jana Matejki 13


    5 p.m.
    Between the media (III)
    Film Award or competition by the Wajda School and the Museum of Modern Art


  • Symfonia Fabryki Ursus / Symphony of the Ursus Factory, , reż./dir.: Jaśmina Wójcik, muz./mus.: Dominik Strycharski, prod.: Wajda Studio, PL 2018, 60'

  • The Ursus Factory used to be one of the major tractor production plants in Europe. Almost throughout the whole 20th century it was the pride of Polish industry. The fall of communism marked the beginning of its end. Today the Ursus assembly halls are empty or fall into ruin. Tens of thousands of biographies of people working there were consigned to the dustbin of history. The project was created as part of activities promoting experimental and srtstic film. The Film Award supports the innovativeness of form combined with radical artistic imagination and intelligence.

    Studio Club
    ul. Witolda Budryka 4


    6 p.m.
    Animated etudes by students of the Academy of Fine Arts in Krakow and jazz variations by Tymon Tymański (35')

  • Akwarium / Aquarium, reż./dir.: Jagoda Czarnowska, ASP Kraków, PL 2019, 5’55”
  • Skorupki 125, reż./dir.: Ewelina Galla, ASP Kraków, PL 2019, 2’23”
  • Parówczany, reż./dir.: Grzegorz Bugaj, ASP Kraków, PL 2019, 5’36”
  • Kaprysia / Whim, reż./dir.: Betina Bożek, ASP Kraków, PL 2019, 8’07”
  • Gdzieś to już słyszałem / I`ve heard that somewhere before, reż./dir.: Mikołaj Czyżowski, ASP Kraków, PL 2019, 4’53”
  • My son / Mój syn, reż./dir.: Olga Synyshyn, ASP Kraków, PL 2019, 2’40”
  • Ości / Fish bones, reż./dir.: Małgorzata Wowczak, ASP Kraków, PL 2019, 4’35”

  • TYMON TYMAŃSKI YASSTET
    This time Tymański returns to string bass and intimate jazz, his fascination from the time of his iconic group Miłość/Love. In his instrumental, sensorial explorations he is accomapnied by the Tri-city jazz scene musicians: the saxophonist Ireneusz Wojtczak, guitarist Marcin Gałązka, pianist Michal Wandzilak and drummer Jacek Prościński.

    7 p.m.
  • Jesteś Bogiem / You Are God, reż./dir.: Leszek Dawid, scen./sc.: Maciej Pisuk, zdj./ph.: Radosław Ładczuk, wyst./cast: Marcin Kowalczyk, Tomasz Schuchardt, Dawid Ogrodnik, Arkadiusz Jakubik, prod. Studio Filmowe KADR, PL 2012, 124’

  • Upper Silesia, late 1990s. Piotr Łuszcz “The Magician” leaves the group Kaliber 44 due to artistic differences. Together with Wojciech ”Focus” Alszer and Sebastian ”Rahim” Salbert he creates a new group called Paktofonika.

    9.15 p.m.
    After the screening meeting with Leszek Dawid and Łukasz Gutt – conversation about the making of “Broad Peak” – how it is to make a film at the altitude of 5600 meters above sea level.